I knew to expect something different going into Leos Carax's new film Holy Motors, but I doubt anyone could expect this. Still unsure of its "greatness" but thought I'd mention it here regardless. I can't stop thinking about it the day after and that's usually a good thing. It was the final showing for the Vancouver International Film Festival last night and the predominantly young audience loved it. I predict this film will generate a serious following in the future. Anyone else a fan of Carax's films? He makes far too few but those that I have seen by him have this love of the cinema deeply ingrained in them. Did a film festival day with this girl I know yesterday, also took in Kiarostami's Japan shot Like Someone in Love and Haneke's Palm d'Or winner Amour, and they were fine, but Holy Motors was the one that really got us talking.
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"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."
"Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock."