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S. O. B.

https://en.wikipedia.org/wiki/S.O.B._%28film%29





I decided this because it's a special one for me, it's controversial and not all that very well known, so it might be interesting.

In 1968 Blake did a flick called Darling Lili, sort of a Mary Poppins thing which flopped horribly, both critically and financially. I know he's been at war with Hollywood all his life, but still managed to redeem himself receiving an honorary Oscar. (With his acceptance speech) So this film is his revenge on Hollywood, depicting it for what it is - a brutal machinery of dictatorial studio executives, directors and frustrated actors, but in a Pink Panther sort of way.

It begins with an opening crawl saying Felix Farmer, who actually represents Blake, and played ELECTRIFYINGLY by Richard Mulligan, who was very succesfull and loved by everyone did a film Night Wind, the most ambitious and expensive film ever, which flopped. So, Night Wind is actually Darling Lili in S. O. B. Studio executives were very upset because they lost a lot of money... and Felix lost his mind.

At the beginning an actor gets a heart attack while jogging on the beach right next to Farmer's house and dies instantly. For the 1st half of the film they just walk by him, the only one who sits next to him and cares is a dog. We get to see the ocean throwing him again and again on the beach etc. They finally take him to the morgue only after the dog's had enough and bytes one of the people.

So, that's the sort of sarcasme which only gets worse and worse as the film progresses. Really, I've never seen anything darker.

Felix is completely out of his mind in the begining, not having said a word ever since the flop. He tries to kill himself 4 times. Firts, by gas from his limousine, but the butler comes along, and accidentaly pushes the pedale, so it ends in the ocean. Second, he falls on a gossip collumnist while trying to hang himself, which leaves him completely unharmed (physically), and sends her to a hospital with 5 broken ribs and a fractured pelvis. Third, he puts his head in the oven, but is interrupted by a couple who collapse on him while doing it during a party that was meant to cheer him up, but instead turned into an orgy. And finally, he tries to kill himself with a gun blowing off his head, but a hooker gives him a blow job and an idea - he'll turn Night wind into a 4 hours pornographic epic. So, he immidiately bursts into a room where the director Culley, played greatly by William holden in his last performance, is shagging another hooker. "SEX, CULLEY! WE'LL GIVE THEM A 4H 300 MILLION DOLLAR PORNOGRAPHIC EPIC! HAHA! WE'LL F* THE ENTIRE HOLLYWOOD!" So, then he meats the dictator David Blackman, who by the way, is the only one carrying a cross over his neck the entire time - a true Christian, played fantasticly by Robert Vaughan, in the studio. Felix bytes his middle finger, so David shows a wrapped and CEMENTED f* you everybody until the end of the film. Back at his house, Felix is euphorical about the film. He asks culley "writers, Culley, who wrote the Last tango?"
-beats me
-my god, none of us know who wrote the last tango
-i hated it. I never try to remember the names of the people who purpotrate something I hate.
-that's just it, I hated it too
-in my opinion, a discrectionary judgement
-but we're wrong, Culley! That's what they want! That's where it's at!
-It's been my experience that every time I think I know where something's at, it's usually somewhare else!

Then Julie bursts in, after Felix BOUGHT the film back for 16 mil $, bc Blackman refused him to reshoot

-Where is he?!
- aaaaahhhhh! I must warn you my hands are lethal weapons!
- So is your God deam fountain pen! 16 mil, you maniac, you LUNATIC! Half of that money is mine!
- that entitles you to 50 % of the profit!
- that entitles ma to sue you for grand-theft, larseny, fraud, you son of a bitch!
- Sally Miles (that's Julie's character name) swears!
- give mye my money felix, give me my money, or ..I will KILL you!
- Sally Miles killes!
she takes her Oscar and throws it at him, who ducks, so it goes through a closed window straight into the Pacific ocean.
- oh, ****!
- Sally miles says '****'! 300, 400 mil at the box office! Peter Pan is dead! Long live Gillain West (that's SALLY'S character name in Night Wind) NYMPHOMANIAC EXECUTIVE! Not since Griffith, not since jones, we'll make motion picture history! AH! A monumental testiment to man's immorality! A celluloid prophecy of the hollocaust to come!

