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The People's Republic of Clogher
"Cissy Youngs" - to Rosa Alice Branco


That first year in Cork city - '71/72 -
I spent the afternoons from four to six
Sitting alone sipping pints of Smithwicks
In a public house on the Bandon Road,
Cissy Young's,
Reading Bishop Berkeley's A Treatise
Concerning the Principles of Human
Knowledge.
I, ex-footballer, ex-hurler,
ex-high-jumper,
Branded by the dominant males
Of the Irish tribe "a hippy,"
Rejoiced in the eighteenth-century,
I sat in the private lounge,
As distinct from the public bar,
Because the private lounge was nearly
always empty.
Men in the public bar saluted me
Through the hatch.
Cissy Young's, all formica, banquette,
More anonymous, cosier by far
Than any salty, arty Kinsale bar.

That year in Cissy Young's reading Berkeley
Was a foundation year in my life as a writer
And, if I may meekly, profoundly trumpet,
My life as the virtuoso university teacher
I never became:
An attacking player on Berkeley's dream team.
Cissy Young's on the Bandon Road
Was my University of the Bermudas
Where I learnt the basics of my trade:
Learnt to think the hard way,
Learnt how to head the ball one way, looking
the other way;
Learnt the relationship between soul and body;
Learnt to communicate through the hatch;
Learnt how to introduce Libyan storytellers to
Cork insurance officials;
Learnt that reality is poetry, poetry reality;
Learnt the way of all things;
Learnt the existence of God -
That at five in the afternoon
On the Bandon Road in Cork City in Ireland
In the empty, private lounge of Cissy Young's
"To be is to be perceived."

Cissie Youngs,
80 Bandon Road,
Cork.
Tel : + 353 21 4962773

Paul Durcan

You don't get much of Durcan's stuff online so I'll make do with this and promise to transcribe my favourites from The Berlin Wall Café some day.
__________________
"Critics are like eunuchs in a harem; they know how the Tatty 100 is done, they've seen it done every day, but they're unable to do it themselves." - Brendan Behan



Vacillation
By W.B. Yeats

I
Between extremities
Man runs his course;
A brand, or flaming breath.
Comes to destroy
All those antinomies
Of day and night;
The body calls it death,
The heart remorse.
But if these be right
What is joy?


II
A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew,
And he that Attis' image hangs between
That staring fury and the blind lush leaf
May know not what he knows, but knows not grief



III
Get all the gold and silver that you can,
Satisfy ambition, animate
The trivial days and ram them with the sun,
And yet upon these maxims meditate:
All women dote upon an idle man
Although their children need a rich estate;
No man has ever lived that had enough
Of children's gratitude or woman's love.
No longer in Lethean foliage caught
Begin the preparation for your death
And from the fortieth winter by that thought
Test every work of intellect or faith,
And everything that your own hands have wrought
And call those works extravagance of breath
That are not suited for such men as come
proud, open-eyed and laughing to the tomb.



IV
My fiftieth year had come and gone,
I sat, a solitary man,
In a crowded London shop,
An open book and empty cup
On the marble table-top.
While on the shop and street I gazed
My body of a sudden blazed;
And twenty minutes more or less
It seemed, so great my happiness,
That I was blessed and could bless.
Although the summer Sunlight gild
Cloudy leafage of the sky,
Or wintry moonlight sink the field
In storm-scattered intricacy,
I cannot look thereon,
Responsibility so weighs me down.
Things said or done long years ago,
Or things I did not do or say
But thought that I might say or do,
Weigh me down, and not a day
But something is recalled,
My conscience or my vanity appalled.
A rivery field spread out below,
An odour of the new-mown hay
In his nostrils, the great lord of Chou
Cried, casting off the mountain snow,
"Let all things pass away.'
Wheels by milk-white asses drawn
Where Babylon or Nineveh
Rose; some conquer drew rein
And cried to battle-weary men,
"Let all things pass away.'
From man's blood-sodden heart are sprung
Those branches of the night and day
Where the gaudy moon is hung.
What's the meaning of all song?
"Let all things pass away.'



