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Victim of The Night


This was the 9th movie out of 10 I loaned from the library. I wasn't exactly peeing myself in excitement about watching it, but I got it for some reason (saw the trailer...good IMDb score) and had to watch it. When I went to put it on the DVD box was empty. I was pretty happy for a few minutes, but when I checked all my players I found it in the lounge room. Obviously I'd meant to put it on before and couldn't go through with it...

This is a remake of a 1979 George Burns film - and, it felt to me, a remake of 2011 Ben Stiller/Eddie Murphy film Tower Heist. There were a couple of laughs, and the film was barely passable.

To Morgan Freeman, Michael Caine and Alan Arkman : Do you want your Oscars or the money? It doesn't seem fair to have both.

5/10
Strongly prefer the original.



Victim of The Night

The Social Dilemma (2020)

Good Lord almighty! It would be saddening to contemplate that anyone who has seen this revealing shocking documentary would ever return to frequent use (or any use at all) of Facebook, Twitter, Instagram, Google, YouTube, and any other widespread social networking platform.

The average user believes that, while these big tech corporations harvest their user's activity so as to more cunningly target them with advertising, they don't see much harm in that, so they put it out of their minds. Many understand that, "If it's for free, then YOU are the product", and all that.

But in fact these nefarious all-seeing, all-knowing, unregulated tech giants are increasingly figuring out and plying brutally efficient ways to influence the user's opinions, and to control their user's thoughts.

10 or 12 high placed former employees of the social media behemoths, along with experts in AI, virtual reality, communications, algorithms, and psychology effectively lay out how the public is being addicted, lead and brainwashed to do the network's bidding. It's going way beyond selling advertising.

The most affected are Gen Z'ers and beyond, but millennials, Boomers, and even seniors are not immune. The more time one spends each day on their Android or I-phone, the more one is completely surreptitiously being controlled. I personally have never used social media because I always believed it to be idiotic and dangerous. But yet every time I've clicked on a YouTube video, or ordered an item through Amazon, it has contributed to a cyber dossier which plots and digests my movements in order to use them in attempts to manipulate me.

I remarked to my wife that this documentary should be shown in every public school so as to reveal to the younger generations what is being foisted upon them. My wife said, "It wouldn't make any difference. They don't care." That's a sad thought, and it's likely true. I came to the sad realization that when people have become accustomed to the surveillance state, when caution is bred out of them, that is likely the last remaining step toward totalitarianism, socialism.

Encouragingly people from both the left and right are starting to ring the alarm bells. The big tech companies have become de facto governments, with no one but themselves to chart their courses. They will never police themselves. Despite my libertarian leanings it seems to me that the only way to stop this secret population control is through governmental fines and regulation both at the state and federal levels. These cyber behemoths must be limited in their attempts to control and profit from the unaware public. Transparent competition should be allowed and encouraged to flourish. Government has broken up far less harmful entities in the past. It's now past time to thoroughly scrutinize the social media giants.

Doc's rating: 9/10
I'm honestly not trying to rub you the wrong way but I'm 48 years old and I'm not sure if I care either.



I forgot the opening line.


I definitely want to rewatch this 1983 Shoichi Ozawa film - it's a crazy fast paced 132 minutes, and I wasn't paying full attention. It'd be good to see in a cinema - I saw Takahata's Grave of the Fireflies in a cinema and got to feel it's full brilliance. Anyway - this one was full of clever humour, crass humour and heart-rending meditation on becoming old and dying.

7/10 (maybe 8 or 9 if I sit back, focus and rewatch)

Looking forward to exploring more of Shoichi Ozawa's work



Three Colors: Blue (1993)




The first I've seen of the trilogy, and I plan on seeing the other two before the countdown. It's a very sad story with a great lead performance. It's beautifully filmed and the music plays a major role. Everything about it is above average but it didn't blow me away emotionally. I found it to be more interesting the way she tries to move on. I wondered if it would have been more relatable and powerful had this been a more average woman rather that a woman of some exceptional means. I don't believe that most people would have the ability to move on the way that she does.



Nobody (2021)

This had it's good and bad points, the good points were mainly based around the main characters feelings and frustrations, the bad were around the expendable rent-a-heavy violence. Bob Odenkirk does a good job but I wish the whole thing had been darker to suit the characters past/present feelings.




WARNING: spoilers below
This is the movie where they burn this poor dude alive, put him in a car to make it look like an accident, and when investigators get there they find he isn't dead yet, isn't it? I'll never forget that scene with his screaming - and his ordeal isn't over. A most unfortunate fellow!
I liked this and am sure I saw it back in the day also.



Emanuelle in America (1977)

This is probably the perfect tipping point between production values and sleaziness. I'll be honest and say some scenes were shocking but then outweighed by the keystone cops acting. Seems like Joe D'Amato wanted to make some globetrotting erotic affair but I really found it stilted and passionless.

One to forget.



I have watch short movies lately. Pretty neat stuff.



The Mummy: Tomb of The Dragon Emperor, 2008 (F)

If you ever watched The Mummy 1 and 2 and thought hey, I wish this was weirdly heavy, joyless,too much in every way and just bad overall, this might be up your alley. The tone is largely much darker than the other two movies, even the first one, but all the humor is made for kids. There's magic, yetis, a hydra, shapeshifting, and then there's a retreading of the rest of The Mummy 2's plot points. Betrayal, a curse that makes the guy super powerful if he gets resurrected (why?,) etc.There's also a whole thing about family that brings nothing to anybody.

The final fight is some of the worst use of cameras and slow-mo I've ever seen in a movie, big budget or not.



Oops, forgot to post here for a bit.

Intentions of Murder (Shohei Imamura, 1964) -

The Wicksboro Incident (Richard Lowry, 2003) -

The Freshman (Fred C. Newmeyer & Sam Taylor, 1925) -

Straight to Hell (Alex Cox, 1987) -

The Phoenix Tapes '97 (Turner Clay, 2016) -

Mortal Kombat (Simon McQuoid, 2021) -



Michael Inside (2017)

Low key and interesting drama about "the sins of the father" etc. I really liked it and thought the main players characters evolvement worked well. Touching final scenes.




Watched Pirates of the Caribbean (again) last night. Still good fun. 8/10
I saw Jack Sparrow and Barbossa in my dream last night
Just love your avatar bread I just love the smell of fresh bread in the morning .... hope you are gluten free







Snooze factor = Z


[Snooze Factor Ratings]:
Z = didn't nod off at all
Zz = nearly nodded off but managed to stay alert
Zzz = nodded off and missed some of the film but went back to watch what I missed
Zzzz = nodded off and missed some of the film but went back to watch what I missed but nodded off again at the same point and therefore needed to go back a number of times before I got through it...
Zzzzz = nodded off and missed some or the rest of the film but was not interested enough to go back over it



Victim of The Night
Three Colors: Blue (1993)




The first I've seen of the trilogy, and I plan on seeing the other two before the countdown. It's a very sad story with a great lead performance. It's beautifully filmed and the music plays a major role. Everything about it is above average but it didn't blow me away emotionally. I found it to be more interesting the way she tries to move on. I wondered if it would have been more relatable and powerful had this been a more average woman rather that a woman of some exceptional means. I don't believe that most people would have the ability to move on the way that she does.
It would be hard for me not to put this on my shortest list of favorite films.