Reviews

That brings us to the aspect of Lifeforce that's painful for film purists - the fact that Tobe Hooper's final cut of the film was taken by the distributor and executives - well after editor John Grover (a Bond film stalwart - being involved with the editing of Bond films from The Spy Who Loved Me in...

In an ongoing inspection of Tobe Hooper's visual style, and the recurring question as to whether or not such a thing exists, I have to use Lifeforce as an example of at least his compositional skills as director, hiring John Dykstra, and using the anamorphic format to squeeze the blue flares out in ...