VII
The Soul. Seek out reality, leave things that seem.
The Heart. What, be a singer born and lack a theme?
The Soul. Isaiah's coal, what more can man desire?
The Heart. Struck dumb in the simplicity of fire!
The Soul. Look on that fire, salvation walks within.
The Heart. What theme had Homer but original sin?

VIII
Must we part, Von Hugel, though much alike, for we
Accept the miracles of the saints and honour sanctity?
The body of Saint Teresa lies undecayed in tomb,
Bathed in miraculous oil, sweet odours from it come,
Healing from its lettered slab. Those self-same hands
perchance
Eternalised the body of a modern saint that once
Had scooped out pharaoh's mummy. I -- though heart
might find relief
Did I become a Christian man and choose for my belief
What seems most welcome in the tomb -- play a pre-
destined part.
Homer is my example and his unchristened heart.
The lion and the honeycomb, what has Scripture said?
So get you gone, Von Hugel, though with blessings on
your head.

Maybe not my favourite, I don't know if I have a favourite. But this is one I really like.



anyone lived in a pretty how town
by E. E. Cummings

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did

Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
__________________



Bright light. Bright light. Uh oh.
Happiness

by Raymond Carver


So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.

When I see the boy and his friend
walking up the road
to deliver the newspaper.

They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.

I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.

They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.

Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.

Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.



__________________
It's what you learn after you know it all that counts. - John Wooden
My IMDb page



I am having a nervous breakdance
Me
We

- Muhammad Ali
__________________
The novelist does not long to see the lion eat grass. He realizes that one and the same God created the wolf and the lamb, then smiled, "seeing that his work was good".

--------

They had temporarily escaped the factories, the warehouses, the slaughterhouses, the car washes - they'd be back in captivity the next day but
now they were out - they were wild with freedom. They weren't thinking about the slavery of poverty. Or the slavery of welfare and food stamps. The rest of us would be all right until the poor learned how to make atom bombs in their basements.



I am having a nervous breakdance
Don't rejoice in his defeat, you men
For though the world stood up and stopped the bastard
The bitch that bore him is in heat again...

- Bertolt Brecht



Sorry Harmonica.......I got to stay here.
"When God made woman, he made her out of lace,
He didn't have enough, so he made a little space.

When God made man, he made him out of string,
He had a bit too much, so he made a little thing."

--not sure of the Author---
__________________
Under-the-radar Movie Awesomeness.
http://earlsmoviepicks.blogspot.com/



Kenup17's Avatar
I'm just an ordinary guy with nothing to lose.
Only a passage from "Pido Silencio", from Pablo Neruda

"Y sólo quiero cinco cosas,
[...]

Una es el amor sin fin.
Lo segundo es ver el otoño.
No puedo ser sin que las hojas
vuelen y vuelvan a la tierra.

Lo tercero es el grave invierno,
la lluvia que amé, la caricia
del fuego en el frío silvestre.

En cuarto lugar el verano
redondo como una sandía.

La quinta cosa son tus ojos,
[...]

no quiero dormir sin tus ojos,
no quiero ser sin que me mires:
yo cambio la primavera
por que tú me sigas mirando."



"And I only want five things,
[...]
One is love without end.
Second is to see autumn.
I cannot be without leaves
flying and returning to earth.
Third is grave winter,
the rain I loved, the caress
of a fire in a wilderness of cold.
In fourth place is summer
round like a watermelon.
The fifth thing is your eyes,
[...]
I would not sleep without your eyes,
I don’t want to be without your seeing me:
I’d trade springtime
for your gaze still upon me."


I think it lost some of its power in English (I only knew it in Spanish and Portuguese), but there it is...


