I can't find any financials for 'Still Waiting' but it's definitely not big budget haha Loved the original 'Waiting' though
Great big budget movies never flop in theaters
Does The Last Airbender count as a big budget movie that flopped? Or does it not count as a flop cause it made double it's budget back?
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I'm trying to find better examples than BR2049 but I'm struggling.....
Polar Express
Ali
....
Anything on these aronis?
Polar Express
Ali
....
Anything on these aronis?
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No, and literally nothing I said implies this, either. You sound like you're actively avoiding the questions, at this point.
The phrasing here is weird, too. "We should just accept..."? As if the idea of a blockbuster that takes chances is some kind of personal affront? Seems like there's some discomfort with the idea that good films can do badly, too. I'm not gonna say the world's general unpredictability isn't unsettling, but we can't theorycraft it out of existence.
Regardless, if you want anyone to take these theories at all seriously, you'll need to answer the occasional question about their logic and implications. I'm presenting you with some really simple follow-ups, and all I'm getting back are weird non-sequitur contradictions about things I didn't say or ask.
The phrasing here is weird, too. "We should just accept..."? As if the idea of a blockbuster that takes chances is some kind of personal affront? Seems like there's some discomfort with the idea that good films can do badly, too. I'm not gonna say the world's general unpredictability isn't unsettling, but we can't theorycraft it out of existence.
Regardless, if you want anyone to take these theories at all seriously, you'll need to answer the occasional question about their logic and implications. I'm presenting you with some really simple follow-ups, and all I'm getting back are weird non-sequitur contradictions about things I didn't say or ask.
These theories are not just about end products..they are about studios making movies quickly even with good directors. They see potential and want to make them the next james cameron or chris nolan to make money. Thats how you end up with irresponsible movies that really dont warrant the budget and praise.
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The idea that the people actually risking hundreds of millions of dollars are missing some obvious thing that you, a random dude on the Internet has totally figured out, is kinda absurd on its face, man. It's easy to determine what will succeed afterwards, but there are enough variables in every production that you can always find a reason either way. The test is whether it's predictive. As I keep pointing out.
Anyway, if you're going to quote all my questions and points, you should respond to them, rather than repeating your initial claim. That seems to be all that ever happens in these threads.
Anyway, if you're going to quote all my questions and points, you should respond to them, rather than repeating your initial claim. That seems to be all that ever happens in these threads.
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For me polar express is not a good movie but speaking of Ali...yes its a giant bomb but it is also an incredibly irresponsible movie. Thats a movie that shouldnt even take 40 million to make but somehow michael mann found a way to make it for close to 100 million and the movie really isnt great. Its a decent biopic jacked up by the giant budget.
It'd cost a lot less now, but that was 16 years ago and the technology was new.
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For me polar express is not a good movie but speaking of Ali...yes its a giant bomb but it is also an incredibly irresponsible movie. Thats a movie that shouldnt even take 40 million to make but somehow michael mann found a way to make it for close to 100 million and the movie really isnt great. Its a decent biopic jacked up by the giant budget.
The only take away from this topic is that studios don't know which big budget prestige films to greenlit. They should look at the director and his track record and see if he can make something much more than just a good movie. If a director makes 4-5 good movies straight doesnt mean he can make a 150 million$ movie a hit. Even if it's good..it takes that extra spice in filmmaking skills to make it a blockbuster.
These theories are not just about end products..they are about studios making movies quickly even with good directors. They see potential and want to make them the next james cameron or chris nolan to make money. Thats how you end up with irresponsible movies that really dont warrant the budget and praise.
These theories are not just about end products..they are about studios making movies quickly even with good directors. They see potential and want to make them the next james cameron or chris nolan to make money. Thats how you end up with irresponsible movies that really dont warrant the budget and praise.
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I really just want you all angry and confused the whole time.
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How do you know this? What intimate knowledge of the production process do you have to come to this conclusion?
It'd cost a lot less now, but that was 16 years ago and the technology was new.
It'd cost a lot less now, but that was 16 years ago and the technology was new.
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In fairness, $20m of that was for Will Smith alone - going with your suggested $40m budget, I'm not sure how much of a prestige movie you can really make on the remaining $20m (especially if we're talking about a period piece like Ali). A film's production budget has to cover a wide variety of aspects, after all.
I thought it was that great big-budget movies never flop in theatres, which is only really saved from being proved factually incorrect by the idea that greatness is subjective. Otherwise, the idea that studios can't automatically determine what to greenlight in order to achieve commercial and/or critical success is...not exactly news to the rest of us, to say nothing of choosing directors.
