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Leprechaun 4: In Space



Leprechaun 4: In Space
(Brian Trenchard-Smith, 1997)


Joining the likes of Jason Voorhees, James Bond, the Brave Little Toaster and other franchises that inexplicably went to space, Leprechaun 4 finds the diminutive horror icon attempting to wed, bed and bury an alien princess to become king of her planet, only to have his plan thwarted by a platoon of cock-blocking space marines. (No mention of the "sneeze once, sneeze twice, she'll become my bride if she sneezes thrice" bullsh*t from the second film, as either this iteration of the leprechaun prefers relationships that are more consensual, or continuity is an abstract concept.)

The franchise's silliness has reached new heights, with cartoonish deaths, cross-dressing cyborgs and a scientist who is half human, half ice-cream cart. I learned that it's a death sentence when an alien princess flashes her glittery breasts. And I'll never piss on the dismembered parts of a leprechaun after witnessing its magical spirit swim up urine like a parasite and re-spawn in a man's erection. The tone of Leprechaun 4 is self-aware, but the sudden emphasis on Aliens-style action fits the movie about as well as a Magnum XL on the dick of a gnat. Sets are noticeably cheap. Special-effects are a mixed bag: 90's CGI is PS1 quality, but there's some effectively goopy practical effects, most notably in the creation of a half-scorpion, half-tarantula, half-android monstrosity that makes Brundlefly look like Brad Pitt. The movie boasts a higher body count than every previous installment combined, but apparently the FX department didn't have any buy-one-get-one-free coupons to splurge on gore.

Leprechaun 4 literally ends with a giant middle finger to its audience. I'm sure that act is reciprocated among many viewers for having 90-minutes of their lives wasted on such idiocy.

Best Kill: Pan Face