Beatle's reviews

→ in
Tools    





Casino



Year:
1995

Director:
Martin Scorcese

Cast:
Robert De Niro, Sharon Stone, Joe Pesci, James Woods

Plot:
Samuel "Ace" Rothstein(De Niro) gets a chanceat running a casino in Las Vegas, Nevadaand albeit reluctantly,for that is his naturetakes it almost immidiately. He has his "bodyguard" Nicky Santoro (Pesci) at his side in the begining, but soon things start to get out of control, as Nicky wants to take over the entire town (and does so, at least for a while). Another problem is Ginger (Stone), a beautiful woman hustler, who is in fact seriously mentally dearranged, of which Ace takes no notice at first (or he does, but cannot resist her charm and beauty) while making the mistake of his life (and completely out of character) by marrying her.



I remember, it was winter of 1996 and, after a lot of consideration, I finally decided not to go to the cinema. I was really in a pittyfull state then. But enough about me. This is one of my ABSOLUTELY favorite films of all time, and I even dare to put it on the same pedestal as Goodfellas. I'd rank 'em as 5a and 5b. They are simmilar: Martin said it finally ended his crime movies serial which started way back in 1973 with Mean Streets. Both are long (2h 30mins Goodfellas, 3h Casino, both feature narration (Liotta and Bracco in the former, De Niro and Pesci in the latter) and both are in the hundreds f*, where Casino tops even Goodfellas. Where do I begin? The story, like in Goodfellas (even though there are time gaps) is linear - one simply gets the feeling it goes gradually, slowly, but surely from start to finish. It's quite unlike, say, a Tarantino movie, such as Pulp Fiction with its scrambled time line. Again here we have what is absolutely the key feature in both movies: the Scorcese genius of incorporating songs into a film. The directing is, of course, exceptionaly dynamic and exciting. I call him "Anti-Kubrick". Here the choreography shines as well, with suits, dresses, and all kinds of garderobe. The acting needs no comment, just look at the cast. Here we have Bobby playing a highely calculated, rational, intelligent, smooth, calm, un-emotional and, well, a very normal (apart from the obvious) human being in form of a Jewish enterpreneur. I'm sorry, but Sharon is so beautiful, it's hard for me to concentrate on anything else, except I think this is in fact her best role. She does an insane woman so well, I get a feeling she herself is insane. Joe is at or at least close to the level of Goodfellas, but he unfortunately does not shine so menacingly, maybe because it's doing the same thing over again. James is one of my all time favorite actors (allegedly his IQ is 180! And he was even at one point considering studying math) and every time when he's with Sharon (oh yeah, btw hers is 154, and that's confirmed (Einstein is "only" 163)) he seems to be her one weakness, like in The Specialist. I don't know why is it so, but her character in The Specialist seemed even afraid of James'. Maybe because he's smarter? Nah, I don't really believe that, women really are smarter than us.

So, I'll start at the beginning. After the Universal logo is gone, we see Ace walking out of a building, in a fancy red and white Las Vegas kind of suit. Then the narration begins and he explodes. (Not like a thermonuclear bomb, mind you, he walks into a car which had a device designed to kill him). So, again, like in Goodfellas we have a key scene at the start, taken completely out of context. I love when Martin does that.



We gradually get introduced to all the main characters, one by one, and this is where Pesci begins cracking me up again (OH man, boy do I ADORE Pesci!) I can't help but to give away right at the start my favorite one, when he took "control" of the city.

If a guy would slip on a banana, they'd take me in for questioning!

He begins to tell a story about the graveyard what has become of the desert surrounding Vegas. If you kill someone, of course you'll burry him there! Very convenient. And at night.

Except you gotta do it right. I mean, we're talking about half an hour to three quarters of an hour of digging. And before you know it, someone else comes along, doing his own dig, so you gotta wack him too.

A favorite scene for me is, of course, when Sharon enters.



So, it was love at first sight. That's always fatal. At least when you're dealing with a femme fatale, which Sharon certainly is. And now the graduation begins. After a while and very soon, while she seemingly was helping him getting money from just about everyone who gets into Vegas (while all the time she was planning to take it all for herself, of course), he proposes in his eloquent and rational way. After just a inny tiny bitsy bit of "resistance" from her, or hesitation, she agrees. The first sign when it was already absolutely clear he's dealing with a nutter is when she took an overdose of his painkillers for panchreatis or whatever.

