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Everyone has stories about bullies and victims, but there have been very few features, namely animated ones, which actually dare to show the raw emotional honesty of such situations, particularly from the West. Luckily fans of traditional animation have a great contender for this subject: A Silent Voice, directed by Naoko Yamada. Based on a similarly titled Japanese graphic novel series, this movie doesn't hold back on showing the true tragedies of the story it tells, making its uplifting resolution all the more meaningful.
A Silent Voice tells the tale of both the growth and redemption of a former bully, Shoya Ishida. We first meet him as a High School teenager as he solemnly contemplates suicide on account of guilt for his past behavior, and for the first 20 minutes we get to see what drove him to the point. In Elementary School, Shoya mercilessly ostracized a new classmate, Shoko Nishimiya, a deaf girl who occasionally talked but mostly communicated in sign language. The cruelest thing he did was to rip out her hearing aids and throw them out the window. Eventually, Shoko transferred to another school, and then he too was bullied by his former classmates, arguably as punishment for his actions. At this point the film transitions back to the present, but rather than throwing away his life, Shoya decides to make amends. He takes sign language classes, and eventually encounters Shoko again for the first time in five years. Gradually, the two become friends. Simultaneously, Shoya also makes friends with another boy, Tomohiro Nagatsuka. Due to his guilt, however, he hesitates to look at people in the eye, and eventually comes to realize that Shoko, too, has feelings of self-resentment and must help her overcome her troubles.
In lesser hands, this story could come across as a preachy, melodramatic soap opera, but director Yamada and her staff at Kyoto Animation manage to avoid this pitfall and succeed in making this a relatable tearjerker with a lot of heart. The development between the two leads is compelling, richly tragic, and emotional, and will no doubt wrench tears from the iciest of viewers. There are a plethora of other characters who make up the story who are rounded in varying degrees, although not to the same extent as we get to see from the leads. Occasionally the plot does rush some minor developments (on account of trying to compress a six-book manga into a lengthy film), but while careful concentration is required to fully discern the occasional subplots, nobody in this story comes across as truly unsympathetic. The only exception might be Naoka Ueno, a rather nasty and bitchy character who arguably comes across as worse than Shoya, never showing any major growth from her misdeeds and instead continuing to bully poor Shoko. One scene where she openly confesses how much she detests the deaf girl is particularly mean-spirited.
Aesthetically, A Silent Voice might not be as lavishly detailed or colorful as, say, a Studio Ghibli production, but frankly, having said that, the actual animation is no slouch. The backgrounds are lovingly rendered and the character designs, while distinctively "Anime" in appearance, all have a distinct look and feel to them that makes each easy to identify. There are occasional uses of computer imagery (such as a brief but nonetheless thrilling scene where we go on a roller coaster ride at a carnival), but mostly Yamada chooses to execute the film in a rather stylish way. This is done through the use of different camera cutaways and lavish shots, such as fish swimming through a brook and occasional fireworks, giving A Silent Voice a bit of an "art film" tilt. To illustrate Shoya's isolation we see X's marked on the people he avoids making contact with, which may seem as a bit too "on the nose" at times, but having said that, it's a clever approach that works wonders. Kensuke Ushio's primarily piano-driven (and sparse) score is also a nice touch. It's also to the film's credit that the film backs off on dialogue in certain occasions when it needs to, rather than dumbing everything down to its audience.
Further complimenting A Silent Voice's atmosphere is its English dubbing. NYAV Post has done a lot of great dubs over the years in no small part to the talented duo of Michael Sinterniklaas and Stephanie Sheh. This yet another winner for them, and certainly up there with their best, with excellent performances from everyone involved. The real triumph of the dub is the casting of an actual deaf actress to portray Shoko, Lexi Crowden. Every second of her turn comes across as very believable and convincing. The end result is all the more tangible and authentic because of it. The same is true with the casting of the children for the Elementary School scenes, a practice that I continue to applaud NYAV Post for still going through with.
A Silent Voice clocks approximately over two hours, which may cause the film to come across as a bit lengthy at times, but that it manages to keep a good pace on its story and maintain interest even when it occasionally slows down is a testament to its success as a film. There's a reason why Makoto Shinkai, director of Japan's current highest-grossing feature your name (released the same year, incidentally), expressed enthusiasm about A Silent Voice; it deserves every ounce of praise. This is a modern day winner filled with genuine heart, and offers a most relatable and universal message without being preachy.
