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WHATEVER WORKS
Woody Allen goes the "romantic comedy for people who hate romantic comedies" route with 2009's Whatever Works, a quirky and challenging comedy that provides solid entertainment, thanks to an extremely likable leading character who is absolutely not written that way and some interesting supporting characters who provide constant surprises.
Writer/comedian Larry David gets a shot at leading man status as Boris, the original grumpy old man, a former physicist and intellectual, who hates everyone and everything, angry at the world, and determined to inhabit it by himself...think Ebeneezer Scrooge without the money. Boris finds his life changed by Melody (Evan Rachel Wood), a runaway from Mississippi who Boris takes in and what begins as a Pygmalion kind of relationship actually morphs into a marriage.
Things get stickier with the arrival of Melody's mother (Patricia Clarkson), a contemporary reincarnation of Blanche DuBois, who tries to break up her daughter's marriage and discovers a new person inside of herself in the process.
As always, the real star of this film is the Woodmeister's script, which is angry and no-holds barred, offering unpopular opinions on every aspect of pop culture and politics that you can imagine, but also offers a relationship at the center of the storm that is just really hard to swallow...Melody's attraction to Boris is a mystery because other than a razor sharp mind, Boris has no redeeming qualities and actually marrying the man almost threw me off the film altogether. I was also troubled by the character of Melody herself...the character appears to be a total hayseed when we first meet her, but she soaks up everything Boris teachers her and remembers every single word that he ever taught her, even if she doesn't always remember what it means.
We've seen a lot of actors channel Woody over the years and some worked better than others (John Cusack in Bullets Over Broadway and Kenneth Branaugh in Celebrity were standouts), but no one did it better than Larry David does here...David is comfortable with this unappealing character and his performance alone makes this film worth investing in. He especially seems to enjoy when Woody allows him to break the fourth wall and talk to directly to the camera, a technique which is not groundbreaking but leave it to Woody to take it to another level and let us all in on the joke. Wood is a talented actress but the inconsistencies in her character made it difficult to invest in her performance, but I loved Patricia Clarkson as her mother, a character who goes through an entertaining transformation, another staple of Woody's writing, one character who goes through a significant change and Clarkson appears to be having a ball.
Woody's attention to production values is flawless as always...special nod to the set designer (Boris' apartment is awesome) and cinematographer Harris Savides photographs Woody's beloved New York with loving care and of course the music is wonderful, have always loved Woody's ear for music, but this movie is worth checking out for Woody's challenging script and direction and for his choice of a very unconventional leading man that pays off in spades.
Woody Allen goes the "romantic comedy for people who hate romantic comedies" route with 2009's Whatever Works, a quirky and challenging comedy that provides solid entertainment, thanks to an extremely likable leading character who is absolutely not written that way and some interesting supporting characters who provide constant surprises.
Writer/comedian Larry David gets a shot at leading man status as Boris, the original grumpy old man, a former physicist and intellectual, who hates everyone and everything, angry at the world, and determined to inhabit it by himself...think Ebeneezer Scrooge without the money. Boris finds his life changed by Melody (Evan Rachel Wood), a runaway from Mississippi who Boris takes in and what begins as a Pygmalion kind of relationship actually morphs into a marriage.
Things get stickier with the arrival of Melody's mother (Patricia Clarkson), a contemporary reincarnation of Blanche DuBois, who tries to break up her daughter's marriage and discovers a new person inside of herself in the process.
As always, the real star of this film is the Woodmeister's script, which is angry and no-holds barred, offering unpopular opinions on every aspect of pop culture and politics that you can imagine, but also offers a relationship at the center of the storm that is just really hard to swallow...Melody's attraction to Boris is a mystery because other than a razor sharp mind, Boris has no redeeming qualities and actually marrying the man almost threw me off the film altogether. I was also troubled by the character of Melody herself...the character appears to be a total hayseed when we first meet her, but she soaks up everything Boris teachers her and remembers every single word that he ever taught her, even if she doesn't always remember what it means.
We've seen a lot of actors channel Woody over the years and some worked better than others (John Cusack in Bullets Over Broadway and Kenneth Branaugh in Celebrity were standouts), but no one did it better than Larry David does here...David is comfortable with this unappealing character and his performance alone makes this film worth investing in. He especially seems to enjoy when Woody allows him to break the fourth wall and talk to directly to the camera, a technique which is not groundbreaking but leave it to Woody to take it to another level and let us all in on the joke. Wood is a talented actress but the inconsistencies in her character made it difficult to invest in her performance, but I loved Patricia Clarkson as her mother, a character who goes through an entertaining transformation, another staple of Woody's writing, one character who goes through a significant change and Clarkson appears to be having a ball.
Woody's attention to production values is flawless as always...special nod to the set designer (Boris' apartment is awesome) and cinematographer Harris Savides photographs Woody's beloved New York with loving care and of course the music is wonderful, have always loved Woody's ear for music, but this movie is worth checking out for Woody's challenging script and direction and for his choice of a very unconventional leading man that pays off in spades.