I haven't watched that many, but of the ones I've seen, Pan's Labyrinth definitely ranks in my top 10. But since you've already seen that one, here are what my top faves would be (so far) without it:
10. Belleville Rendez-vous
Also known as
The Triplets Of Belleville, as released in the U.S..
As an illustrator & cartoonist, I was surprised at how close this flick was to the style of drawing that got me interested in the field to begin with. Gritty yet beautifully rendered, cartoonishly exaggerated yet realistically animated. I could look at artwork like this all day.
Plus, even though it is a foreign film, it has no dialogue in it, at all. And therefore, no need for sub-titles. So if some bizarre accident occurs (heaven forbid, of course) whereby that part of your brain that's responsible for reading becomes inexplicably cancelled out, you'll still be able to watch & enjoy this flick.
9. [rec]
Take what Cloverfield took from The Blair Witch Project, add a dash of 28 Days Later, and then sprinkle on some sub-titles (depending on which version you see),
& there you go. A quality zombie flick of which I rarely get to see without a giant glob of gooey camp splattered all over it.
8. The Blind Swordsman: Zatoichi
I had heard of Zatoichi, but never bothered looking up anything about this long-lasting character of the East. I stumbled on this DVD, & found myself enjoying it so much, that the end result was multiple viewings with no diminishment in enjoyment. The movie, just like the series of an earlier time, follows the latest adventure of a mystery traveler commonly referred to as the "blind masseuse", who in actuality is a gentle samurai warrior who's lone wolf journeys could've well been the inspiration of the Italian counter-part, "Man With No Name" of spaghetti western fame. Silent, noble & despite his blindness, the ability to see with more clarity, not just the world around him, but also the will & intentions contained within the hearts of all whom he encounters.
A great classic character of the Japanese tradition.
7. City Of God
For me, watching this Brazillian-based film feels almost exactly like watching a documentary. In one frighteningly all-too real scene involves a young (incredibly young) kid gang member who is cornered by a much older gang leader from another troupe & then is asked to choose between getting shot in the hand or in the foot. IMO, it is a scene that holds more power, depth & context than most movies contain in their entirety. An incredibly eye-opening & moving picture that reveals the true grit of violence, hopelessness & poverty of the South American slums that lie behind tourist paradises such as Rio de Janeiro and the like.
6. Curse Of The Golden Flower
Some of the most breath-taking & just absolutely beautiful background sets designs ever in a film. So rich are the colors & exquisite details in this movie, that it requires multiple viewings just to be able to soak it all in. Once one can get passed that aspect of the film, it will become obvious that the sets are not a distraction, but an enhancement to the story. An enrichment that adds to the dialogue with an intensity that allows the ideas of what appears to be human pettiness behavior in a royal setting (a la Shakespearian stuff) to be revealed as much grander in scope & concept.
And for a movie that can make someone as simple minded as myself come to a conclusion like that, that's definitely a statement to the power of it's artistry.
5. Sympathy For Lady Vengeance
Part of a Vengeance Trilogy of which the more well-renowned Oldboy belongs to. IMO, of the trio, I find that Sympathy For Lady V to more strongly emphasize director Park Chan-wook's "poetic" use of visuals (a phrase you'll probably be able to understand better once you watch it) with a story that flows much smoother into it's gritty climax that, for my money, is richly laden with an equal balance of above-the-law justice & a plausible & sensible empathy for it's unique plot-device.
So while I also recommend Oldboy as a great flick that is armed with a more in-your-face type of plot twist, I still find that my sympathies tend to lean stronger towards Lady Vengeance.
4. Let The Right One In
This is my favorite movie of 2008 & I've already written my feelings for it
here. However to add to it, let me say that an American version is just about ready to start shooting (if it hasn't started already), so I'd recommend checking to see if this is playing in your area, b'cuz in order to keep the buzz for the new version more open, I can't imagine that the original will be playin' on these shores for too much longer. Now, it's in very limited release as it is, so the chances are pretty slim, but if you can find it, it's well worth the trip.
3. El Mariachi
Because of the severe financial restraints of this picture, the story is forced to be told thru the creativity of all-out action in it's purest, most unadulterated form. I think that there should be a law requiring that
all big budget action films be shot & directed with as much energy & fun as in this one,
before even one cent of the million dollars of special effects is spent.
Cool, violent & high-octane action-adventure in all it's bared-boned glory.
2. Ran
Before movies like Crouching Tiger/ Hidden Dragon & Hero came along & added the artistically flair fantasy elements to these types of epic movies, there was Ran. Some of the most beautiful & grand visuals ever in an Akira Kurosawa film. The fact that his name was associated with this project guaranteed this film's sweeping quality. And, the added high budget seemed to compromise his vision not in the slightest. Instead, it seemed to open up the potentiality that Mr. Kurosawa had holding in his already abundant visionary dreams.
Definitely my favorite of his works.
1. House Of Flying Daggers
Growing up, it always frustrated me whenever the majority of big budget action flicks or martial arts movies of the time often seemed to sacrifice on story to make room for the expansive bangs & the expensive effects. It was generally said, that in these types of movies, you couldn't really have both, particularly, at a consistent high level. And I was one those kids who always asked "Why not?"
And then came the House Of Flying Daggers. And with it's beautiful story of love & intrigue, combined with lavish costumes, solid performances & unique individually themed action sequences, this film of the burgeoning genre known as wuxia, seemed to asked that very same question.
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) not hearing a multitude of foreign languages. Just by going to work I can think of three different languages that I might hear in a day, and one language (Spanish) in many different dialects. 