__________________
"All these moments will be lost in time. Like tears... in rain."



LXXXIX

Cuando yo muera quiero tus manos en mis ojos:
quiero la luz y el trigo de tus manos amadas
pasar una vez más sobre mí su frescura:
sentir la suavidad que cambió mi destino.

Quiero que vivas mientras yo, dormido, te espero,
quiero que tus oídos sigan oyendo el viento,
que huelas el aroma del mar que amamos juntos
y que sigas pisando la arena que pisamos.

Quiero que lo que amo siga vivo
y a ti te amé y canté sobre todas las cosas,
por eso sigue tú floreciendo, florida,

para que alcances todo lo que mi amor te ordena,
para que se pasee mi sombra por tu pelo,
para que así conozcan la razón de mi canto.

Translation

Love Sonnet LXXXIX

When I die, I want your hands on my eyes:
I want the light and the wheat of your beloved hands
to pass their freshness over me once more:
I want to feel the softness that changed my destiny.

I want you to live while I wait for you, asleep.
I want your ears still to hear the wind, I want you
to sniff the sea's aroma that we loved together,
to continue to walk on the sand we walk on.

I want what I love to continue to live,
and you whom I love and sang above everything else
to continue to flourish, full-flowered:

so that you can reach everything my love directs you to,
so that my shadow can travel along in your hair,
so that everything can learn the reason for my song.

-Pablo Neruda
__________________
But I, being poor, have only my dreams; I have spread my dreams under your feet, Tread softly because you tread on my dreams. W.B. Yeats



Tragedy & Comedy
By: Claudia Sloan

Open ended sorrow
Tragedy births genesis
A complexity of joy that
Makes a newborn smile

Seems to be no point
All of the troubles emotions bring
If only darkness was the background
Instead of the shadow

To bleed tragedy
Out of our truly crimson veins
Is but an unfortunate plan
Yet has no final design

The ability to kiss souls
Without tears or sound
A mere delusion motion
We cast upon each other

Time ticks and whines and cries
Longing release from eternity
While a rose fears the sunset
Might be her final sight

Tinkering on the edge of sanity
Confused and scattered minds
Asks the question:
Why

Teasing, they say their lies
How karma comes back to haunt
No one know the secret
For those who found it retire early

Taking everything from him
Eventually he'll hit rock bottom
Tragedy's sobs stop for a moment to mourn
Comedy's laughs halt to truly appreciate the joke

This could go on forever
And never have even happened
What difference would it have made
Both Tragedy and Comedy died in the finale



Me and I
By: Claudia Sloan

Think therefore I am. How often I am not.
Small talk questions existence
Of Me’s neurotic mind
They took Me away
Away from me
And no longer am I Me.
They are nothing, yet
Encage Me
Then He comes and leaves.

My cell: bars translucent
Clearly visible from within.
Retrace steps that got I
Where Me and
We are.

Pray to god
“Bestow Me the key”
he does not,
he cannot. Parce que Je.

Adrenalin dispersing, pumping,
Condemned I finds:
We fear in ourselves.
Ability forms vengeance,
Self made public exploitation.
Self exploitation.
Beds sheets made of flames
Me is held tightly confined
For what I created for our self.

Boy.
No more nocturnal emissions.

Pure lust dances upon
My lips taste like blood
My mouth runs with iron
When sadistic hands graze, me is less than i
And I desperately years.

Nibbling, stomach rises
Over whelming pleasure’s bite,
Racing fingers
Leave scratch wounds.

Excitement jolts play,
Fear turns the stomach
Making lust, act of adultery
All the more complete

From my skin teeth retract
Handcuffs back into the drawer
He walks out,
Grins the future,
Cage locked.

Me and I share
A guilty smile,
Me dies,
Of the shame.

‘True Love’ checks on Me
As he usually does to I
He confesses;
Already forgiven.

We take cover.
Whispering lies,
Sweet lies.

He swears never
Again.
Me speaks condolence, “I’ll forget”
I responds in protest, “**** you”.

