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I've been really busy lately, that's where I've been. Now I come back and the whole place looks all creepy, like the tower of Bab-Il from Final Fantasy 2! I'll tell you I don't like this one bit, I fear change.
To be on topic, I looove black and White. I already mentioned High and Low in a post tonight, That movie is amazing, black and white makes noir, in all its greatness, what it is.
Speaking of which, I'm quite hype for The Man WHo Wasn't There, but not as hype as I am for The Royal Tenenbaums. I've never been so excited in my life... I think I'll end up like Brody was for Jay and Silent Bob. I'd seriously go anywhere to see that movie early, as long as I could drive there. December fourteen is waaaay too far away.
Also, I think Hitchcock, my favorite director, made his best movies in black and white. Why? Because he used black and white. He never really used color. Some people today can really use color to enhance films (I'm NOT talking about Steven Soderbergh) just as some people can use the absence of color via the black and white medium.
Speaking of which, does anyone else think that Steven Soderbergh's popularity is a hoax? Like Marivin Pontiac? They just got a bunch of stars together and agreed to all jock him. He might be a good director for the actors but I don't think he makes pleasant experiences for the viewer at all. Seriosuly Kafka was a masterpiece, but critics dissed it. Now all of a sudden, he nauseates and drills holes in the collective skull of humanity with Traffic and makes a terribly flawed message in Erin Brokovich and he's God? I don't know man... Sorry about the rambling, I guess I've just been away too long.