I take half of one of these, and that's when I'm in an extreme pain!

While she was totally out of it in a Zombieland wriggling around in a bed.

From bad to worse. Nicky wants to take over. He finally proposes while they were driving in a car. But Ace can't actually do anything, so he agrees. We have to remember that all the time the actual bosses, as Joe time and again refers to them as "the booooooosses", and Martin shows a 2 secs of fat old f* querelling at a huge table, are while and away safe from all of that. Before I forget, I should mention my funniest character, as Joe describes him:

...who was a f* degenerate gambler and NEVER got his cards right.

And then the guy goes, looking at his cards and throwing them away:

Maaache cazzo!

Ace:

Nicky had a very efficient method of working casinos. It wasn't very scientific, but it worked. If he won, he collected. If he lost, he told them to go and f? them selves. What'yre gonna do? Muscle Nicky? Ha! Nicky was the muscle.

Before i forget, another hilarious scene was when feds were flying over in a plane while joe was playing golf and they ran out of gas.

Then of course there's two more famous scenes. When Ace took over a casino, things changed. One couldn't just come in and cheat:

- Are you right-handed or left-handed?

- Right-handed.

Then he just nods his head to his subordinate who hits the poor guy's hand several times with a hemmer to make an example.

And the over the top scene when Joe finally establishes himself as the new boss of LV, because the word got around how tough he is, when he overpowered a tough Irish guy with a mace:



Eventually of course, ginger leaves him and takes the kids, but that's only just the beginning of the end.



She took refuge in Nicky and even did it with him, but no one wants a sad pathetic looser drunk junkie cheat like that, so even he in the end throws her out:



Finally, she pays Ace one final visit. The autopsy showed she was so overstoned, it makes Hendrix look like a celibate monk.

So, in the end it all came down. The bosses have had enough of Nicky. Ace, being the only relatively normal one, came out of that car accident alive and found another fine job.

And why mess up a good thing?




10 Things I Hate About You





I like the humor, how's the music incorporated and, of course, the romance. I escpecially like the scene when she reads the 10 things she hates about him, and..."But most of all, I hate the thing that I don't hate you at all" It's my favorite movie quote, and my favorite romantic movie.

The directing is great, the cast, I love Julia Stiles, because



Heath Ledger gave the preformance of his life in The Dark Knight, but this one is my favorite.

10/10
Heath Ledger is reason enough to sit through 19 Things I Hate About You.



Police Academy



Year: 1984

Director: Hugh Wilson

Cast: Steve Guttenberg, David Graf, Bubba Smith, Michael Winslow, G. W. Bailey, Leslie Easterbrock, Kim Catrall, George Gaynes.

Plot: NYC mayor loosens restrictions on joining the police academy, so all kinds of folks join, including Mahoney (Guttenberg), who's there only to avoid prison, the lunatic Eugene Tackleberry (Graf), there to realise the military machine he is etc. The wicked Bailey tries to get rid of them, but fails, as they prove the most unorthodox heroes. The end.

I saw this for the first time in June '84, it was the last film I saw in cinema with my mom. I remember it was a beautiful late spring day, the school was ending. And the scene when a hooker was giving Lassard (Gaynes) a blow job. The entire cinema was laughing like mad, but I was too young to get it, thought "what are the idiots laughing at?" Now I can especailly appreciate when Steve came out afterwards. I know it's exceedingly silly, and normally I'd give it 5/10, but for nostalgic reasons I won't. I like easy-going humor that doesn't burden the soul, Steve fits perfectly into the original trouble maker role, the music's good, Kim is lovely and it's well directed.


I liked the first one...the rest were garbage.



I have to return some videotapes...
Yeah I totally agree with 10 things I hate about you, it's an under seen gem.
__________________
It's only after we've lost everything that we're free to do anything.



Supervixens


Year:
1975

Director: Russ Meyer

Genre: Sexploitation

Cast: Charles Napier, Christy Hartburg, Shari Eubank, Uschi Digard, Haji

Plot: A guy working at a gas station is irresistable to women. He's married to SuperAngel (Eubank) who constantly bitches and harasses him. When she overhears a female customer SuperLorna (Hartburg) she immediately orders him home. They fight, and a policeman (Napier) is called in. The guy escapes, but it turns out Napier is impotent, so Eubank teases and insults him. He breaks a door and dives her into a bath tub brutally and puts a radio in and electrocutes her. To cut a long story short

https://en.wikipedia.org/wiki/Supervixens#Plot



I'm not gonna giva alink to the whole movie because there's nudity.

