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Thelma (2017) (Dir. Joachim Trier)



With clear inspiration from Melancholia and The Witch, Joachim Trier crafts a parable as much about coming-of-age as coming-to-power. Thelma's very real problems in an alienating college experience and managing her new found freedom having fled the nest of her protective parents would stand just as powerfully without the greater fantasy element at work. Trier commands the tasteful ability to condemn religious repression without indicting spirituality, instead suggesting a more personal form of faith, chiefly in the self. While I'm sure of its inspirational conclusion, I'm not as sure of the moral implications, though I suppose reading her actions literally is dissuaded by the nature of fantasy.

https://boxd.it/pCrG5
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"Watch'you Talkin Bout Skywalker."
Her second outfit during the event was really nice, and opposite in colour.

"Some like it hot . . . nananaanaaaaaaaa.... The HEAT is on. Oooh Ha."



I don’t think La La Land would’ve cracked top 3 for the academy this year.
Yup. It was nicely done. But nothing great.
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My Favorite Films



Thelma (2017) (Dir. Joachim Trier)

Should have gotten the nod ahead of On Body And Soul.



Now that was just plain mean. Hahaa....Just forgot the words.
I was genuinely asking you? You have came across like your typical Reddit teen so far, is that impression wrong? Are you a grown man?



"Watch'you Talkin Bout Skywalker."
I was genuinely asking you? You have came across like your typical Reddit teen so far, is that impression wrong? Are you a grown man?
That's just insulting. I've never been to reddit. Okay, ....mabie once. But I didnt enjoy it.




Absolutely brilliant critique on Hollywood. I can't wait to campaign for Satan's Alley next season.


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"Watch'you Talkin Bout Skywalker."

Absolutely brilliant critique on Hollywood. I can't wait to campaign for Satan's Alley next season.



Hollywood doesn't have the chutzpah to make those movie anymore.



You mean me? Kei's cousin?


Okay, so, I finally introduced Mom (who'd been asking to see it since forever) to this one and... she liked it. A lot. She was engrossed from start to finish. Even the slight drowsiness she was under couldn't take her out of the experience. I'd honestly thought if it wasn't seeing this much gore in an animated movie, she'd be put off by something else but she really surprised me with this one. There was nothing, no amount of gore, no rape attempt, nothing, that could deter her. She really got a kick out of how Nezu really does look like a rat and how the Colonel just walked out of that meeting. She did give that "What the hell?" look at "Someday we will be," and "It has already begun," and she was somewhat puzzled at just how exactly the espers were using Kei, but that's a perfectly reasonable reaction from someone, especially someone this tired, seeing Akira for the first time and aside from that, she caught onto the storyline pretty quickly. Also, as it stands, I'm currently halfway through the manga, which was unfinished at the time the movie was made, and I'm not really seeing how the movie's so vastly inferior as some make it out to be. I've heard the standard complaint ("But the movie takes SO MUCH out!") and I honestly don't think it's a good reason to attack the movie. Otomo knew certain material from his comic wasn't going to make it into a 124-minute movie, so he, wisely, excised it and if anything, reading the manga has only made me appreciate the movie even more. So, again, I don't know why some say that, I feel differently about that, as I'm sure most Akira fans do, and I'll see you guys later.



Diary of a Country Priest (1951) (Dir. Robert Bresson)



Diary of a Country Priest (1951) makes sense of Bresson's penchant for pedantic narration which he carries over to A Man Escaped (1956). While this film has a titular object, a diary, which lends credence to the form, the later film only reminds you that he's working from a pre-existing novel. Even here, however, his reliance on an inner voice repeatedly runs over much more easily visualized substance.

Is it a lack of trust in his talent to emote or simply gesture? Is it a lack of faith in the audience to extrapolate meaning? Or is it simply a preference for a strong literary element which works in concert, even at the risk of repeating, his filmed action? Whichever it may be, I think his sacrifice of immersion for insight is a more worthy, sensical compromise here.

