Reviews

For the ways the writer/director makes you wonder if the mystery of Martin lies in the equally life-sucking existence in his decrepit suburb, Romero, like he does in his Dead movies, proves he's also an expert on the dark side of capitalism.

Aside from his vampire attacks, Martin is really just an ordinary (albeit socially awkward) boy who struggles with his own slew of problems  the old mans superstitious behavior (and his grand-daughters level-headed approach to Martin), the bored housewife who tries to seduce him, the talk show th...