I thought it was that great big-budget movies never flop in theatres, which is only really saved from being proved factually incorrect by the idea that greatness is subjective. Otherwise, the idea that studios can't automatically determine what to greenlight in order to achieve commercial and/or critical success is...not exactly news to the rest of us, to say nothing of choosing directors.
When you are spending 100-200 millions on an original movie then every single shot in the movie matters. Of course in broad strokes this info seems trivial but a deeper look at this will reveal new information to critique movies.
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The idea that the people actually risking hundreds of millions of dollars are missing some obvious thing that you, a random dude on the Internet has totally figured out, is kinda absurd on its face, man. It's easy to determine what will succeed afterwards, but there are enough variables in every production that you can always find a reason either way. The test is whether it's predictive. As I keep pointing out.
Anyway, if you're going to quote all my questions and points, you should respond to them, rather than repeating your initial claim. That seems to be all that ever happens in these threads.
Anyway, if you're going to quote all my questions and points, you should respond to them, rather than repeating your initial claim. That seems to be all that ever happens in these threads.
What exactly is your question...state it in a simple manner..i may have missed it.
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The Lack of understanding of the notion of greatness is also a big problem not just by studios but also by non-casual audience. Greatness is not just in having a good movie with strong emotional core..it is about the ability to connect the story with audience from different demographics...you should be able to appeal to different age groups and different tastes...you should be able to appeal to audience with short attention span that watch transformers movies or marvel movies as well to audience who can watch slow burn movies. Story concept should be simple and fresh enough to appeal to everyone and also fastly paced to get that adrenaline rush.
When you are spending 100-200 millions on an original movie then every single shot in the movie matters. Of course in broad strokes this info seems trivial but a deeper look at this will reveal new information to critique movies.
When you are spending 100-200 millions on an original movie then every single shot in the movie matters. Of course in broad strokes this info seems trivial but a deeper look at this will reveal new information to critique movies.
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Because the blockbuster, Raging Bull, was not only cheap, but it satisfies all audiences of different ages and demographics. Obviously.
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Because the blockbuster, Raging Bull, was not only cheap, but it satisfies all audiences of different ages and demographics. Obviously.
how were they able to make raging bull for a lot less money back in the day ?
I can provide part of the answer, though: inflation alone means that the exact same film shot in 2001 instead of 1980 would cost about twice as much.
Also, as others have pointed out: Will Smith.
But really, it's just inherently facile to say "here's another film in the same genre that cost less, therefore anything which costs more was pointless waste." There's so many unwarranted assumptions embedded in that claim I barely know where to start.
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That's a great question. One you don't have the answer to.
I can provide part of the answer, though: inflation alone means that the exact same film shot in 2001 instead of 1980 would cost about twice as much.
Also, as others have pointed out: Will Smith.
But really, it's just inherently facile to say "here's another film in the same genre that cost less, therefore anything which costs more was pointless waste." There's so many unwarranted assumptions embedded in that claim I barely know where to start.
I can provide part of the answer, though: inflation alone means that the exact same film shot in 2001 instead of 1980 would cost about twice as much.
Also, as others have pointed out: Will Smith.
But really, it's just inherently facile to say "here's another film in the same genre that cost less, therefore anything which costs more was pointless waste." There's so many unwarranted assumptions embedded in that claim I barely know where to start.
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But inflation actually exists and it is a factor just by the fact it exists. It is not an assumption based on personal feelings. It's a measure of tactic used to draw a conclusion. Prices are higher (at least part) due to inflation; or, prices are higher only because I connect arbitrary dots, after the fact, that prove my opinion. An opinion, btw, that is still unclear and changes focus every few posts.
What's the point of doing this? Honest question.
What's the point of doing this? Honest question.
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Bottom line define "Great". For some Stalker is great. For some it might be a real snooze-fest. You you would be hard pressed to find a movie that appeals to nearly 100% of movie viewers, even a 90% consensus is difficult. I am curious too see you list five 100M+ movies that you think are great. Probably that way we can understand the objective of this thread a little better.
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Let me see if I'm reading this right - the problem is that the greatness of a movie is primarily determined by its ability to appeal to vastly different demographics with vastly different tastes in movies?
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But inflation actually exists and it is a factor just by the fact it exists. It is not an assumption based on personal feelings. It's a measure of tactic used to draw a conclusion. Prices are higher (at least part) due to inflation; or, prices are higher only because I connect arbitrary dots, after the fact, that prove my opinion. An opinion, btw, that is still unclear and changes focus every few posts.
What's the point of doing this? Honest question.
What's the point of doing this? Honest question.
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