Sickly closer than before
We are to Him.

Next time friendly lust
Comes to play
I will take more pleasure
And Me will cry
But with less
Contrition.



Lying to Myself
By: Claudia Sloan

Sixty one seconds of every minute
I’m lying to myself,
Swimming in smoldering quicksand
Passing people’s routine lie detector tests with looks of innocence

Sixty one minutes of every hour
I’m lying to myself,
Nibbling fire entrées and sipping wine glasses of bleach,
Calling it just an experiment, not self destructiveness

Twenty five hours of every day
I’m lying to myself,
Believing by scratching the itch
My cancer like scab won’t return worsened

Eight days of every week
I’m lying to myself,
Waking up in a black room without exits
Still searching for a doorknob

Five weeks of every month
I’m lying to myself,
Drawing dreams of the future in pen
Saying today is of pencil and yesterday simply doesn’t matter

Thirteen months of every year
I’m lying to myself,
Promising if I cease to exist
My life wasn’t invalid



The People's Republic of Clogher
The Ballad of Claudy

The Sperrins surround it, the Faughan flows by
At each end of Main Street the hills and the sky
The small town of Claudy at ease in the sun
Last July in the morning, a new day begun


How peaceful and pretty, if the moment could stop
McIlhenny is straightening things in his shop
His wife is outside serving petrol and then
A child takes a cloth to a big window-pane


And McCloskey is taking the weight off his feet
McClelland and Miller are sweeping the street
Delivering milk at the Beaufort Hotel
Young Temple's enjoying his first job quite well


And Mrs. McLaughlin is scrubbing her floor
Artie Hone's crossing the street to a door
Mrs. Brown, looking around for her cat
Goes off up an entry, what's strange about that


Not much, but before she comes back to the road
The strange car parked outside her house will explode
And all of the people I've mentioned outside
Will be waiting to die or already have died


An explosion too loud for your eardrums to bear
Young children squealing like pigs in the square
All faces chalk-white or streaked with bright red
And the glass, and the dust, and the terrible dead


For an old lady's legs are blown off, and the head
Of a man's hanging open, and still he's not dead
He is shrieking for mercy while his son stands and stares
And stares, and then suddenly - quick - disappears


And Christ, little Katherine Aiken is dead
Mrs. McLaughlin is pierced through the head
Meanwhile to Dungiven the killers have gone
And they're finding it hard to get through on the phone



James Simmons


It's about the Claudy bomb, which happened around the same time as Bloody Sunday and gets a fraction of the publicity. Until this week's enquiry findings, that is.


The poem's like a hardcore Easter 1916.



Buy the ticket, take the ride.
Dulce Et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.


-Wilfred Owen
__________________
"Life has become immeasurably better since I have been forced to stop taking it seriously."



planet news's Avatar
Registered User
"Los Enigmas" (Neruda)

You've asked me what the lobster is weaving there with his golden feet?
I reply, the ocean knows this.
You say, what is the ascidia waiting for in its transparent bell? What is it wating for?
I tell you it is wating for time, like you.
You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.
You question me about the wicked tusk of the narwhal, and I reply by describing
how the sea unicorn with the harpoon in it dies.
You enquire about the kingfisher's feathers,
which tremble in the pure springs of the southern tides?
Or you've found in the cards a new question touching on the crystal architecture
of the sea anemone, and you'll deal that to me now?
You want to understand the electric nature of the ocean spines?
The armored stalactite that breaks as it walks?
The hook of the angler fish, the music stretched out
in the deep places like a thread in the water?

I want to tell you the ocean knows this, that life in its jewel boxes
is endless as the sand, impossible to count, pure,
and among the blood-colored grapes time has made the petal
hard and shiny, made the jellyfish full of light
and untied its knot, letting its musical threads fall
from a horn of plenty made of mother-of-pearl.

