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Director - Andrew Dominick
Starring - Brad Pitt/ Casey Affleck/ Sam Rockwell
Jesse James was an outlaw. A robber of trains and banks. A gang leader. And a murderer. And yet somehow many people still idolise him as a great anti-hero. An almost mythical American outlaw. This film attempts to answer the question of why this is. And it does a very good job of helping us understand it.
The main strength of the film is undoubtedly the two lead performances of Casey Affleck and Brad Pitt. Though they are playing two very different characters both give very effective showings. Brad Pitt as James proves to be one cold bastard! It's a performance that reminds me a touch of Tom Cruise's turn in Collateral; all piercing eyes and glowering stares, which he occasionally interrupts with an insincere laugh or smile. It's a character that really is flirting on the edge of sanity, seemingly ready to cross over at any point. And when the wheels come off Pitt delivers a truly terrifying, cackling laugh. For all his movie star looks and squeeky clean, nice guy image these seem to be the kind of roles that actually suit Pitt best, at least for me. Up to this the most impressed I had been with him was in Twelve Monkeys and Fight Club. Again two characters who were slightly unhinged
As good as Pitt is however, for me he is outshone by Casey Affleck. His Robert Ford is a twitchy, neurotic oddball; a bit of a weakling who at the same time comes across as quite cunning and calculating at times. It really is quite an impressively layered performance. I have to say I found myself having great empathy with the character of Robert Ford (a lot of it due to Affleck's performance), and as such found it a really quite sad, melancholic film.
Following my recent viewing of No Country for Old Men, cinematographer Roger Deakins yet again produces some truly stunning work. The landscapes and horizons he shows us are truly beautiful. They just come across as such desolate and sad places. The muted and at times washed out tones give the film the look of those old, faded photos that exist from the time of the Old West.
The film also works as an early example of celebrity. You have the charismatic and famous James, the obsessive fan in Ford and what eventually happens between the two, as the fan turns on the man who once idolised. We then see the classic 15 minutes of fame play out, the waning of celebrity. Ford goes from packing out houses where the audience rapturously applaud his actions, to being called a coward. As he himself says, “You know what I expected...applause.” The fact that Jesse is played by celebrity superstar Brad Pitt, and Ford by the relatively unknown Casey Affleck just works perfectly for it.
The psychology between James and Ford is really quite fascinating. James seems to come to the realisation that he is not long for this world. With all the enemies on his tail and even a lack of trust in those around him he knows he is a hunted man, he knows his fate. And as such it seems like he wants to be the one who engineers his death. He pokes and prods at Ford, almost encouraging him to take matters into his own hands, in a way moulding him. And then he sets up his actual death. He lays down his guns and allows himself to get shot in the back, ensuring that he would be remembered as a sympathetic martyr, and Ford a cowardly villain.
The film frequently takes on an almost dreamlike state The camera goes to soft focus, the clouds move across the sky in time lapse, the ethereal mournful score plays as the lyrical narration plays over. It all feels very fitting for a film about a man who has crossed that threshold into something of myth and legend. It all feels very meditative and languid, evoking the feel of a Terrence Mallick picture.
The film generated minuscule business at the box office and was not universally adored and I can understand why. It certainly takes its time to tell its story (or is painfully slow depending on your view
) and has a distinct lack of action when compared to many westerns, and other versions of the Jesse James story in particular. I think that actually helps to get across the idea that these killers, and Jesse especially, were able to go on and become something of a mythology. It would be hard to understand it if every five minutes you saw him blow away some helpless innocent.
Conclusion - An impressive, laudable film. Perhaps not the action-packed feature some may originally thought they'd get when they heard about Brad Pitt starring in a Western as Jesse James, but it turns out for the best. In terms of the 2008 Oscar ceremony for best film I'd have placed this second behind There Will Be Blood, but ahead of No Country for Old Men.
