1950s Movies Appreciation Thread

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Was getting into 50s movies recently, so I thought to make a thread discussing them.

My favorite so far might have to be Witness for the Prosecution. Very good movie full of wit and dedication in inspecting its subject matter.




I was going to say welcome to MoFo, but I see you've been here 9 1/2 years! So you're probably aware of our MoFo Top 100 1950s Movie list...lots of great 50s films there. Witness for the Prosecution is one of the great films by one of the great directors, Billy Wilder. I reviewed it and gave it a
.


The 1950s is my favorite decade for movies, what other ones have you seen and really liked?



I was going to say welcome to MoFo, but I see you've been here 9 1/2 years! So you're probably aware of our MoFo Top 100 1950s Movie list...lots of great 50s films there. Witness for the Prosecution is one of the great films by one of the great directors, Billy Wilder. I reviewed it and gave it a
.


The 1950s is my favorite decade for movies, what other ones have you seen and really liked?
Billy Wilder really sticks out to me because he really knows how to bring out the flare and wit in dialogue while still being able to take the characters seriously, yeah.

As for others I've liked, I think it would have to be these:

Anatomy of a Murder (1959)

Bad Day at Black Rock (1955)

The Narrow Margin (1952)

Johnny Guitar (1954)

Rebel Without a Cause (1955)

Kiss Me Deadly (1955)

Detective Story (1951)

The Man Who Knew Too Much (1956)

Shadows (1958)



Billy Wilder really sticks out to me because he really knows how to bring out the flare and wit in dialogue while still being able to take the characters seriously, yeah.

As for others I've liked, I think it would have to be these:

Anatomy of a Murder (1959)
Bad Day at Black Rock (1955)
The Narrow Margin (1952)
Johnny Guitar (1954)
Rebel Without a Cause (1955)
Kiss Me Deadly (1955)
Detective Story (1951)
The Man Who Knew Too Much (1956)
Shadows (1958)
Ah, all great ones! The only one I haven't seen was Shadows and I had planned to watch that. Seen and loved all the rest, good taste! Yes Wilder is the man, he made so many great ones.

These three qualify for the upcoming MoFo Top Film Noir Countdown that's coming up:

The Narrow Margin (1952)
Kiss Me Deadly (1955)
Detective Story (1951)

I hope you'll send in a voting ballot, voting rules are on the 1st post of that link.

I've been watching a Film Noir almost every single night, sometimes two of them. Have you seen this noir rating thread? Lots of great noirs reviewed there.



The only one I haven't seen was Shadows and I had planned to watch that.
Shadows is probably one of the messiest 1950s movies that still has some competency and professionalism behind it. It's not like classical Hollywood at all. It's like a jazzy stream of consciousness that you just feel as a lot of worthwhile things to say, even if it's not always sure how to say them. I'm sure some people would call his sloppy filmmaking, but I like how it portrays it, like when the characters go to a park full of statues:

TOM: I don't know what you wanted to come here for, Dennis. This joint is nothing but a place
for a bunch of sexless women who don't have any love in their life. A lot of big deal professors. A lot of creeps trying to show off how much they know.

DENNIS: You couldn't be wronger.

TOM: I suppose professors don't come here?

DENNIS: Well, I didn't say that.

TOM: All right, Dennis. Look at that. I suppose you can tell me what he's about, huh, genius?

DENNIS: He's a statue.

TOM: I know he's a statue, Dennis. What kind of a statue? I know he's a statue.

DENNIS: Well, Tom, I don't know everything.

TOM: You know something, Dennis?

DENNIS: Yeah?

TOM: You don't know nothing.

DENNIS: Oh, yeah? What do you know?

TOM: A lot more than you do, pal.

DENNIS: Yeah? Well what you come here for if you know so much? You have no respect for art, no respect at all.

TOM: You listen to me, Dennis. You're nothing but an ignorant slob, Dennis, a little ignorant slob. I went to college, Dennis.

DENNIS: You?

TOM: All I ever got out of it was dissipation, and a lot of early bells disturbing my sleep. A lot of supercilious professors, slob professors, shooting off their mouth about something, trying to teach me something they'd already failed at in life themselves. So don't tell me I don't appreciate anything.



Sorry if I'm rude but I'm right
Cinema is dead!

LONG LIVE CINEMA!

__________________
Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



Please Quote/Tag Or I'll Miss Your Responses
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Cairo Station
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The Roof
A Man Escaped
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Wild Strawberries
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Little Fugitive
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Marty
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The Cranes Are Flying
Paths of Glory
The Bridge
Man On The Tracks
Ordet
Kraner's Confectionary
The Harder They Fall
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Hondo
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The Desperate Hours
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The Killing
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From Here To Eternity
Diary of a Country Priest
All That Heaven Allows
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The Young And The Damned
Caged
On The Bowery
White Nights
Ballad of a Soldier
Home Before Dark
Salt of the Earth
It Happened In Broad Daylight
I Live In Fear
Il Gido
The Cousins
Le Beau Serge
The Destiny of Man
Love In The City
A Generation
These Wilder Years
Venom and Eternity
Ice Cold Alex



Dialogue triumph from Witness for the Prosecution:

WILFRID: In this country we are inclined to take
a rather more serious view of marriage.
However, it would appear that when
you first met the prisoner in Hamburg you lied to him about your marital status.

CHRISTINE: I wanted to get out of Germany, so...

WILFRID: You lied, did you not? Just yes or no, please.

CHRISTINE: Yes.

WILFRID: Thank you. And in arranging the marriage, you lied to the authorities?

CHRISTINE: I, um, did not tell the truth to the authorities.

WILFRID: You lied to them?

CHRISTINE: Yes.

WILFRID: And in the ceremony, when you swore
to love, honour and cherish your husband, that too was a lie?

CHRISTINE: Yes.

WILFRID: And when the police questioned you
about this wretched man who believed himself married and loved, you told them...

CHRISTINE: I told them what he wanted me to.

WILFRID: You told them that he was at home
with you at 25 minutes past 9, and now you say that that was a lie?

CHRISTINE: Yes, a lie!

WILFRID: And when you said that he had accidentally cut his wrist, again, you lied?

CHRISTINE: Yes!

WILFRID: And today you told a new story entirely. The question is, Frau Helm,
were you lying then, are you lying now?

Or are you not, in fact, a chronic and habitual LIAR!