Reposted from the Hall of Infamy:
Robot Monster (1953, Phil Tucker) ‐
Not my idea for "worst film ever" territory as I'd put it firmly in the B‐movie pile, but I did find it more joyless than I remembered. While Ro‐Man is the clear standout, the human characters are utterly bland by comparison. Even with my expectations lowered, they had little to no personality, were stuck in Ro‐Man's shadow, and frequently got in the way of what I liked about the film. The wedding sequence, for instance, felt particularly forced and came out of nowhere. Not sure why that was included. Ro‐Man (as well as the stop motion/disaster photography in the opening and ending) is where this film shines though. Yes, he's more cute than scary, but those are the film's B‐movie charms. Watching his actor struggle to move around in the suit while traversing the cliffs is amusing to watch, especially with the idea that he has to chase the human characters down. Fortunately for him, everyone either stands still instead of running away or trips and falls after a few steps. While his schtick began to overstay its welcome, particularly with the walking shots, Ro‐Man's arc in the final act saved the day since the film finally capitalized on the potential of his cuteness. They could've done more with it had they stretched the ending out further, but it still made for a pleasing slice of humanity which the rest of the film lacked. Also, while the twist ending doesn't fix the absurd plot points/character decisions, it at least mitigates my criticisms to a degree by providing a justification for them. Overall, while I liked this a bit less throughout this rewatch, I still wouldn't call it bad. You just need to approach it with the right expectations.
Robot Monster (1953, Phil Tucker) ‐
Not my idea for "worst film ever" territory as I'd put it firmly in the B‐movie pile, but I did find it more joyless than I remembered. While Ro‐Man is the clear standout, the human characters are utterly bland by comparison. Even with my expectations lowered, they had little to no personality, were stuck in Ro‐Man's shadow, and frequently got in the way of what I liked about the film. The wedding sequence, for instance, felt particularly forced and came out of nowhere. Not sure why that was included. Ro‐Man (as well as the stop motion/disaster photography in the opening and ending) is where this film shines though. Yes, he's more cute than scary, but those are the film's B‐movie charms. Watching his actor struggle to move around in the suit while traversing the cliffs is amusing to watch, especially with the idea that he has to chase the human characters down. Fortunately for him, everyone either stands still instead of running away or trips and falls after a few steps. While his schtick began to overstay its welcome, particularly with the walking shots, Ro‐Man's arc in the final act saved the day since the film finally capitalized on the potential of his cuteness. They could've done more with it had they stretched the ending out further, but it still made for a pleasing slice of humanity which the rest of the film lacked. Also, while the twist ending doesn't fix the absurd plot points/character decisions, it at least mitigates my criticisms to a degree by providing a justification for them. Overall, while I liked this a bit less throughout this rewatch, I still wouldn't call it bad. You just need to approach it with the right expectations.