Sounds awesome, I haven't seen it.
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Monsieur Hire (1989) by Patrice Leconte
Monsieur Hire is an eccentric loner, with little to no human contact. He actually prefers observing people, especially his young beautiful next door neighbour, who he had deeply fallen in love with. She finally catches on to his shenanigans, and what follows is an interesting and unconventional turn of events.
The film looks pretty great, due to its amazing cinematography. I especially loved how the ultimate climax of the film was shot. Overall, a lot of calculations were clearly done, in order to make every scene framed and composed appropriately, while also having them contain their fair share of visual metaphors. With all of that being said, there's still something missing that I currently can't put my finger on. Maybe the character of Hire wasn't handled with enough delicacy, which's why I couldn't fully get into him. Maybe the actor himself is responsible, for not portraying what's on paper with enough finesse. Maybe I was just in a particularly off mood that day. Regardless, I would love to watch this again, since I would also enter it with full context, thus with a whole other perspective. I highly recommend it!
⭐⭐⭐1/2
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"A film has to be a dialogue, not a monologue — a dialogue to provoke in the viewer his own thoughts, his own feelings. And if a film is a dialogue, then it’s a good film; if it’s not a dialogue, it’s a bad film."
"A film has to be a dialogue, not a monologue — a dialogue to provoke in the viewer his own thoughts, his own feelings. And if a film is a dialogue, then it’s a good film; if it’s not a dialogue, it’s a bad film."
- Michael "Gloomy Old Fart" Haneke
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Lady Bird (2017) by Greta Gerwig
You know, I'm very happy for Greta Gerwig and all of the great feedback she's been getting. She's a great person, and I'm sure she will make a film that impresses me enough to grant her this same feedback, because "Lady Bird" definitely isn't it for me. Not saying that it is a bad film or anything of the sorts, matter of fact, it's probably the best coming of age tale I've ever seen on screen. It's overall a pretty good movie with some great aspects to it, but is still the same old story...just better told.
I seriously think as if I've already seen "Lady Bird" over hundreds of times. It was only a year before it was released when another "Lady Bird" came out, only that time, it was called "The Edge of Seventeen" and was worse than its 2017 version. I do give the movie major props for intelligently delving into more complex territory than what we're usually subjected to, but it is still held back by all of the clichés and lack of originality. As for the performances, they sure are good enough, with Laurie Metcalf being the absolute stand-out. The cinematography is good enough as well (this is a directorial début after all), and the humour sure is the best ingredient as it should be, since that's where Gerwig specialises. This would rank a bit low on my list of favourites from 2017, but it is still considered a favourite regardless.
⭐⭐⭐1/2
I seriously think as if I've already seen "Lady Bird" over hundreds of times. It was only a year before it was released when another "Lady Bird" came out, only that time, it was called "The Edge of Seventeen" and was worse than its 2017 version. I do give the movie major props for intelligently delving into more complex territory than what we're usually subjected to, but it is still held back by all of the clichés and lack of originality. As for the performances, they sure are good enough, with Laurie Metcalf being the absolute stand-out. The cinematography is good enough as well (this is a directorial début after all), and the humour sure is the best ingredient as it should be, since that's where Gerwig specialises. This would rank a bit low on my list of favourites from 2017, but it is still considered a favourite regardless.
⭐⭐⭐1/2
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I'm kinda confused on why the film is called Perfect Blue? Is it because the colour of blue is often associated with the state of depression and melancholia ?
I was a little surprised by your comment about the artwork not being that great. I can't think of many 90's animated works with more detailed drawings and motion on screen. Ghost in the Shell comes to mind, and a couple 80's movies, Akira and Royal Space Force: The Wings of Honneamise. But the most artistic animated film of all time in my oppinion is Angel's Egg, check it out. Also I have to mention Venus Wars, a must see!
Anyway, I'm really glad you liked Perfect Blue. There is something I experienced with Perfect Blue that I hadn't experienced with any other film ever. After about ten watches I realised for years I had been in denial of the brutal reality of what happened to Nima. I only realised it after paying more attention to some of the Hollywood sex scandals. I don't want to give it away though if you aren't sure what I'm referring to. Because I think it's the kind of movie you can learn something new every time you watch it, and the movie itself never explicitly says or shows what happened.
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Another fan of Sex Lies and Videotape here, and another one to say that The Fly is brilliant and easily Cronenberg's best. I can't guarantee that you will love it, but it's got much more going for it than just the horror.
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I love Greta, but I almost forgot about this movie. Have you seen Francis Ha? That's probably her best IMO, but Hanna Takes the Stairs is a close contender for me despite being much less technically polished. I also loved 20th Century Women. I don't know if you saw that one. I'd be curious to hear your thoughts on her other films.
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I was a little surprised by your comment about the artwork not being that great. I can't think of many 90's animated works with more detailed drawings and motion on screen.
Obviously this is just a minor issue, and it didn't affect my experience, since everything else was done masterfully. Thanks for the recommendations, and I'm of course going to revisit Perfect Blue at some point, for sure.[/quote]
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I love Greta, but I almost forgot about this movie. Have you seen Francis Ha? That's probably her best IMO, but Hanna Takes the Stairs is a close contender for me despite being much less technically polished. I also loved 20th Century Women. I don't know if you saw that one. I'd be curious to hear your thoughts on her other films.
Hanna Takes the Stairs is very realistic. Almost hyper realism, though a bit low-budget. It has a certain charm you don't get in big budget productions.