... And in the mean time Robert Webber who was accidentally drugged by the doctor trying to drug Felix when he went berzerk, wakes up sick of reaction to the drug a room above...

Felix: - For God did NOT spare the angels who sinned, but casted them DOWN to hell, and saved NOAH, an aged person, a preacher of rightciousness, bringing THE FLOOD upon the world of the UNGODLY!

BUUUUUUAAAHHH! Through the whole Felix made when he was trying to kill himself.

I hope I didn't overdo it with the spoilers, so I'll stop here.



10 Things I Hate About You





I like the humor, how's the music incorporated and, of course, the romance. I escpecially like the scene when she reads the 10 things she hates about him, and..."But most of all, I hate the thing that I don't hate you at all" It's my favorite movie quote, and my favorite romantic movie.

The directing is great, the cast, I love Julia Stiles, because



Heath Ledger gave the preformance of his life in The Dark Knight, but this one is my favorite.

10/10



I love the movie S. O. B., but you didn't really review it. You just told a synopsis of the movie.

What did you think of it? What rating would you give it?
It's in fact my favorite film. 10/10.



Rep for 10 things I hate about you.

I would like to know a bit more about S.O.B because I haven't seen it yet



You can't make a rainbow without a little rain.
Rep for 10 things I hate about you.

I would like to know a bit more about S.O.B because I haven't seen it yet

S.O.B. is a very funny comedy with a terrific cast. It's an adult comedy, so don't watch it with kids around.



SUPERMAN



Directed by Richard Donner

Written by Mario Puzzo

Produced by Alexander and Ilya Salkind

Cast: Christopher Reeve, Gene Hackman, Marlon Brando, Margot Kidder, Sarah Douglas, Terence Stamp, Glen Ford, Valerie Perrine

Music by John Williams

Year: 1978

Plot: Upon the destruction of Krypton, Superman's home planet, his father Yor El (Brando) decides to save his son by sending him to Earth. Before that, three villains were condamned and sent to the phantom zone. Upon his arrival, Superman is adopted by two earthlings. When his earth father (Ford) dies, he decides to discover his true identity. He meets his father who explains it. He then puts on a costume and becomes a fighter for peace and justice going to Metropolis. He meets Lois Lane (Kidder), a newspaper reporter under his pseudonyme Clark Kent. They fall in love. The villain Lex Luthor (Hackman) appears, disabling Superman with Kryptonite, his only weakness. He sends two 500 megatone nuclear missiles, one to San Francisco, the other to New Jersey. Miss Tetschmacher (Perrine), Luthor's assistant frees him and he sends the NY missile into space because he so promissed to her and he never lies. However, even he, with his great speed couldn't stop the SF one which kills Lane. He wents berzerk and rotates the Earth in the opposite direction to bring back time. He succeeds. The End.

I saw it for the first time in a cinema in '81 with my dad. One of the best experiences until then. I remember the scene 'bad vibrations?', everyone bursting into laughter, but I didn't know the word, so I learned it by asking my dad who just wiggled his finger.

Donner was a genius director and it shows here more than anywhere, imho. Special effects were great for its time. Not the Star Wars level, but still great. Williams' score is outstanding as usual. Among his scores this is second only to Star Wars, imho. The plot, of course, is the single most brilliant thing, as Puzzo has a sense of provocation, mystery and humor. Brando is in his usual grandeur, Hackman gives one of the best performances ever by anyone, Reeve is stellar, Kidder is lovely, charming and stellar. All in all, there's practically not a single weak spot in the entire film. If there is, I haven't seen it.





You can't make a rainbow without a little rain.
Superman (1978) is probably my favorite of all of the superhero movies. Christopher Reeve was terrific, both as Superman and as Clark Kent. Gene Hackman stole the movie as Lex Luthor.

The only thing that bugged me about the movie is that I thought they paid Marlon Brando way too much money for such a small amount of screen time. I didn't think he was worth it. But that's not a complaint about the actual movie itself. The movie is awesome.



