Watching Movies Alone with crumbsroom

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Here are a couple from Mr. Pike. If these aren't to your liking, just search for "Appreciation" using the site's search function, and a few pages of threads will list out.

Scorsese, Super Genus

Clint Eastwood

Herzog
Appreciate it!



Yes, Rock. It's a thing. And it's extremely prevalent with American young men.
I'm Canadian but I've never heard of this being a thing, but I'm also pretty antisocial. I guess I'm being a bit of a prude here, but there's no way I can see it not being awkward as hell.



Lol. That was funny.*
How about you, though? What films were you hoping to see more of?

I think there are really only two specific films I would have definitely liked to see on the top 100. Texas Chainsaw Massacre and Passion of Joan of Arc.

It would have also been nice to get an Altman on there.

Now that I think about it, the biggest issue I think I had was I believe the complete overlooking of documentaries. That was pretty unfortunate.

Generally, I don't much expect most of my own top 100 to ever make such a list like this, which requires some kind of consensus. As has been broached a few times by those who know me, a lot of my biggest film passions are questionable and not usually all that palatable for most. I'm clearly not going to expect something like the grindhouse film Headless Eyes or the documentary Derby, about small town roller derbyiers, to make the cut.

As far as I'm concerned, the movie world would definitely be a better place if more people started wandering a much further away from what is considered acceptable or appropriate filmmaking, I know it is not likely to ever happen, but I can dream of one day seeing all the worn out standards of what makes something great, finally put to rest.



I still want to know what Colorado senator and former governor John Hickenlooper has to do with watching porn with your parents.



The trick is not minding
I think there are really only two specific films I would have definitely liked to see on the top 100. Texas Chainsaw Massacre and Passion of Joan of Arc.

It would have also been nice to get an Altman on there.

Now that I think about it, the biggest issue I think I had was I believe the complete overlooking of documentaries. That was pretty unfortunate.

Generally, I don't much expect most of my own top 100 to ever make such a list like this, which requires some kind of consensus. As has been broached a few times by those who know me, a lot of my biggest film passions are questionable and not usually all that palatable for most. I'm clearly not going to expect something like the grindhouse film Headless Eyes or the documentary Derby, about small town roller derbyiers, to make the cut.

As far as I'm concerned, the movie world would definitely be a better place if more people started wandering a much further away from what is considered acceptable or appropriate filmmaking, I know it is not likely to ever happen, but I can dream of one day seeing all the worn out standards of what makes something great, finally put to rest.
Not a huge fan of Texas Chainsaw Massacre, but it’s ok. I definitely see it’s influence.
I agree about Altman and lack of documentaries. I’ve been semi championing them the last year.
Definitely an under appreciated genre.
I’m not sure I understand “worn out standards” of what makes a film great, as what one finds great is highly subjective anyways, and each person approaches a film for different reasons.
If everyone had the same thoughts on what they felt made a film great or terrible, man would that be a boring conversation



Victim of The Night
Anyone else get a sinking feeling when they look at other threads that aren’t from RT/Corrie holdovers? Seeing the most trite and soul sucking takes about feminism and no men liking movies to a degree that makes you feel like you wandered into a bodybuilding message board for insecure men that stopped their education just short of high school and it robs all interest in interacting with much of the other posters?

Just checking in.
Couldn't agree more, Sex.
I don't know why I even allowed myself to drop in on that disappointing and frankly embarrassing thread, but I did, and somehow I got, subtly, kinda called out for being the bad guy, or at least that's the way it seemed.
Really disappointing.



Victim of The Night
I've been posting with some level of tunnel vision (this thread, horror cram and the main viewing thread plus the question and games forums) but feels like old school RT to me. I'm just happy to be on a working forum TBH.
This is also a good point.
I remember when I thought RT was pretty gross a lot of the time too and how, by the end every woman had left the forum.



I'm Canadian but I've never heard of this being a thing, but I'm also pretty antisocial. I guess I'm being a bit of a prude here, but there's no way I can see it not being awkward as hell.
It was one of those strange revelations, like learning that some people stand to wipe while others sit, with further variation of from the front or back, all with none of us knowing the other exists.

It came up during a sociology course I took up and I don't remember why, but virtually every single guy volunteered that it wasn't unusual for them to watch porn with their friends.

It's become a recurring joke between me and my best friend (who was also in the class and baffled by the reveal) where we say "are we even friends if we don't watch porn together?"

Ask around if they've done it. Especially in college years. The results will unnerve you.



The trick is not minding
This is also a good point.
I remember when I thought RT was pretty gross a lot of the time too and how, by the end every woman had left the forum.
You’re going to have disagreements with many here, and some may be pretty “gross”, but try not to hold it against everyone here. There’s plenty of decent people that just want to talk about movies.



