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Well, here we are. It's about the end of the year. (And unfortunately for myself, I only have 1 day until Christmas break is over 
) BUT, I still trying to remain positive and optimistic heading forward.
And so I ask, what are some of your favorite films of the year? It doesn't need to be a ranking or list. (See ScarletLion's Thread for dat, boi.) Just some notable mentions. Even If you haven't seen any, or even some from 2017: just list some of your first-time viewings or relevant rewatchings, and some of your thoughts on them.
First off on my rundown. (One that'll certainly piss off loads of ppl.)
Indeed ol’ chaps, and I f**king love it. Lololololololololol. Suck my custard triggered fanboys.
Just kidding. I would never tell you to suck my custard. In all seriousness, It’s still a solid from me. Even separate from the universe It’s set in, as a film: It’s pretty captivating. In a way, I believe ‘The Last Jedi’ succeeded--where ‘Captain America: Civil War’ failed. It’s a darker, more challenging film, which explores deep themes instead of just minimally incorporating them whilst having zero stakes. And (albeit pretty unpopular opinion of mine) this ACTUALLY balances the humor with the serious aspects of the story, and It actually makes sense.
Anyhow, the film is pretty despised by a loud portion of the fanbase. And I can understand how they craft their own point-of-view. But in time, don’t be shocked when this film garners an Empire-esc following, even by those who are currently on the fence about it. (Albeit, maybe not as ‘strong’ as Empire; but definitely special in it’s own way.) You can have your own opinion. It’s not the end of the world. But we all know one thing…
YOU ALL HAVE TO FACE FACTS, BECAUSE REYLO IS HAPPENING MOFOS!
And speaking of polzaring.
After all the films I’ve seen from 2017, I never thought this would still be amongst my absolute favorites. Perhaps thee film of the year, for several different reasons. ‘Mother!’ is a why I love cinema. Just to skip all my ramblings on this--just read MovieMediations absolutely superb review on this. #MyThoughtsExactly
This film is the pure definition of beauty; a divine work-of-art that's the film equivalent to a vibrant Édouard Manet piece, which (at the same time) perfectly portrays a breathtaking Sexual Awakening. Much like Chalamet's outstanding performance: the things that make CMBYN special are the small but noticeable rich details, resulting in one of the most nuanced pieces of cinema I've seen in years. The scenery itself is breathtaking without being unsubtle, and the characters and culture within that scenery just make you want to be there. And when the film ends, you feel like you were there: in Italy, back in 1983. It also (‘also’, without undermining the accomplishment at hand) perfectly encapsulates first-love between two people, who come from radically different lifestyles and cultures (except for the prominent jewish upbringing and the love of literature.) Timothée Chalamet and Armie Hammer's chemistry is something not to be unstated, what they accomplish is something truly special. That, paired with Luca Guadagnino's Masterclass Direction, and the Legendary James Ivory's sublime screenplay; makes this, by far: the best film of the year, in my humble and informed opinion. And I'm sure overtime, this could become one of my all-time favorites; a bonafide classic in my book.
’Get Out’ is a great showcase of Jordan Peele’s talent, a film that captures the zeitgeist like lightning-in-a-bottle. In this current era of 'Trump' and his support base seemingly taking over the country, nothing can be more appropriate to be seen by America: than this film. It’s not here to shame racism (ala; 12 YAS, Mudbound)--but rather, to make a metaphorical, haunting showcase of it. Because the today’s racism is kept quiet. Only in small interaction, and conversation; does it come out in others. Much of it is internalized, and maybe even subconscious. An large portion of people today still have hold an idea of a typical stereotype or certain “concept”, in their heads about another race. And this (in return--Ala; Donald Trump) Modern Racism goes much deeper than “I don’t like you because you’re black, and black people are (for example) criminals, thugs, hoodlums.” These stereotypes are ingrained within others, and those same people believe It’s their duty to take action against another race of people. (Again, Ala; Donald Trump.) And this film perfectly exemplifies that, in it’s own way. In a less than a decade, I think If this film will be recognized by the public alongside other trailblazing and innovative films about race, such as ‘In the Heat of the Night’ and ‘Do The Right Thing.’
The way the film ends up leaving a lot to the imagination; really asks us to look ourselves in the mirror, and do something about the tragedies we deal with. And I’ll say this again: a LOT of people here will have plenty of issues with this movie. The film poses questions, but not a whole lot of answers. It incorporates racism, police brutality, and domestic abuse, breaks all of them down. But in the end, doesn't delve deep and make an example of them. 'Three Billboards Outside Ebbing Missouri' is the most relevant film of the year, one that's ahead of it's time.
I went head first into Lynch's World.
And I got this:
So 2017 (in terms in general cinema), has been a rich year of film. Let's all hope 2018 will bode well, and I go nowhere near 'Solo: A Star Wars Story.'
