April 2, 2024
CABRINI (2024)
IMMACULATE (2024)
Well,
this was certainly one of the most schizoid nights out at the movies I've ever experienced!
I swear, though, I did
not plan it that way. It just so happened that these were the two most interesting movies playing at my local theater, and I figured that
Godzilla x Kong: The New Empire would probably have enough staying power that I could wait at least another week. But watching these two movies back to back proved to be quite the...
interesting experience. And like I said, more than just a little schizoid.
[in Strother Martin voice] "What we've got here..." are two stories. Both of them have lead characters who are nuns. Both of them are fish out of water. And speaking of water, both characters nearly drowned when they were very young. But beyond that, they could not be more different!
Cabrini was directed by Alejandro Gómez Monteverde, who also directed the controversial
Sound of Freedom (which I haven't yet seen). Taking place in 1889, it tells the true story of the Italian Catholic missionary Francesca Xavier Cabrini (movingly and powerfully played by Cristiana Dell'Anna), who is suffering from lung disease and has only been given a few years to live by the doctors of that time, but is nevertheless determined to establish a missionary order in China. Her proposals are rejected by her immediate superiors, so she goes directly to Pope Leo XIII (Giancarlo Giannini), and while he is intrigued and impressed by her ambition he suggests that she start off with something a bit smaller... namely, New York City. The Italian-American immigrant community is living in a state of abject poverty, its people having few opportunities aside from prostitution and petty crime, and with orphaned children inhabiting the sewers. Shocked and appalled by the living conditions, she and her fellow nuns establish an orphanage, and the rest of the story consists of her uphill yet determined struggle to aid the poor and desitute, attempting to establish a new hospital, and battling against the anti-Italian bigotry from people within the New York establishment, among them Mayor Gould (John Lithgow).
While this is the kind of story that could easily be made into something worthy yet boring,
Cabrini is anything but. The story is told with simplicity and emotional directness without lapsing into sentimentality, and it almost never steps wrong. One might say that its virtues are "invisible," meaning there's nothing in the storytelling technique to draw attention to itself, but Alejandro Monteverde's direction is quite confident and assured, visually striking at times but not preoccupied with aesthetics purely for aesthetics' sake. I would recommend this one without reservation to anyone, and I don't think they'll be disappointed.
Immaculate, on the other hand...
Before watching the movie, I was imagining that this would represent some sort of halfway house between the recent
The Nun II and the upcoming
The First Omen. But it's actually a bit different from the usual run-of-the-mill contemporary satanic franchise horror. It has much more in common with the "body horror" subgenre, with a sci-fi cloning element. Stylistically, it's something of a weird throwback to '70s horror, but not in any overtly obvious way. It actually reminds me a
little bit of Dario Argento's original 1977
Suspiria, with its American heroine abroad in Europe. That heroine is Sister Cecilia (Sydney Sweeney), a very young nun who has been invited to Italy to work in a convent which specializing in tending to the needs of elderly nuns in their final days. She starts noticing very odd occurrences in the convent, and eventually she discovers that she is pregnant - even though she is a virgin. Everybody starts to treat this as some sort of divine miracle, but everything is not as it seems and there are sinister machinations afoot! As I stated before, the movie
kind of reminds me of Dario Argento, but the story kind of feels more like Roman Polanski's
Rosemary's Baby filtered through the fractured-fairytale sensibility of Argento's supernaturally-themed work. Things get
seriously bloody in this film, as well. It is what they call a "Hard R," truly
not for the squeamish. The climax of the film, with Cecilia making her ultimate escape and finally giving birth, feels like a throwback to the heyday of Tobe Hooper and Wes Craven at their most ruthless.
Ultimately, however...
Immaculate is not even
half as good as any of the aforementioned horror classics. That's certainly no sin in and of itself. Anything half as good as
Rosemary's Baby or
Suspiria would still have to be
pretty good. It's certainly quite eccentric in certain places, with a particularly amusing music cue (courtesy of Will Bates) playing during a montage of Cecilia learning the ropes and gradually getting into the day-to-day routine of the convent. The movie has a truly offbeat and off-kilter mixture of brutal horror with a somewhat warped sense of humor that mercifully avoids sliding into self-referential camp. (It's also got what is probably one of the funniest uses of the expression
"Godd----t!" in a horror film.) Would I recommend it? Well, sure... But don't expect the next religious horror classic. Provided you've got a strong stomach and modest expectations, and if you're a fan of the genre, you'll probably find it reasonably entertaining.