I am nothing but the empty net which has gone on ahead
of human eyes, dead in those darknesses,
of fingers accustomed to the triangle, longitudes
on the timid globe of an orange.

I walked around as you do, investigating
the endless star,
and in my net, during the night, I woke up naked,
the only thing caught, a fish trapped inside the wind.
__________________
"Loves them? They need them, like they need the air."



Things

I love things—silent, reticent companions,
Because they are stolid and inanimate,
As though devoid of life,
And yet, meantime, they live and stare at us
Like faithful dogs with trusting, unflinching eyes,
And suffer,
For no one speaks to them.
They are shy to be the first to speak,
They are silent, they wait and are silent,
And yet
They would like so much to have a chat.
Therefore I love things,
And so I love the whole world.

Jiri Wolker
__________________
I always wanted to be an f.



planet news's Avatar
Registered User
to wintertriangles...

To Autumn
by
John Keats (1795-1821)

SEASON of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.


Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
And touch the stubble plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.



Happy New Year from Philly!
I am not I. I am this one
Walking beside me whom I do not see.
Whom at times I manage to visit,
And at other times I forget.
The one who remains silent when I talk,
The one who forgives, sweet, when I hate,
The one who takes a walk when I am indoors,
The one who will remain standing when I die.

- Juan Ramón Jiménez (1881-1958)
__________________
Louise Vale first woman to play Jane Eyre in the flickers.




Happy New Year from Philly!
All goes, and all remains,

but our task is to go,
to go creating roads
roads through the sea.

My songs never chased
after glory to remain
in human memory.
I love the subtle worlds
weightless and charming,
worlds like soap-bubbles.

I like to see them, daubed
with sunlight and scarlet,
quiver, under a blue sky,
suddenly and burst…

I never chased glory.

Walker, the road is only
your footprint, and no more;
Walker, there is no road,
the road is made by walking.

Going becomes the road
and if you look back
you will see a path
none can tread again.

Walker, every track
leaves its wake on the sea…

Once in this place
where bushes now have thorns
the sound of a poet’s cry was heard
‘Walker there is no road
the road is made by walking…’

Step by step, line by line…

The poet died far from home.
Shrouded by dust of a neighbouring land.
At his parting they heard him cry:
‘Walker there is no road
the road is made by walking…’

Step by step, line by line…

When the goldfinch can not sing,
when the poet’s a wanderer,
when nothing aids our prayer.
‘Walker there is no road
the road is made by walking…’


Step by step, line by line.



Antonio Machado



i'm SUPER GOOD at Jewel karaoke
What Lot's Wife Would Have Said (If She Wasn't a Pillar of Salt)" -
Karen Finneyfrock

Do you remember when we met
in Gomorrah? When you were still beardless,
and I would oil my hair in the lamp light before seeing
you, when we were young, and blushed with youth
like bruised fruit. Did we care then
what our neighbors did
in the dark?

When our first daughter was born
on the River Jordan, when our second
cracked her pink head from my body
like a promise, did we worry
what our friends might be
doing with their tongues?

What new crevices they found
to lick love into or strange flesh
to push pleasure from, when we
called them Sodomites then,
all we meant by it
was neighbor.

When the angels told us to run
from the city, I went with you,
but even the angels knew
that women always look back.
Let me describe for you, Lot,
what your city looked like burning
since you never turned around to see it.

Sulfur ran its sticky fingers over the skin
of our countrymen. It smelled like burning hair
and rancid eggs. I watched as our friends pulled
chunks of brimstone from their faces. Is any form
of loving this indecent?

Cover your eyes tight,
husband, until you see stars, convince
yourself you are looking at Heaven.

Because any man weak enough to hide his eyes while his neighbors
are punished for the way they love deserves a vengeful god.

I would say these things to you now, Lot,
but an ocean has dried itself on my tongue.
So instead I will stand here, while my body blows itself
grain by grain back over the Land of Canaan.
I will stand here
and I will watch you
run.