) BUT, I still trying to remain positive and optimistic heading forward.And so I ask, what are some of your favorite films of the year? It doesn't need to be a ranking or list. (See ScarletLion's Thread for dat, boi.) Just some notable mentions. Even If you haven't seen any, or even some from 2017: just list some of your first-time viewings or relevant rewatchings, and some of your thoughts on them.
First off on my rundown. (One that'll certainly piss off loads of ppl.)
Indeed ol’ chaps, and I f**king love it. Lololololololololol. Suck my custard triggered fanboys.
Just kidding. I would never tell you to suck my custard. In all seriousness, It’s still a solid from me. Even separate from the universe It’s set in, as a film: It’s pretty captivating. In a way, I believe ‘The Last Jedi’ succeeded--where ‘Captain America: Civil War’ failed. It’s a darker, more challenging film, which explores deep themes instead of just minimally incorporating them whilst having zero stakes. And (albeit pretty unpopular opinion of mine) this ACTUALLY balances the humor with the serious aspects of the story, and It actually makes sense.
WARNING: "Star Wars: The Last Jedi" spoilers below
I.e; Luke will screw around with Rey for a brief moment when she’s been trained, but you don’t see Luke and Kylo making jokes and cracking one-liners when they confront each other on Crait.
YOU ALL HAVE TO FACE FACTS, BECAUSE REYLO IS HAPPENING MOFOS!
And speaking of polzaring.
After all the films I’ve seen from 2017, I never thought this would still be amongst my absolute favorites. Perhaps thee film of the year, for several different reasons. ‘Mother!’ is a why I love cinema. Just to skip all my ramblings on this--just read MovieMediations absolutely superb review on this. #MyThoughtsExactly
This film is the pure definition of beauty; a divine work-of-art that's the film equivalent to a vibrant Édouard Manet piece, which (at the same time) perfectly portrays a breathtaking Sexual Awakening. Much like Chalamet's outstanding performance: the things that make CMBYN special are the small but noticeable rich details, resulting in one of the most nuanced pieces of cinema I've seen in years. The scenery itself is breathtaking without being unsubtle, and the characters and culture within that scenery just make you want to be there. And when the film ends, you feel like you were there: in Italy, back in 1983. It also (‘also’, without undermining the accomplishment at hand) perfectly encapsulates first-love between two people, who come from radically different lifestyles and cultures (except for the prominent jewish upbringing and the love of literature.) Timothée Chalamet and Armie Hammer's chemistry is something not to be unstated, what they accomplish is something truly special. That, paired with Luca Guadagnino's Masterclass Direction, and the Legendary James Ivory's sublime screenplay; makes this, by far: the best film of the year, in my humble and informed opinion. And I'm sure overtime, this could become one of my all-time favorites; a bonafide classic in my book.
WARNING: "’Somewhat’ Minor 'Call Me by Your Name''" spoilers below
And that speech near the end of the film. 
Oh lord help, I'm a shattered shut-in mess will never return to this site!!!!!!! slayed af 4ever NO RETURN
Oh lord help, I'm a shattered shut-in mess will never return to this site!!!!!!! slayed af 4ever NO RETURN
’Get Out’ is a great showcase of Jordan Peele’s talent, a film that captures the zeitgeist like lightning-in-a-bottle. In this current era of 'Trump' and his support base seemingly taking over the country, nothing can be more appropriate to be seen by America: than this film. It’s not here to shame racism (ala; 12 YAS, Mudbound)--but rather, to make a metaphorical, haunting showcase of it. Because the today’s racism is kept quiet. Only in small interaction, and conversation; does it come out in others. Much of it is internalized, and maybe even subconscious. An large portion of people today still have hold an idea of a typical stereotype or certain “concept”, in their heads about another race. And this (in return--Ala; Donald Trump) Modern Racism goes much deeper than “I don’t like you because you’re black, and black people are (for example) criminals, thugs, hoodlums.” These stereotypes are ingrained within others, and those same people believe It’s their duty to take action against another race of people. (Again, Ala; Donald Trump.) And this film perfectly exemplifies that, in it’s own way. In a less than a decade, I think If this film will be recognized by the public alongside other trailblazing and innovative films about race, such as ‘In the Heat of the Night’ and ‘Do The Right Thing.’
The way the film ends up leaving a lot to the imagination; really asks us to look ourselves in the mirror, and do something about the tragedies we deal with. And I’ll say this again: a LOT of people here will have plenty of issues with this movie. The film poses questions, but not a whole lot of answers. It incorporates racism, police brutality, and domestic abuse, breaks all of them down. But in the end, doesn't delve deep and make an example of them. 'Three Billboards Outside Ebbing Missouri' is the most relevant film of the year, one that's ahead of it's time.
I went head first into Lynch's World.
And I got this:
So 2017 (in terms in general cinema), has been a rich year of film. Let's all hope 2018 will bode well, and I go nowhere near 'Solo: A Star Wars Story.'
Last edited by Cynema De Bergerac; 12-31-17 at 08:28 PM.
