The Traditionalist: Christopher Nolan DGA interview <--- click it to read
a taste
Q: Another thing that’s unique about your style, especially for such big films, is that you choose to work without a second unit. Why is that?
A: Let me put it this way: If I don’t need to be directing the shots that go in the movie, why do I need to be there at all? The screen is the same size for every shot. The little shot of, say, a watch on someone’s wrist, will occupy the same screen size as the shot of a thousand people running down the street. Everything is equally weighted and needs to be considered with equal care, I really do believe that.
a taste
Q: Another thing that’s unique about your style, especially for such big films, is that you choose to work without a second unit. Why is that?
A: Let me put it this way: If I don’t need to be directing the shots that go in the movie, why do I need to be there at all? The screen is the same size for every shot. The little shot of, say, a watch on someone’s wrist, will occupy the same screen size as the shot of a thousand people running down the street. Everything is equally weighted and needs to be considered with equal care, I really do believe that.
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Have you ever held a lion in your arms? I have. He smelled funky.
Have you ever held a lion in your arms? I have. He smelled funky.
Last edited by Cenydd Ros; 04-15-12 at 09:42 PM.