Originally Posted by Mr.Nobody
Targets:
This movie was a choice film. It's the last film that Boris Karloff made and the first film of Peter [Bogdanovich] (Who's work is very hit and miss from what I've heard.). It's very [intriguing] and very [suspenseful].
First of all as for Bogdanovich, a critic and film historian turned filmmaker, he has some very strong work to his credit.
The Last Picture Show and
Paper Moon alone are out-and-out classics, and I love
What's Up, Doc?, Mask, They All Laughed, Saint Jack, Noises Off... and
The Cat's Meow - all very much worth seeing (I think). He does have some real stinkers to his name as well, but most people who have been in the industry for forty years do. And his book of interviews with his friend and mentor,
This is Orson Welles, is a must-read for anybody even remotely interested in Welles and the history of filmmaking. Yeah, much of it is filled with Welles reinforcing his own mythology, but doing it the way only Orson can.
Originally Posted by Mr. Nobody
First,the performances from the top two actors were top notch. Karloff as an aging actor is a very good fit and the man who played Bobby (I think that's the crazed war vet's name) does it chillingly (the [scenes] where he has his finger on the trigger hold [a lot] of shock and his emotionless stare just adds to it.). The rest of the cast didn't really do anything for me, but they were just paper thin characters (my only big gripe with this film is that they didn't put more time into the secondary characters) used to help move things along anyway.
The direction is also quite solid and the composition of the shots really display the vibes they are trying to go for. Take for instance Bobby's house, You can tell by the shots that it is a place of discomfort for him and the performance just adds to that.
For me this is probably the second best film made for Roger Corman's low-rent A.I.P. operation (the best being John Milius'
Dillinger). It's also maybe the prime example from that learn-as-you-go B-movie haven of how even with a box full of limitations imposed if you have drive, invention and talent you can make cinematic lemonade out of lemons. With almost no money to work with and told he only had two days to use Karloff left over from his limited contract and forced to somehow incorporate footage from the previous production of
The Raven, Bogdanovich with his then-wife Polly Platt and an uncredited helping hand from maverick legend Sam Fuller were able to make an excellent flick that was timely, chilling and entertaining, and much better than it probably had much right to be.
Originally Posted by Mr.Nobody
Overall,a very enjoyable film that packs the thrills and has a undeniable air of creepiness to it. I would [definitely] watch this again someday.
Yup, it
is worth re-watching. But first do check out Peter's
Paper Moon and
The Last Picture Show, A.S.A.P. Great, great movies.