Regardless, the Priest's final silence made the abundance of crosstalk prior all the more worth it. Certainly a dense picture worth sitting with.

I intend to watch Dreyer's Ordet (1955) followed by Bergman's Winter Light (1963) soon hereafter in order to undertake a comparative study between three films. With any luck, the idea will make just as much sense after I've seen the films in question.

https://boxd.it/pCMVl



Bande de filles [Girlhood] (Céline Sciamma, 2014)
+
Definitely not all Barbie and My Little Pony



28 days...6 hours...42 minutes...12 seconds
The Mummy

(Alex Kurtzman)




I like the idea behind this movie and what it wants to accomplish. A "Dark Universe" series that has all the classic universal movie monsters (Dracula, Frankenstein, Invisible Man, etc) is ripe for the picking. So imagine my surprise that they decided to go with a more family friendly action route than a horror one. They want those Marvel Bucks. Well they ain't gettin' any.

Tom Cruise plays Tom Cruise, a Tom Cruise-ish man who likes to steal ancient artifacts and sell them on the black market. His one-liner funny man of a sidekick helps him and on one of those outings they accidentally discover a tomb. Jenny, a beautiful, smart, blonde woman who playfully is or isn't a romantic lead for Tom Cruise's Tom Cruise, is an expert on these things. She helps unearth it....but in doing so, they release a force of evil so evil that even evil is scared of evil. This incredibly evil evil is a Mummy-ish woman, Ahmanet. She made a deal with Set and must find a human a human vessel to kill, so they they can bring forth the God. She failed back in her day, was wrapped up and encased in a tomb alive with mercury to hold her evil back. Well, she's trying again. This time she's after Tom Cruise's Tom Cruise. Oh yeah, Russell Crowe is in it as Dr. Jekyll/ Mr. Hyde. Cue astonishment.

I mean, this film had a lot of opportunities to be good. It didn't even need to be a re-hash of the Brendan Fraser film from the 90's, but it kinda is. A Mummy awakens, sucks on the flesh of people to make themselves whole again and must find a human vessel to kill in order to bring someone into this world. You'd think they would go with a different story or want to try and separate themselves from that one because too many people love it. They throw in one nod to that film with a shot of the book of the dead. Oooohhhhhh.

Tom Cruise plays himself here, a charming guy who is in great shape. He is sly with the ladies, can hold his own in the company of evil and so on. I didn't see a character here, I saw Tom Cruise. He's a big movie star, but sometimes he CAN disappear into a role. This is not the case. Russell Crowe...the less said the better I think. What a wasted opportunity to play with a character who has a split personality disorder that becomes manifested into a physical rage. Instead they opt for the Hulk-lite.

CGI action sequences that aren't all that entertaining, a run of the mill generic story that fails to jump start what should be an easy "franchise" and questionable casting choices slow this film down. This is writer Alex Kurtzman's second feature as a director. He doesn't really have a sense of scale or ambition in his directing style to bring something fresh or exciting to the screen. The plane crash sequence which was shot in zero-gravity was Tom Cruise pushing himself to find new ways to entertain the audience. This film needed a more visually interesting director and one who could handle setting up future films.

This is obviously a bad start and one that could be rectified in any upcoming "sequels" or "series" films. I think they need to change the tone and direction, give the audience what they want. They want horror, not whatever this is.
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A Silent Voice (2016)


Surprisingly, one of the best anime I've seen. Such a powerful story of how a bully's actions can affect everyone around them including themselves. Deals with really sensitive topics and overall a really emotional watch. It could have went down the route of being dark and disturbing but it never needed too. Plus, the animation was wonderful!!


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You can't win an argument just by being right!
The Martian.I was just a entertained as the first time.



This might just do nobody any good.
Tbh, I was actually digging Tom Cruise and Jake Johnson as douchebag treasure hunters with Courtney B. Vance as their angry boss.

Then all the other stuff happened.