+2
Blue Velvet -
Dennis Hopper's infantile pervert, the creepy sexuality, the general off-kilter tone
Boys Don't Cry -
The rape and the cold remorseless attitude of the rapists, the brutality of the ending, the indifference of the mother
Cannibal Holocaust -
Sadistic and grotesque, very realistic extreme violence, the part where one character is amused and excited by a dead woman
Eaten Alive -
The atmosphere of madness and cruelty, the gleefulness of the violence, how some of the more "normal" characters are portrayed as just as sick and twisted in their own way as the killer, the attempted child murder
Eraserhead -
The deformed baby, the feeling of being caught in a nightmare, the radiator woman singing, the bleakness of it all
Gummo -
The tone of hopelessness and despair and meaninglessness, the bunny boy, the cat hunters, the scene with the retarded prostitute
Henry: Portrait of a Serial Killer -
The emptiness of Henry himself, his crazy friend and co-killer, the family murder, the matter of fact way everything is presented, the use of sound instead of explicit gore to get across the horror of the killings, the final murder
Julien Donkey-Boy -
The degraded life of Julien, his pitiful family, his crazy father, the sadness of it all, the way the film so effectively gives you an ugly feeling of what schizophrenia must really be like (not cleaned-up big hollywood BS like Beautiful Mind)
Nekromantik 2 -
It's just sick, and the ending is horrifying, one of the most twisted movies ever
Pink Flamingos -
Awful, grotesque, yet the worst part is how darkly funny it all is, the bizarre egg woman in her crib, the chicken scene, the dogshit scene, the unbridled nastiness of it all
Schindler's List -
The stark portrayal of evil on a grand scale, the heart-wrenching deaths of innocent people, the mind-numbing sadism of Ralph Fiennes' character
The Woodsman -
The way it leads you to empathize with a sexual predator, the mixed feelings of pity, anger, disgust at Bacon's riveting performance as a pathetic man with sick desires