BLAST FROM THE PAST





Director: Hugh Wilson

Cast: Alicia Silverstone, Brendan Frasier, Christopher Walken, Sissy Spacek

Plot: Adam (Brendan)'s nut father (Walken) on a call of the Pig Bay thing decides to lock his family in a shelter he build below his house for 30 years. Adam comes out and meets Heather (Silverstone). They fall in love. For obvious reasons, she thinks he's nuts and tries to have him commited. When she finds out the truth, she tries desperately to find the missing Adam. When she does, a love is born. The end.

As I love all the cast (I had and still have a SERIOUS crush on Alicia), this could hardly go wrong. And it didn't. The plot is original and I'd dare to call it even genial. As I'm a complete sucker for romantic movies, my favorite genre, well, I don't even know what to say any more. It's brilliantly directed, Alicia is THE arc - angel as always , Brandan is as funny as ever and also shows his emotional side, Christopher gives a nut-like performance and Sissy plays the wife/mother role to perfection.





STAR WARS



When I saw it as a kid in a cinema it was the best thing ever for me. I went back again and again. I even saw it two days in a role once. Soon after, I had it on VHS. That lowered my passion, because I could watch it any time at all and the experience is nowhere near.

It tells a story of a young guy Luke who wants to engage him self against the empire and does so when his foster parents are murdered by it. He joins Obi-Wan Kenobi, a Jedi knight and Han Solo and Chewbacca and destroys the first Death Star in the end.

The directing is great, it has Sir Alec who plays it to perfection, the acting overall is great, a very entertaining plot, but the one thing that stands out for me is the music. Without it...it just wouldn't be the same. And, of course, I fell in love with Carrie. She's a faisty snowhite.

I do have issues with it, though. Now a grown man, I find the intensity too much for me, especially Vader's and it's stiff. I prefer more subtle villains, like HAL in 2001, to the fierce ones that tear down everything in their path. Audio - visually it's still a fantastic experience if one's mind is off. Special effects are groundbreaking. My favorite scene is the last one, the throne room.







FRANTIC




Directed by Roman Polanski

Music by Ennio Morricone

Cast: Harrison Ford, Emmanuelle Seigner, Betty Buckley, Gerard Klein, John Mahoney

Plot: An American doctor (Ford) goes to a conference in Paris with his wife (Buckley) who gets kidnapped due to a bagage confusion by a radical polytical group. In trying to find her, he meets a young French girl (Seigner) who gets killed in the end. He finds her. The end.

I absolutely LOVE this film. Polanski is a very mild, easy - going and subtle director. I think this role was made for Ford. He goes through a Kafkian - like set of sequences, my favorite is the one on the roof. Or when she uses a spray for women against men and sprays accidentally on him. Music is beautiful, featuring I've Seen This Face Before (Libertango) by Grace Jones. The French chick is gorgeous.

Hopefully, this won't happen to me. But, then again, they've got no one to kidnap but me. Why in the hell should anyone kidnap me? There's absolutely no profit. But then again, I just might take someone else's bagage by mistake. Look what you did to me, Camo. I'm already suffering from the Paris syndrome and it's still a month away. I probably won't even make it. I'll end up in a hospital here.





Police Academy



Year: 1984

Director: Hugh Wilson

Cast: Steve Guttenberg, David Graf, Bubba Smith, Michael Winslow, G. W. Bailey, Leslie Easterbrock, Kim Catrall, George Gaynes.

Plot: NYC mayor loosens restrictions on joining the police academy, so all kinds of folks join, including Mahoney (Guttenberg), who's there only to avoid prison, the lunatic Eugene Tackleberry (Graf), there to realise the military machine he is etc. The wicked Bailey tries to get rid of them, but fails, as they prove the most unorthodox heroes. The end.

I saw this for the first time in June '84, it was the last film I saw in cinema with my mom. I remember it was a beautiful late spring day, the school was ending. And the scene when a hooker was giving Lassard (Gaynes) a blow job. The entire cinema was laughing like mad, but I was too young to get it, thought "what are the idiots laughing at?" Now I can especailly appreciate when Steve came out afterwards. I know it's exceedingly silly, and normally I'd give it 5/10, but for nostalgic reasons I won't. I like easy-going humor that doesn't burden the soul, Steve fits perfectly into the original trouble maker role, the music's good, Kim is lovely and it's well directed.