Everyone has stories about bullies and victims, but there have been very few features, namely animated ones, which actually dare to show the raw emotional honesty of such situations, particularly from the West. Luckily fans of traditional animation have a great contender for this subject: A Silent Voice, directed by Naoko Yamada. Based on a similarly titled Japanese graphic novel series, this movie doesn't hold back on showing the true tragedies of the story it tells, making its uplifting resolution all the more meaningful.
A Silent Voice tells the tale of both the growth and redemption of a former bully, Shoya Ishida. We first meet him as a High School teenager as he solemnly contemplates suicide on account of guilt for his past behavior, and for the first 20 minutes we get to see what drove him to the point. In Elementary School, Shoya mercilessly ostracized a new classmate, Shoko Nishimiya, a deaf girl who occasionally talked but mostly communicated in sign language. The cruelest thing he did was to rip out her hearing aids and throw them out the window. Eventually, Shoko transferred to another school, and then he too was bullied by his former classmates, arguably as punishment for his actions. At this point the film transitions back to the present, but rather than throwing away his life, Shoya decides to make amends. He takes sign language classes, and eventually encounters Shoko again for the first time in five years. Gradually, the two become friends. Simultaneously, Shoya also makes friends with another boy, Tomohiro Nagatsuka. Due to his guilt, however, he hesitates to look at people in the eye, and eventually comes to realize that Shoko, too, has feelings of self-resentment and must help her overcome her troubles.
In lesser hands, this story could come across as a preachy, melodramatic soap opera, but director Yamada and her staff at Kyoto Animation manage to avoid this pitfall and succeed in making this a relatable tearjerker with a lot of heart. The development between the two leads is compelling, richly tragic, and emotional, and will no doubt wrench tears from the iciest of viewers. There are a plethora of other characters who make up the story who are rounded in varying degrees, although not to the same extent as we get to see from the leads. Occasionally the plot does rush some minor developments (on account of trying to compress a six-book manga into a lengthy film), but while careful concentration is required to fully discern the occasional subplots, nobody in this story comes across as truly unsympathetic. The only exception might be Naoka Ueno, a rather nasty and bitchy character who arguably comes across as worse than Shoya, never showing any major growth from her misdeeds and instead continuing to bully poor Shoko. One scene where she openly confesses how much she detests the deaf girl is particularly mean-spirited.
Aesthetically, A Silent Voice might not be as lavishly detailed or colorful as, say, a Studio Ghibli production, but frankly, having said that, the actual animation is no slouch. The backgrounds are lovingly rendered and the character designs, while distinctively "Anime" in appearance, all have a distinct look and feel to them that makes each easy to identify. There are occasional uses of computer imagery (such as a brief but nonetheless thrilling scene where we go on a roller coaster ride at a carnival), but mostly Yamada chooses to execute the film in a rather stylish way. This is done through the use of different camera cutaways and lavish shots, such as fish swimming through a brook and occasional fireworks, giving A Silent Voice a bit of an "art film" tilt. To illustrate Shoya's isolation we see X's marked on the people he avoids making contact with, which may seem as a bit too "on the nose" at times, but having said that, it's a clever approach that works wonders. Kensuke Ushio's primarily piano-driven (and sparse) score is also a nice touch. It's also to the film's credit that the film backs off on dialogue in certain occasions when it needs to, rather than dumbing everything down to its audience.
Further complimenting A Silent Voice's atmosphere is its English dubbing. NYAV Post has done a lot of great dubs over the years in no small part to the talented duo of Michael Sinterniklaas and Stephanie Sheh. This yet another winner for them, and certainly up there with their best, with excellent performances from everyone involved. The real triumph of the dub is the casting of an actual deaf actress to portray Shoko, Lexi Crowden. Every second of her turn comes across as very believable and convincing. The end result is all the more tangible and authentic because of it. The same is true with the casting of the children for the Elementary School scenes, a practice that I continue to applaud NYAV Post for still going through with.
A Silent Voice clocks approximately over two hours, which may cause the film to come across as a bit lengthy at times, but that it manages to keep a good pace on its story and maintain interest even when it occasionally slows down is a testament to its success as a film. There's a reason why Makoto Shinkai, director of Japan's current highest-grossing feature your name (released the same year, incidentally), expressed enthusiasm about A Silent Voice; it deserves every ounce of praise. This is a modern day winner filled with genuine heart, and offers a most relatable and universal message without being preachy.