The Assassination of Jesse James by the Coward Robert Ford (2007)
first viewing
first viewing
Director - Andrew Dominick
Starring - Brad Pitt/ Casey Affleck/ Sam Rockwell
"Can’t figure it out: do you want to be like me or do you want to be me?"
Jesse James was an outlaw. A robber of trains and banks. A gang leader. And a murderer. And yet somehow many people still idolise him as a great anti-hero. An almost mythical American outlaw. This film attempts to answer the question of why this is. And it does a very good job of helping us understand it.
The main strength of the film is undoubtedly the two lead performances of Casey Affleck and Brad Pitt. Though they are playing two very different characters both give very effective showings. Brad Pitt as James proves to be one cold bastard! It's a performance that reminds me a touch of Tom Cruise's turn in Collateral; all piercing eyes and glowering stares, which he occasionally interrupts with an insincere laugh or smile. It's a character that really is flirting on the edge of sanity, seemingly ready to cross over at any point. And when the wheels come off Pitt delivers a truly terrifying, cackling laugh. For all his movie star looks and squeeky clean, nice guy image these seem to be the kind of roles that actually suit Pitt best, at least for me. Up to this the most impressed I had been with him was in Twelve Monkeys and Fight Club. Again two characters who were slightly unhinged
As good as Pitt is however, for me he is outshone by Casey Affleck. His Robert Ford is a twitchy, neurotic oddball; a bit of a weakling who at the same time comes across as quite cunning and calculating at times. It really is quite an impressively layered performance. I have to say I found myself having great empathy with the character of Robert Ford (a lot of it due to Affleck's performance), and as such found it a really quite sad, melancholic film.
Following my recent viewing of No Country for Old Men, cinematographer Roger Deakins yet again produces some truly stunning work. The landscapes and horizons he shows us are truly beautiful. They just come across as such desolate and sad places. The muted and at times washed out tones give the film the look of those old, faded photos that exist from the time of the Old West.
The film also works as an early example of celebrity. You have the charismatic and famous James, the obsessive fan in Ford and what eventually happens between the two, as the fan turns on the man who once idolised. We then see the classic 15 minutes of fame play out, the waning of celebrity. Ford goes from packing out houses where the audience rapturously applaud his actions, to being called a coward. As he himself says, “You know what I expected...applause.” The fact that Jesse is played by celebrity superstar Brad Pitt, and Ford by the relatively unknown Casey Affleck just works perfectly for it.
The psychology between James and Ford is really quite fascinating. James seems to come to the realisation that he is not long for this world. With all the enemies on his tail and even a lack of trust in those around him he knows he is a hunted man, he knows his fate. And as such it seems like he wants to be the one who engineers his death. He pokes and prods at Ford, almost encouraging him to take matters into his own hands, in a way moulding him. And then he sets up his actual death. He lays down his guns and allows himself to get shot in the back, ensuring that he would be remembered as a sympathetic martyr, and Ford a cowardly villain.
The film frequently takes on an almost dreamlike state The camera goes to soft focus, the clouds move across the sky in time lapse, the ethereal mournful score plays as the lyrical narration plays over. It all feels very fitting for a film about a man who has crossed that threshold into something of myth and legend. It all feels very meditative and languid, evoking the feel of a Terrence Mallick picture.
The film generated minuscule business at the box office and was not universally adored and I can understand why. It certainly takes its time to tell its story (or is painfully slow depending on your view
) and has a distinct lack of action when compared to many westerns, and other versions of the Jesse James story in particular. I think that actually helps to get across the idea that these killers, and Jesse especially, were able to go on and become something of a mythology. It would be hard to understand it if every five minutes you saw him blow away some helpless innocent.Conclusion - An impressive, laudable film. Perhaps not the action-packed feature some may originally thought they'd get when they heard about Brad Pitt starring in a Western as Jesse James, but it turns out for the best. In terms of the 2008 Oscar ceremony for best film I'd have placed this second behind There Will Be Blood, but ahead of No Country for Old Men.
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