Yeah, for me, Michael Myers is a boogeyman. Too much back story hurts him. Don't make him vulnerable. Don't give him personality. He's like the Jaws of supernatural boogeyman-style killers for me. Lack of lore makes him scarier. He just is. And he's coming for you. You shouldn't be able to break through to him at any point, like you can with Jason. That's my issue with Zombie's Halloween. I'm not saying it's correct, but I'm actually naturally celebratory of the profane, but somehow...not this.
I can't quite adequately explain what I mean these days.

I hope the meaning comes through.
You will have to let me know if I am describing your view on it accurately, and you can elaborate on it if you choose to. I'm all about allowing films to preserve their magic without picking them apart too much. We tend to put a hallowed aura or untouchable ambiance around original films- a discussion I kinda set-up going all the way back to the first
Pyscho by Hitchcock I talked about at the start of the thread. I've done that with
Elm treet I'm sure (giving it that elevated aura). With some filmgoers, I see the mentality, like with
Psycho- "No sequel can ever compare to the original, it's not even a discussion." Basically worshipping Hitchcock and then the equivalent horror films it inspired like
Halloween,
Friday the 13th, etc... I mean I want to value that- maintaining a level of respect, but I also don't want to shutdown someone who finds themselves enjoying a sequel more- like
Psycho 2 (1983), I quite enjoyed watching that a few years back in October.
To get back on point, the way I grasped
Halloween (2007), some of the other characters want to see humanity in Michael, like Cruz the prison guard (played by Danny Trejo)- didn't work out well for him, and Dr Loomis- although Michael and Loomis have always had that interesting relationship dynamic in the films even from the 70s and 80s...
We do see more of young Michael, compared to the first
Halloween. But it's NOT a soft young Michael. It's a reimagining, in a different movie.
I don't want to change your mind, just express how I see the films. I'm convinced we can all watch the same movie and see different gradations and come away with different takes. And I always want to encourage new, fresh, and even different thought.