oh oh, i'm excited now, you're pulling out titles i had forgotten and some i want to argue with!
Tous les Matins du Monde/Jean de Florette/Manon de la Source/Camille Claudel/Le Retour de Martin Guerre ... while I admit these films are all very good, they are the staple of modern french cinema and at the same time, aren't THAT high up there on the list for me. I mean, with those, you might as well throw in Germinal, and Le Gloire de Mon Pere, and Le Chateau de Ma Mere, Cyrano de Bergerac, La Reine Margot, I mean, they're all very good but ... you know? And Milou en Mai, all these films of a similar vein that touch on tragedy and such, the period pieces or the love drama, but I mean, that's so many of the French films it might as well be 3/4 of them! I think the full package must count to make it "the best" or at least, one of the best ...
La Femme Nikita ... I love this movie to death. I was tempted to add it to my list. But I didn't, because as much as I love it, I know it isn't one of "the best." It's very good, but that's it. Also ... The Professional, wasn't that an American film? It was in English wasn't it, with Jean Reno and that little girl, and Gary Oldman?
Your list, Holden, makes me so happy, sometimes I feel a little nerdy when we get to talking about these films and am so glad to see somebody's seen and includes on a list of their favorites movies I feel the same way about ...
Cleo I mentioned, but also ...
Jules et Jim
The Rules of the Game
The Discreet Charm of the Bourgeoisie - ahh, Luis Bunuel, sick and hilarious! Very necessary to establishing the tradition of acerbic, witty, irreverent film.
The 400 Blows was definitely haunting but I don't know if I'd put it in "best" ...
Is Akira the animation? That was certainly worth seeing and a must for anime fans but rather ... not a complete work, i'd say not all-round "great." but maybe that's just me, i left that one deeply confused.
But really, I argue that Nosferatu was d@mned fascinating but not a "great" for me. Necessary for film history and all but ... provocative at most.
Metropolis - the same thing, important for the history of film in Europe but not necessarily a "great." If we're going to include greats, what happened to Eisenstein, Oktober, The Battleship Potemkin?
There are a lot of others on your list i'm supposed to see, i know ... 8 1/2, and all that ... i'll get around to it. one day ...