If for nothing else, I give it
for all those beauties, as sexist as that may be.

I saw it some 25 years ago on TV. It was crazy. Christy was one of my most erotic experiences. I especially liked when he told Eubank over the phone (sarcastically) "You make her look like a man." (Not that Eubank has small ****, mind you). The bath tub scene was also hillarious. She locked her self in, dancing around her beautiful body, as she put it, "You're not gay. You don't even rank that." Then he goes berzerk, crushes the door, and kills her very originally. Not that it was planned, he just lost control. I also remember the Austrian bitch. "Deine korper! Ich muss dich haben!" (Your body! I must have you!), as she said to the guy. Needless to say, all women have big ****, as is usual in Russ movies.

Of course, this isn't a normal movie. It's insane. You get women overpowering and raping men, which a pervert might find particulary sexy. I mean, for God's sake, the film is full of Nazi music a guy who plays Hitler's personal assistant refers to SuperAngel as
the Führer.

I really wonder what's the point? A parody of American society? Obvoiusly, we have obsession with boobs. I don't know...Maybe he made a parody of the feminism thing, as he probably thought USA was turning (or forever was) a matriahat. Women rule.





2001: A Space Odyssey



Year: 1968

Director: Stanley Kubrick

Genre: Adventure, mystery, sci-fi

I guess one can't do a serious review of 2001 without giving their interpretation of it, so here's mine.

I think it's sort of like the Bible. In the begining, even before the MGM logo (which is uniquely silent for this film) appears, we hear a few minutes of strange noises and don't see anything - total darkness. The Bible also begins that way:

The Old Testament

The Book of Genesis

Creation of Heavens and Earth

In the begining God created Heaven and Earth. The Earth was dark and wasted and God's spirit flew above it.

Then Also Schprach Zaratustra (which I think is the perfect choice, there's no such thing as the music of light, but this is the closest I've heard) enters, and also the Sun appears.

So the Bible continues:

And then God said "Let there be light!"

The Dawn of man

I think the monolite represents Jesus, send by God to enlighten us. Which it did - the ape understood he can use a bone as a weapon. And then Kubrick cuts to the chase because all the following evolution is understood. (And here I'd like to digress. Darwin says evolution was continuous, Clarke says otherwise - there was a jump. And since Darwinism is anti - Christian, 2001 is Christian, what Jesus did 2000 years ago was also a jump.) So then there's that famous cut to the spaceship (from a bone). I think HAL represents the devil, which was a new idea - evil in form of a computer. Did Clarke mean to say science is evil? I think so. Thereby, HAL intervenes in order to stop Dave from reaching the monolite, but is ultimately defeated by Dave.

The Book of Revelation says Jesus will return (and soon it says) for the second time (The Second Coming) to defeat the devil after which there will be a thousand years of peace. And then finaly Satan will be released only for a short while (it doesn't say why, but I think it's to destroy evil itself and save even his soul. That's the only thing that makes sense to me, no one deserves suffering in the final analysis) and ther will be The Kingdom of Heaven.

I think that's what happans in 2001 too. Dave takes the trip during which he breaks the speed of light (which of course represents God, symbolising him becoming God)





Beatle, did you just see 2001? Or had you seen it some time ago? Have you watched the sequel called 2010?
I haven't seen it in decades! But after doing the review I have an urge to finaly see it again. Yeah, I saw 2010 and loved it. I think it's underrated.



Irma la Douce



Year: 1963

Director: Billy Wilder

Cast: Jack Lemmon, Shirley MacLaine, Louis Jourdan (narrator)

Genre: Comedy, romance

Synopsis: crazy

Jack Lemmon and Shirley MacLaine get together again three years after The Appartment. I actually prefer this one. Jack does again an alter ego, much like in The Great Race, with Lord X. The chemistry between the two is totaly nuts and it's not a bit off like in their previous engagement. But I'll concentrate on Shirley here. I just don't get it why she's not considered to be a beautiful woman, like Ava or Gina, Liz etc. Just look at her:









sorry i couldn't write a review, I am seducted. And from now on, I won't even mention it - it's understood when I emphasize a lady's beauty she's taurus.

