Reviews

Dark City is a one-of-a-kind science fiction film, and it reminds me more of Metropolis than 2001: A Space Odyssey.

Thus, the film tries to be one of those films that blends imagery and intense dialogue and acting together, yet fails on both parts.

This film is just one of his silly, but mythical and awe-inspiring films that he's done for years.

That's why Stagecoach should be criticized by how well it elevated a linear, extremely common story to a level of genius, which is the necessity of a truly great film, sometimes exceeding the value of an original and experimental film.

You might have encountered bits and pieces of this film via pictures of bizarre imagery and surreal objects, but they are structures and shapes that surround a vivid, provocative, and intriguing world, where you can get new clothes by getting eaten by a coconut-shaped creature (don't ask how), and n...

For those of you who haven't seen this film yet: drop films from your watchlist and put Playtime as a main priority.

Of course, I'm a person who does indeed need to be blown away by some aspect of a film, similarly to many Mofos, for a film to become a favorite on a personal level, so while I found Platform to be a near-masterpiece, I won't be revisiting it too often.

In this film, in place of humans, they are the most human aspect of this film.

For the majority of the film, whether it's when characters talk or chases happen, the direction of the plot is uncertain.

With a bit more effort and time it could have been a decent horror film, instead it set an infamous example, resulting in dozens of films shaking the camera like a Spanish instrument, and shouting out loud; "Hey look, we made a found footage horror, isnt this great?".