All or Nothing

When it comes to motion pictures, I’ve always been a lot more interested in the motion than the pictures. Images, in fact, have always been for me primarily a medium through which motion (or energy) can manifest. In ALL OR NOTHING abstract images are made dynamic by an infusion of energy imposed by me from outside. I’m tempted to describe this as a conversion of biological energy (mine) into cinematic energy. The individual frames collide and...