Just kidding. This is indeed,imho, all of them at their very best. Jack does a perfect balance from the completely silly Professor Fate to his character in The Appartment which is more dramatic. Shirley also shines like never before or after, imho, with her beauty and acting. Everything's just so fperfect. Costimography's insane.



For example. And just look at that Parisian scenery, Billy was a genius. So, this is never too dramatic or silly. I have many favorite scenes. One is when he bangs repeatedly the guy on the head.



You're the tiger.

The other is



Or when they go in circles in jail. Or when he bends the bars. Or...you get it.




Raiders of the Lost Ark



Year: 1981

Director: Steven Spielberg

Cast: Harrison Ford, Karen Allen, Paul Freeman, John Rhys-Davies, Denholm Elliott, Alfred Mollina

Music: John Williams

Genre: Adventure, action

Synopsis: An archeologist and adventurer Henry Jones, Jr. (Ford) known to the world as Indiana Jones, named after a dog, gets a visit by US secret agents at his university, informing him that his ex-mentor Abner Revenwood has sent a misterious message from Kairo to the Nazi headquaters in Berlin. They soon discover that it's actually about The ArK of the Covenant which Moses brought down from the hills. Jones is thrilled and takes on an assignement to investigate the situation.



I first saw this in the biggest cinema here in Zagreb in late 1981. Needless to say, I saw it about a dozen times only that fall. We have a perfect combo of the genius George Lucas, who came with the whole idea, and one of the best directors of all time, Steven Spielberg. There's also a spectacular off intro in South America, likes of which was repeated in the third part.



Of course, the most captivating business here is that it's about The Ark itself. It was made by God Allmighty himself. In Sallah's (Rhys Davies) words

There's something troubling me.

Asked what it was by dr. Jones, he replied

The Ark. If it is there in Tanis, it is not meant to be disturbed. Death has always surrounded it. It is not of this earth.

That line alone is so frightening, it's a border horror case.

Spielberg really did some of his best work here.



I even read that Ford had to go to the toilet, so they decided to do this. "Let's just shoot the guy."

The movie is full of such quick wit. But the one thing that stands out for me, much like in Star Wars, is the music. It's divine. But it can also be scarry, whatever the scene demands.





Out of the actors, the one who stands out for me is Freeman. He delivers a psychopathic villain. They all do a fine job, though.

This is without doubt one of best movies ever made. But, given it's written by Lucas, I also find it uncomfortable. It captivates, seduces, and it takes a while to recover from it. It's fierce. And I'll always have a problem with that. Still, the positive outweighs the negative by far.




Rocky



Year: 1976

Director: John G. Avildsen

Writer: Silvester Stallone

Cast: Silvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith

Genre: Drama, romance, sport, action

Music: Bill Conti

Synopsis: An anonimous boxer gets a chance at the world title.



I saw this for the first time around 1980. on TV. I strictkly remember crying in the end because Apollo was mutilating Rocky so hard. This is one of the most emotional movies I've ever seen.

We immidiately get a look at what Rocky's strenght really is: in the opening scene he fights a guy who hits under the belt, which pisses Rocky off giving him extra strength. Rocky always plays fair, but if there's one thing that ticks him of, that's when someone else doesn't. We are also introduced to the fact that he's a goodhearted man who doesn't seem to bright, yes, but all that changes when the movie evolves.

Soon we also learn that he's flirting with Adrian (Shire), an exceptionaly shy girl. But it's also pretty clear she has a thing for him. We have the famous ice-skating scene:



At this point the American dream, which in the core of this movie, starts building up. The reigning heavy-weight champion Apollo Creed (Weathers) is and feels so invincible that he's already bored with the normal matches, so he comes up with the idea to give a nobody a chance. He knows that it's going to be spectacular and he'll make a lot of money. It's just that, out of all the fighters in the world, he picked the only one who can beat him. That drove him insane, as witnessed in the re-match. Still, he survived that little mental handicap, which goes to show how mentally tough he is, as a champion should be. This is another example of clever little writing by Sly. Sly isn't stupid. Quite the contrary.

Here we introduce the fourth important component of the movie. Mickey (Meredith) is the one who will train Rocky in the end. But the relationship is involved, albeit friendly. Mickey has a difficult character, but again, that's just what Rocky needed. You have to have a nutter who'll push you over the limit. The fifth, and last component is Paulie (Young), Adrian's brother, and Rocky's best friend. He also has a difficult temper, but at the same time is a comic relief, which is pretty rare.

