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The Hustler (1961)
Director: Robert Rossen
Cast: Paul Newman, Jackie Gleason, Piper Laurie, George C. Scott
Genre: Drama
Length: 134 minutes


Fast Eddie (Paul Newman) is a two-bit pool hustler who's a real wiz at the game but his self destructive narcissistic streak keeps him from being the champ. He takes on the legendary "Minnesota Fats" in an all night, high stakes pool game. A game which takes more than shooting skills to win. Fast Eddie also meets Sarah (Piper Laura) setting alone in a train station. Laure is a girl with low self esteem and a lame leg, she uses sex as an escape. The two strike up a relationship based on booze and self destructive behaviors.



The Hustler
is like a classic Greek tragedy where the protagonist rise to glory only to be destroyed by their own character flaws.
It's a study of two very dysfunctional people, with pool as the driving force that causes their flaws to come into play.

Fast Eddie is not likeable, he's not suppose to be. He has an inflated sense of own importance, a deep need for admiration and a lack of empathy for others. But behind this mask of ultra confidence lies a fragile self-esteem that's vulnerable to the slightest criticism.

Sarah is a manic depressive, she's more sad than likable. Drowning her self pity in alcohol and in sex with strangers. She's the enabler that keeps Fast Eddie going. She makes the mistake of tying herself to Eddie, as if he was an anchor that would keep her stable. But Eddie has no empathy for her, only his need to be important at any cost. The Hustler shows us a very real and very dysfunctional relationship.

Jackie Gleason is Minnesota Fats, he owns the role. Gleason was known for doing outlandish physical comedy on The Honeymooners. Here he keeps his body movements to a minimum and with just a slight nod of his head or a raised eyebrow he can convey more than most actors can do with their whole bodies.

Gerorge C. Scott is the cold, conniving financier of the illicit pool games. He's one of those truly slimy bad guys you love to hate. He's good at being bad and being believable at it.

The director and production team put a lot of effort into the film. In the pool scenes many of the camera angles were done low, looking up at the players. A few shots were done from a high angle, like is done in televised pool tournaments. Both added a tension to the pool scenes. Maybe most impressive is that all those pool halls are real! They actually shot in the pool halls in New York. This gave the film a grimy reality that wouldn't have been there if mainly shot in a studio.