I don't think so; both shows are on the same level of maturity for me, but one was noticeably less gripping for me, and that was Saul. I mean, it's a very good show, I just don't think it was ever going to be on the same level as its parent show, if because of nothing else but diminishing returns when it comes to that particular universe.
So I went and read through the emails with my ex (yes, we discussed film over email because my long-form thinking isn’t a fit for texting) about BCS. @
Citizen Rules, see why I don’t delete them? A goldmine of context!
I thought at the time that BCS was ‘sad’ on a plotting, meta-level; somewhat to your point above, it felt like it wasn’t going anywhere and there was nothing for me to get invested in. It’s ironically how many people define ‘maturity’: loss of idealism, a kind of tempering of all ambition and hopes and plans, just kind of settling for life being very meh and things one wanted as a young person being laughably impossible. This is what how I would describe Saul’s vibe. It was just so ****ing bleak, like the best of Russian literature, heh. Not that I think a mature optimism is impossible, but it’s rare.
Things could only go from bad to worse in
Saul, even if you tried to ignore the additional BB context. Of course, plenty of genre writers argue that things going from bad to worse is exactly what perfect plotting looks like, but I guess I just wasn’t feeling it.
Then again, I also have a bit of a personal grudge against the films/shows (often revered classics) that kind of descend into sheer negativity and hopelessness. That’s how BCS came off to me, though I know plenty of people felt differently.
The more times I’ve seen it, the more I’ve come to feel that BB’s ending isn’t at all depressing and that it all kind of ends on a good note in every possible sense. Maybe that’s my warped perception of reality. People usually don’t know what I’m talking about, I’m used to it.