I've got another list you can consider adding the official ranks: FILM NOIR.
Noir is a pretty malleable term, but it's definitely one of my personal favorite genres. As with the Westerns list, this one comes from the BFI Screen Guide book series:
100 Film Noir by Jim Hillier & Alastair Phillips (2009, ISBN 97814844572168). Not officially a British Film Institute "list", but one under their publishing banner. As with the BFI 100 Westerns list, even with a hundred flicks there are some omissions genre fans can fight about and again they've gone out of their way to include some newer entries and films from all around the world. But in general, a darn good list that will have titles even the most hardcore filmbuffs won't have seen, as well as the majority of what most superfans would agree is the canon. And one of the other things I like about the lists in this series is that they are alphabetical rather than some kind of ranking, so there's no qibbling about 'how can they have put this one over that one?'.
There is a bit of overlap with some of the other lists, but not much. Here's the list (
DAMN I wish I had learned to type at some point - stay in school, kids!)...
36 (2004)
The American Friend (1977)
The Asphalt Jungle (1950)
La Bête Humaine (1938)
The Big Combo (1955)
The Big Heat (1953)
The Big Sleep (1946)
Blast of Silence 1961)
The Blue Dahlia (1946)
Body and Soul (1947)
Born to Kill (1947)
Brighton Rock (1947)
Call Northside 777 (1948)
The Castle of Sand (1974)
The Chase (1946)
Chinatown (1974)
C.I.D. (1956)
Collateral (2004)
Cornered (1945)
Criss Cross (1949)
The Crooked Way (1949)
Crossfire (1947)
Cry of the City (1948)
The Dark Corner (1956)
Dark Passage (1947)
Dead Reckoning (1947)
Death is a Caress (1949)
Death of a Cyclist (1955)
Detour (1945)
Devil in a Blue Dress (1995)
D.O.A. (1950)
Double Indemnity (1944)
The Driver (1978)
Elevator to the Gallows (1958)
Fallen Angel (1945)
Fear in the Night (1947)
Force of Evil (1948)
Foreign Land (1996)
Get Carter (1971)
Gilda (1946)
The Glass Key (1942)
Gun Crazy (1950)
He Ran All the Way (1951)
He Walked by Night (1948)
High & Low (1963)
A History of Violence (2005)
The Hitch-Hiker (1953)
I'll Sleep When I'm Dead (2003)
I Married a Communist (1949)
I Wake Up Screaming (1942)
I Walk Alone (1948)
In a Lonely Place (1950)
Le Jour se Lève (1939)
Journey Into Fear (1942)
The Killers (1946)
The Killing (1956)
Kiss Me Deadly (1955)
Kiss of Death (1947)
L.A. Confidential (1997)
The Lady from Shanghai (1947)
Lady in the Lake (1946)
Laura (1944)
The Long Goodbye (1973)
The Lost One (1951)
M (1931)
The Maltese Falcon (1941)
Memories of Murder (2003)
Mildred Pierce (1945)
Mulholland Dr. (2001)
Murder, My Sweet (1944)
The Narrow Margin (1952)
Night and the City (1950)
Night Moves (1975)
Nightmare Alley (1947)
Odd Man Out (1947)
Odds Against Tomorrow (1959)
On Dangerous Ground (1952)
Out of the Past (1947)
Phantom Lady (1944)
Pickup on South Street (1953)
Pitfall (1948)
Point Blank (1967)
The Postman Always Rings Twice (1946)
Pursued (1947)
Quai des Orfèvres (1947)
The Reckless Moment (1949)
Rififi (1955)
Le Samouraï (1967)
Scarlet Street (1945)
Shoot the Piano Player (1960)
Side Street (1950)
Sin City (2005)
Story of a Love Affair (1950)
Sunset Boulevard (1950)
Taxi Driver (1976)
They Live by Night (1948)
T-Men (1947)
Touch of Evil (1958)
Touchez pas au Grisbi (1954)
Where the Sidewalk Ends (1950)
Forty-eight come from the 1940s, the undisputed golden age of Noir, and another twenty-five from the 1950s as the first cycle was winding down. Plus a few forerunners from the 1930s, seven from the 21st Century, twenty made outside of the U.S. or U.K., and only one that is a true genre crossover (Raoul Walsh's Western
Pursued).
As if to prove my point that these lists are impossible to compile, in the index they have "Another 100 Film Noirs" (which I won't list unless anyone is really
really curious). And even then, there are still a few titles that jump out at me as exclusions. TWO HUNDRED is not going to be enough to satisfy a genre junkie. Such is the inherent and inevitable weakness of these exercises. BUT, as far as lists go, this one does give certainly the genre newbie a sense of the width and breadth of what "Noir" has to offer.