28.
Per qualche dollaro in pìu a.k.a. For a Few Dollars More
Sergio Leone
Italy/Spain/West Germany
1965
I generally smoke just after I eat. Why don't you come back in about ten minutes?
This is an excerpt of what I wrote on my
review:
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For a Few Dollars More has all the advantages of not being the first major spaghetti western, being more mature than its predecessor, For a Fistful of Dollars (1964). Everyone knows now exactly how to do things: Leone has solidified his style and technique, Eastwood and Volonté are much more comfortable with their characters (Eastwood, in particular, delivers his best performance on a Leone film) and the new guy, Lee van Cleef is an amazing addition to the cast, lending his coolness and experience to this masterpiece.
Also in the acting field, it's a pleasure to watch Klaus Kinski and Luigi Pistilli as member of the gang. Small roles but huge actors!
I've already talked about Leone being more mature. In fact, it's his direction that makes of this film such a great one. From beginning to end, the tension is built at a slow yet steady pace, fitting perfectly its 2 hour length. It’s not made to be an “opera” like Once Upon a Time on the West (1968) or even The Good, The Bad and The Ugly (1965) and it’s its almost lack of grandiosity that makes this such a brilliant western. It’s hard, gritty and straight to the point and the italian director is clever enough to make of every aspect of the film perfectly tuned with his concept: the calm but relentless music of Morricone’s outstanding soundtrack, the quiet personality of the 3 lead characters, the great pacing management and the glorious cinematography and camera work create the ideal conditions to an apotheotic final duel, where the tension is stretched to an almost nauseating point, and solved with a fast and powerful explosion. And that is Leone’s secret: creating impact by contrast.
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