+1
I wonder if we're talking about the same things when we talk about violent, action, and horror movies. Are these really three distinct types of movies, or, more likely, do they blend into each other? For instance Saving Pvt. Ryan depicted some horrible deaths, but I doubt if many consider it a horror movie. It has a lot of action, but is it an action film or a drama? Then there's Raging Bull--extremely violent scenes of boxing and even mental abuse, but is it violent, action, drama, what? You can pose the same question about lots of fight films--Cinderella Man, The Set-up, Million Dollar Baby, Requiem for a Heavyweight, the Great White Hope, even The Quite Man. Some you likely think of being more violent than others, some may seem like action movies, some are film noir--what are the elements that set them apart when the primary story is all about the violent sport of boxing? What about Smokey and the Bandit? I don't recall anyone getting killed or seriously injured in that film, but there were some violent chases and car crashes as I recall. So is it violent, action, or comedy? I think most people would class a film like Saw (2004) as a horror movie. But how does that compare with the Marathon Man with Lawrence Olivier torturing Dustin Hoffman by drilling his teeth? Owww! Are they both horror films or does one rise above the other because of the better quality of cast and storyline?
Is F/X, which centered on special effects in movies, less violent because much of the violence was shown to be faked? What about something like Rush Hour that is a violent, action-packed comedy? How would you class a movie like The High and the Mighty, which is about an airliner that doesn't crash and no one really gets hurt at all? Or a film like Angel and the Bad Man in which you see hero John Wayne firing guns during the opening credits (without knowing who he's shooting at or if he hits his targets) and then he never fires another gun through the entire movie, limiting his action to a few fist-fights?
Maybe violence, horror, action, and drama are all in the eyes of the beholder, and some of us for whatever reason can stomach more violence and horror than others.