Gradually we learn just how big of a heart Rocky has. There was the

- He's Italian.
- What does that mean?
- It means, if he can't fight, I bet he can cook.

when Apollo was presenting him on TV. At first he tells Adrian that it didn't bother him. But it did. And he revealed it to her. So, at the same time we have the character development and a love story unfolding.

Of course we can't do without the famous and unbelievable training scene, he's the local hero:



With the unbelievable Conti score.

So, we finally cut to the match itself. Rocky knocks down a stunned Apollo right at the beginning:



Again, he's mentally tough, so he doesn't let it get to him. The match goes the distance.



We ultimately have an absolutely unique combo of romance, sport and drama.




You can't win an argument just by being right!
Loving your Casino review as well. Great movie. So sad at the end.



[size=7]BLAST FROM THE PAST



[size=3]


Director: Hugh Wilson

Cast: Alicia Silverstone, Brendan Frasier, Christopher Walken, Sissy Spacek
Enjoyed your review...have always felt this film was a little underrated...love Walken and Sissy Spacek as Brendon's parents.



You can't win an argument just by being right!
10 things I hate about you. First movie I saw Ledger in and fell in love. Very cute movie and that's coming from someone who is not a huge fan of romcoms. I dont dislike them but not usually my first pick. My husband, then my boyfriend, chose this for a date night. Nawwww.



Artists and Models



Year: 1955

Distributor: Paramount

Genre: Musical comedy

Director: Frank Tashlin

Cast: Jerry Lewis, Shirley MacLaine, Dean Martin, Eva Gabor, Anita Ekberg

Synopsis:
Rick Todd uses the dreams of his roommate Eugene as the basis for a successful comic book.



I admit Shirley is one of the few babes that I've seen most of her films. At least big ones. I saw it first around '80 when my dad took me to cinema. I also admit her erotica and especially legs (she has one of the best legs I've ever seen) are the main feature here for me. It was very erotic, right from the scene when the door opens and she's striking a pose. and what was even hotter was that suit and superheroine stuff. Even at my young age. so, i'll talk about costimography which shines here, as it must do so in every single movie she's in. It's one of the best i've seen, especially for the era. Than there's the legs scene, when she sings Jerry away. she's just too physical for him. HOT AS HELL.





the feminine costimography is all over. Even an official pink-dotted robe.











Of course, Dean is a ladies man,as he always is, and much like me. We also have the trademark Jerry's name -
Eugene Fullstack.

Than the silly stuff really starts. Eugene dreams of a bizzare bird-like superhero "Vincent the Vulture" who is, according to Eugene's nocturnal babblings, the "defender of truth and liberty and a member of the "Audubon Society" and is "half-boy, half-man, half-bird with feathers growing out of every pore" and a "tail full of jet propulsion." Also known as "Vultureman" or more simply "The Vulture", the golden helmeted hero soars through space from his "homogenized space station" orbiting the Milky Way to battle his shapely but sadistic purple-eyed archenemy "Zuba the Magnificent," who hates Vincent because "she's allergic to his feathers" and who enjoys blasting big "oooozing" holes into his highly resilient flying form ("It'll take more than that to stop me!") with her "atomic pivot gun."

And Shirley doesn't hide her regular day passion for astrology here. The name's also very cute - Bessie Sparrowbush.I also reckon this is one of the first anti-violent comic book movies, i mean it's 1955,for bleedin sakes. But guess what? At the same time as she complains to the authorities using Eugene as an example, Rick (Martin), a struggling painter, gets a job at the same company after pitching the adventures of "Vincent the Vulture" from Eugene's dreams.

The movie ends exceedingly silly, with some sort of blasted insanity coming from Jerry's mind. A superweapon. That preserves national security.

Now, i can't dissmiss that this is kids stuff, but since I saw it as a kid, it was spot on in 1980. Well, it's not any more, no one in their right mind would call this a masterpiece.

The pluses are: Shirley, and at first glance you don't even know anything. It could be a superb comedy with the core. This, in my opinion, had all the makings of a great comedy, but it just isn't targeted that way, given the cast. Of course there's a lot of slapstick here, and that for me saves the day.