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Joaquin Phoenix was so good I didn't even realise it was him until half way through.
I think you mean Billy Crudup
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HA!
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It's what you learn after you know it all that counts. - John Wooden
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The Square (2017) by Ruben Östlund
"The Square" is the most recent Palme d'Or winner, from the director of "Force Majeure". Overall, the film is very well acted, very well shot, and very well written. There were a handful of scenes that left me awestruck with the beauty in their composition, and this is no surprise if one has seen the director's preceding film. I was also very impressed with the performances, particularly Terry Notary's. As soon as his scene ended, I literally said out loud: "He's not acting like a monkey, he IS a monkey".
The movie manages to be philosophical, while also being incredibly entertaining. The comedic aspects work very well, as they take advantage of the absurd atmosphere surrounding the film. I was laughing my ass off throughout multiple scenes and sequences, such as the one featuring a continuously interrupted interview, or the one with the janitor who's cleaning around a particular "art piece". There are all kinds of statements that one can take away, from the absurd juxtapositions scattered around. Mainly, I think the film propagates freedom of expression, by poking fun at the displayed hypocrisy, when it comes to what is considered politically correct, and what's not. The phoniness of the art world is another big theme, especially once we zoom into the bourgeois members, who constantly shove their agendas on to their audience, by passionately preaching what they actually don't practice, unless around an entourage.
With a movie such as "The Square", of course there will be a worry about it having too much to say, and the problems that come with that, such as the film becoming an overall mess, or too preachy, or even the statements conveyed being sloppily handled, thus feeling ham-fisted and forced. Thankfully, all of the issues above aren't as present as I feared them to be, therefore, I would consider this a very deserving winner of the Palme d'Or.
🌟🌟🌟🌟
The movie manages to be philosophical, while also being incredibly entertaining. The comedic aspects work very well, as they take advantage of the absurd atmosphere surrounding the film. I was laughing my ass off throughout multiple scenes and sequences, such as the one featuring a continuously interrupted interview, or the one with the janitor who's cleaning around a particular "art piece". There are all kinds of statements that one can take away, from the absurd juxtapositions scattered around. Mainly, I think the film propagates freedom of expression, by poking fun at the displayed hypocrisy, when it comes to what is considered politically correct, and what's not. The phoniness of the art world is another big theme, especially once we zoom into the bourgeois members, who constantly shove their agendas on to their audience, by passionately preaching what they actually don't practice, unless around an entourage.
With a movie such as "The Square", of course there will be a worry about it having too much to say, and the problems that come with that, such as the film becoming an overall mess, or too preachy, or even the statements conveyed being sloppily handled, thus feeling ham-fisted and forced. Thankfully, all of the issues above aren't as present as I feared them to be, therefore, I would consider this a very deserving winner of the Palme d'Or.
🌟🌟🌟🌟
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Glad you enjoyed it. I thought it was great. I liked how it alluded to virtue signalling and the like in today's society.
Ostlund's films always seem to get the viewer thinking. I need to look at his older works.
Ostlund's films always seem to get the viewer thinking. I need to look at his older works.
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The Square was a big surprise for me. I didn't expected I would like it as much. It's one of the best movies made in last year, IMO.
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The Age of Shadows (2016) by Kim Jee-woon
The following film follows the ongoing battles between the Japanese forces, and the Korean resistance fighters, who are constantly hiding in the shadows, and attempting to quietly make their moves. Don't be mislead though, this is no history lesson, since most of the movie's focus is the entertainment value of the story, instead of faithfully devoting itself to any historical events.
The first thirty minutes or so were a bit of a chore to get through, because I was mostly lost and confused, by the multitude of names and faces that I couldn't keep up with. Of course, as the film went on, that problem slowly faded away, while my engrossment in the events increased. With that being said, I still can't really say I was totally into the happenings, and that probably stems from my lack of investment in the characters, who were neatly portrayed by the actors, but still weren't interesting or immersing enough, for me to care about them personally.
Nonetheless, there were some very memorable sequences here and there, like that greatly edited drinking scene, or the entire train trip. I also highly enjoyed the score, and the drama it brought by itself to the overall atmosphere. The cinematography is better than one would initially expect, from this kind of film, which resembles a better version of Hollywood blockbusters. Despite how expensive the movie looks, I can't really say that any of the effects, digital or practical, were that impressive, which is kind of a shame for a mostly action packed flick. Other than that, this is a perfectly paced, fairly entertaining, fun roller-coaster that I enjoyed riding.
⭐⭐⭐1/2
The first thirty minutes or so were a bit of a chore to get through, because I was mostly lost and confused, by the multitude of names and faces that I couldn't keep up with. Of course, as the film went on, that problem slowly faded away, while my engrossment in the events increased. With that being said, I still can't really say I was totally into the happenings, and that probably stems from my lack of investment in the characters, who were neatly portrayed by the actors, but still weren't interesting or immersing enough, for me to care about them personally.
Nonetheless, there were some very memorable sequences here and there, like that greatly edited drinking scene, or the entire train trip. I also highly enjoyed the score, and the drama it brought by itself to the overall atmosphere. The cinematography is better than one would initially expect, from this kind of film, which resembles a better version of Hollywood blockbusters. Despite how expensive the movie looks, I can't really say that any of the effects, digital or practical, were that impressive, which is kind of a shame for a mostly action packed flick. Other than that, this is a perfectly paced, fairly entertaining, fun roller-coaster that I enjoyed riding.
⭐⭐⭐1/2
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