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CAPOTE (Bennett Miller)
"And The Oscar For Best Actor Goes To..."
Truman Capote, a writer for The New Yorker, travels to Kansas after hearing a story about a brutal murder of a family. Capote digs deep into the story, believing that this story will be his greatest work ever. So he can have the perfect ending Capote develops a rather close relationship with one of the killers, Perry Smith. The book becomes one of the greatest books ever written, it is, In Cold Blood.
Philip Seymour Hoffman has always been very good in everything he does. From small roles such as Boogie Nights and Cold Mountain, Hoffman always lit up the screen. With Capote, he is able is showcase his talent, as the main star. If you thought Jamie Foxx was brilliant as RAY, then you will be awe-struck by what Hoffman does with Capote. Come Oscar time, get ready to hear "And the Oscar For Best Actor In A Motion Picture Goes To....Philip Seymour Hoffman"
In the past couple of years, the Best Actor and Best Actress winners, Jamie Foxx and Charlize Theron gave brilliant performances in mediocre films. Here, Bennett Miller is able to keep up with the performance and the story. Granted, the movie does drag on in parts and is a tad boring, Capote is one of the better films that is going to be rewarded for it's performances. Miller makes us feel comfortable throughout the movie because he knows that everyone will be amazed by Hoffman's performance, so when we see the actual killings, it strikes a cord. We don't expect it, it comes out of nowhere. The second half of the film is the better half, it where Hoffman's performance really drives the film.
Catherine Keener did not amaze me too much. She did a decent job, but her being given an Oscar nomination just proves that there aren't very many good supporting performances out there. Keener's smile always gives her performance away, you see right through the character and all you're left with is Keener. Chris Cooper has too little screen time to work with. Granted, Capote only uses him for information, like he does with the killers.
The film does fault with it's pace. Even though it is better then the other films I mentioned, it does go on and on. I almost fell asleep, until Hoffman really got things going. The film is just really depressing and slow moving that it's uncomfortable.
Philip Seymour Hoffman's performance, is by fay, the best performance of the year, no doubt. It is the best performance in years. Like Foxx with RAY, Hoffman becomes Capote. Hoffman is so good as Capote it's frightening. He gives us a unique, uneasy, bold, sympathetic, cold, human, performance. Hoffman does the most subtle things with this character that it just brings it life more and more each time, whether it's playing with his ear, or the way he hold a cigarette or even how he holds a glass when he drinks. Every little detail is nailed perfectly by Hoffman. Hoffman makes this film what it is, one of the best performances of the century. Don't listen to all the critics raving about it, don't listen to all the award shows, go and see for yourself.
The script shows Capote befriending one of the killers so he can write a book. Capote seems cold and heartless, but then you see what the murderers did and you question yourself, do they deserve it. Capote feels like he is the the middle of a tug of war, between the evil of the killers, and the gentleness he sees. Again, Hoffman pulls this off beautifully. There is no other actor who can portray this character as good as Hoffman has done, and no one should try because they will ultimately fail.
See Capote for the riveting performance, then again, that's why everyone is seeing it anyway.
8/10
"And The Oscar For Best Actor Goes To..."
Truman Capote, a writer for The New Yorker, travels to Kansas after hearing a story about a brutal murder of a family. Capote digs deep into the story, believing that this story will be his greatest work ever. So he can have the perfect ending Capote develops a rather close relationship with one of the killers, Perry Smith. The book becomes one of the greatest books ever written, it is, In Cold Blood.
Philip Seymour Hoffman has always been very good in everything he does. From small roles such as Boogie Nights and Cold Mountain, Hoffman always lit up the screen. With Capote, he is able is showcase his talent, as the main star. If you thought Jamie Foxx was brilliant as RAY, then you will be awe-struck by what Hoffman does with Capote. Come Oscar time, get ready to hear "And the Oscar For Best Actor In A Motion Picture Goes To....Philip Seymour Hoffman"
In the past couple of years, the Best Actor and Best Actress winners, Jamie Foxx and Charlize Theron gave brilliant performances in mediocre films. Here, Bennett Miller is able to keep up with the performance and the story. Granted, the movie does drag on in parts and is a tad boring, Capote is one of the better films that is going to be rewarded for it's performances. Miller makes us feel comfortable throughout the movie because he knows that everyone will be amazed by Hoffman's performance, so when we see the actual killings, it strikes a cord. We don't expect it, it comes out of nowhere. The second half of the film is the better half, it where Hoffman's performance really drives the film.
Catherine Keener did not amaze me too much. She did a decent job, but her being given an Oscar nomination just proves that there aren't very many good supporting performances out there. Keener's smile always gives her performance away, you see right through the character and all you're left with is Keener. Chris Cooper has too little screen time to work with. Granted, Capote only uses him for information, like he does with the killers.
The film does fault with it's pace. Even though it is better then the other films I mentioned, it does go on and on. I almost fell asleep, until Hoffman really got things going. The film is just really depressing and slow moving that it's uncomfortable.
Philip Seymour Hoffman's performance, is by fay, the best performance of the year, no doubt. It is the best performance in years. Like Foxx with RAY, Hoffman becomes Capote. Hoffman is so good as Capote it's frightening. He gives us a unique, uneasy, bold, sympathetic, cold, human, performance. Hoffman does the most subtle things with this character that it just brings it life more and more each time, whether it's playing with his ear, or the way he hold a cigarette or even how he holds a glass when he drinks. Every little detail is nailed perfectly by Hoffman. Hoffman makes this film what it is, one of the best performances of the century. Don't listen to all the critics raving about it, don't listen to all the award shows, go and see for yourself.
The script shows Capote befriending one of the killers so he can write a book. Capote seems cold and heartless, but then you see what the murderers did and you question yourself, do they deserve it. Capote feels like he is the the middle of a tug of war, between the evil of the killers, and the gentleness he sees. Again, Hoffman pulls this off beautifully. There is no other actor who can portray this character as good as Hoffman has done, and no one should try because they will ultimately fail.
See Capote for the riveting performance, then again, that's why everyone is seeing it anyway.
8/10