Air Force One




Year: 1997

Director: Wolfgang Petersen

Cast: Harrison Ford, Gary Oldman, Wendy Crewson, Glenn Close

Plot: A group of terrorists led by Ivan Korshunov (Oldman) hijacks Air Force One with the US president James Marshall (Ford) on it. His entire being is put to test. He overcomes it.

I thought it's a nice idea to put the US president in such a situation. Not commanding from the White house, rather he is both the president and an ordinary man in an extraordinary situation. And he even has his family (wife Crewson and doughter) on board. Petersen does a professional job for this type of film. Ford is great, as he often plays characters under pressure and in bizzare situations. Oldman is fantastic, a criminaly underrated performance, Oscar - worthy, imho. He speaks with Russian accent with no apparent problem as he portrays a ruthless psychopath. Close is fantastic too. The only reason why I'm giving it 4/5 is I didn't find anything worth a fifth star. It's a nice movie experience, but it didn't blow my mind away.





You can't make a rainbow without a little rain.
I haven't watched Police Academy in many years, but as I recall, it was kind of goofy, but also very funny. I especially loved Michael Winslow and his sound effects.

Air Force One is another movie that I haven't seen in years, but I remember it being a pretty exciting movie.



Sex, Lies, and Videotape




Year: 1989

Director: Steven Soderbergh

Cast: James Spader, Andie MacDowell, Peter Gallagher

Genre: Drama


Plot: John Mullany (Gallagher) is having an affair with his sexually opressed wife Ann's (MacDowell) sister. When his old friend Graham (Spader) shows up, everything changes, as Ann finds out about the affair through Graham's strange obsession.

I must say I don't understand this film. We have an adultery, which is bad, an obsession, which is bad, the end result being Ann finds out about another person's sin. Maybe Soderbergh wanted to raise the question of whether it's better to know or be ignorant of an evil. I don't know the answer, too deep for me. It has a nice atmosphere, though and it's pleasant to watch. Spader is interesting as usual, but overall I find the plot too kinky, even perverted. MacDowell I don't consider a great actress, and it shows here too. In fact,
the role of Ann was originally written for Elizabeth McGovern, and was later offered to Brooke Shields, who turned it down. In 1989, at the Sundance Festival premiere, Soderbergh told the audience that he'd originally thought MacDowell was too weak an actress to even audition, because of her work in Greystoke: The Legend of Tarzan, Lord of the Apes. It's her beauty and missing the point why I'm giving it




The Wizard of Oz





Year: 1939

Director: Victor Fleming

Genre: Musical comedy-drama fantasy

Cast: Judy Garland, Frank Morgan, Ray Bolger, Jack Haley, Bert Lahr

Plot:

A young girl Dorothy (Garland) and her dog Toto get transported into the phantasmagoric world of Oz by a tornado. Upon their arrival, the house they're in crushes on and kills a wicked witch. On her way following Yellow Brick Road to see the great wizard (Morgan) who'll send her back home she meets a Scarecrow (Bolger) that needs a brain a Tin Man (Haley) that needs a heart and a Cowardly Lion (Lahr) that needs courage. After destroying the other wicked witch, they discover Oz is a fraud who never the less cures them all, sending Dorothy back in a baloon. But it was all just a dream...

I absolutely love it. Wonderful story, adopted from Frank Baum's book, I must've read it 15 times as a kid. Judy is nothing short of perfect for the role which propelled her to stardoom. Absolutely world-wide. She's one of my favorite actresses anyway. In fact, the entire cast is perfect. I also love the black and white/color idea. Over The Rainbow is beautiful and again perfectly sung by Judy. Really, no wonder The Wizard of Oz is what it is - the greatest children film ever. And since I'm a child...




The Wizard of Oz is indeed amazing and if you haven't you should check out the 3D version. Obviously I don't know if you have the proper set-up or know someone who do, but I can tell you it's one of the very best 3D films out there. Extremely convicing, especially for a converted 3D feature.