Couldn't agree more, Sex.
I don't know why I even allowed myself to drop in on that disappointing and frankly embarrassing thread, but I did, and somehow I got, subtly, kinda called out for being the bad guy, or at least that's the way it seemed.
Really disappointing.
I hear ya. A similar thing happened in the thread about Hollywood films being too socialist.

But I'm recovering memories of folks like Replican, Euda, Hazelrabbit and MacDaddyReturns (someone that was fixated on me) and I'm wondering how the heck any of us stayed on RT.



Victim of The Night
Hey everyone, glad to see you nerds again! Did I miss anything while I was gone?
Wuzzup, Slent?!



I don't even know what thread you're all talking about, so I suppose I'm doing things the right way?
__________________
Check out my podcast: The Movie Loot!



Ask around if they've done it. Especially in college years. The results will unnerve you.

From my personal experiences, it seems to be pretty common. In university, the men in the residence would gather around in the common rooms to watch pornography. Since common rooms were basically where I slept (I couldn't stand my roommate, and so basically spent the year floating from coach to coach in the common rooms of multiple residences) I'd be stuck laying there under my bedsheets as they all applauded around me as soon as some kind of ****ing began. Not that I could say anything about it, because I wasn't even supposed to be there to begin with. Good manners is my motto, after all.



Now, if you know anything about me at all, and my feelings about male comradery, or just pornography in general, this was kind of a perfectly articulated personal hell. It seems I shouldn't have conspired to get my roommates phone cut off, after all. Probably wasn't worth it, even though it seemed hilarious when I was full of amphetamines and cheap beer.



I’m not sure I understand “worn out standards” of what makes a film great

Just the basic crutches of film criticism. Story structure, character development, editing, camera work, blocking, script and dialogue. Any basic metric that are easy to turn to in explaining the greatness of a film. Not that these things can't make a film great. They are the building blocks of cinematic language, and every movie on my top 25 list excells at least a few of them. But I can't help but feel a need to champion those films that are less articulate in this particular dialect. Essentially, a broader embrace of what people generally call 'outsider art'. I try to hold both approaches in equal regard (even though you will generally find me champion more outsider stuff, simply because not enough people are)



Victim of The Night
Overall, it's a solid list. After all, it's supposed to be a representation of the collective tastes of a community, so there's no "wrong" in it.

But if we were to get in the nitty-gritty, these are some films that I didn't like that made it anyway...

80. West Side Story (79 points)
69. American History X (89 points)
65. Forrest Gump (94 points)
39. Spirited Away (130 points)
24. The Matrix (178 points)

But once again, other than American History X, which I consider a fairly irrelevant film, I know I'm in the minority with the others so I have no issues with them coming up.
Holy ****, West Side Story?!!!



Victim of The Night
You’re going to have disagreements with many here, and some may be pretty “gross”, but try not to hold it against everyone here. There’s plenty of decent people that just want to talk about movies.
I really don't, Wylde, I know there's mostly good folk and the discussion here is good.
I'm happy to be here.
I was just really taken aback and really disappointed about that one and one or two others. But that's everywhere. I guess I was just hoping not to run into it.



The trick is not minding
Just the basic crutches of film criticism. Story structure, character development, editing, camera work, blocking, script and dialogue. Any basic metric that are easy to turn to in explaining the greatness of a film. Not that these things can't make a film great. They are the building blocks of cinematic language, and every movie on my top 25 list excells at least a few of them. But I can't help but feel a need to champion those films that are less articulate in this particular dialect. Essentially, a broader embrace of what people generally call 'outsider art'. I try to hold both approaches in equal regard (even though you will generally find me champion more outsider stuff, simply because not enough people are)
What do you mean by outsider art? Those things you described are important to analyzing a film, as you’ve pointed, so of course they’ll be the metrics used more often, but maybe I’m missing something on the outside art you’re championing here. If I can understand what you mean, I can probably view films differently then I have before.
I agree with you that there are films that are less articulate in those metrics that should still be held in high esteem regardless.



The trick is not minding
I really don't, Wylde, I know there's mostly good folk and the discussion here is good.
I'm happy to be here.
I was just really taken aback and really disappointed about that one and one or two others. But that's everywhere. I guess I was just hoping not to run into it.
I’m glad. Like I said previously, the more new members who actually enjoy films the better, and I’ve had mostly enjoyable interactions with you guys so far.
There’s a few to avoid here but they tend to a lunch themselves easily. For example, there’s is one guy who’s initials are M.M and likes pink films. Avoid that guy. 👀