For the record, I think the ending is not real. But I also think the debate as to whether it is real or not is entirely missing the point. More than anything, it's a thematic resolution, and it's a powerful one.
I disagree that debating it misses the point, but that kinda has to do with my feelings about ambiguity in interpretation. I like films (or games like
Beginner's Guide, books like
Pale Fire) that have ambiguity in the "what" of a story (the literal events that are occurring) when unraveling the "what" also causes you to uncover symbolic meaning.
For example, even though I take the dream route, I think I'd actually end up with a lesser post-viewing experience if the final scene transitioned to Curtis peacefully sleeping with a smile on his face (or some other clear signal that it was a dream). Because the ending didn't seem clear and I wanted to piece the literal story together, I needed to use a symbolic interpretation to help me along. (Another example could feasibly be
Lost, which tried to hook people into the "what" of their story to actually tell stories about the character arcs...but then the "what" of the story became somewhat frustrating and worked against the characters)
Though I could see debating to the end that only one way is the absolute correct way would be probably missing the point. Because the themes of the film will largely exist in either way, with some slight changes of emphasis. But I don't think either Zotis or I are going that far, so it's all good, and I like what Zotis is sayin'. I appreciate it.
Anyway, I do have to mention one more aspect of the ending because it's been sitting in my head in the weeks after seeing the film, and I just really like the idea (correct or not). If dreamt, when Curtis sees the resolve on his wife's face, it's not actually his wife, it's his belief in the wife. He's formed enough trust in the bond with his wife that his
subconscious (the very thing that's been plaguing him the whole movie, uncontrollable, paranoid, and violent) is brought to peace. I like it because there's often a disconnect between the audience and the character in the film; we can tell how dedicated and sincere the wife is toward Curtis, but he doesn't. In dreaming, we actually see his nervous center of gravity calmed, and as someone who can lose myself in my anxious intuitions, when I have trouble reassuring myself even though logically, I know it'll be okay...well, I just really connected with that idea.
Sometimes I get incredibly nervous about the future, and at some point I break down to someone I trust. My intuition is always convinced that the person will distance themselves as a way to damage control, but it's always been wrong, and what's even more heartening than the fact that I know I'll be okay is the fact that I
actually feel okay.
It's really hard to show someone feeling a sense of peace rather than telling you that the character feels peace, but they did it.
And the
Affliction connections are like how the films are both about anxiety, projection, and inherited emotional tendencies, and stuff blah blah I'm up too late gn