Not too fond of these picks. I like The Hurt Locker and Copland, though not enough to put them in a top 100, probably not even a top 250. I have a strong dislike for Sin City, which is incoherent, mechanical drab with fancy visuals. Fancy drab however is still drab. Signs is okay, but nothing more than that. Snatch is Richie's best work to me, yet still didn't make my runners-up list of 2000 if I recall correctly.