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PSYCHO

I really wish I was alive in 1960 to see this film when it first was released. When I first watched this movie a few years ago, I pretty much already knew all of the spoilers there were to know, and while I still loved it, I could have loved it so much more.

Psycho is about a woman named Marion Crane, who steals $40,000 and runs away from home, and on her way, she decides to stop at the Bates Motel. This movie reinvented the psychological thriller, and it's amazing that Alfred Hitchcock could still reinvent things after he'd already been in the business for 30 years. He knew exactly how his audience would react to things, and used that skill perfectly. I don't know why, but I think my favorite thing about this movie is its music. From the opening credits the music jumped me right into the movie, and I knew exactly how I would feel for the rest of it. The music gave off a haunting vibe that was intensified further by the great acting and cinematography. Even though this isn't me favorite Hitchcock (that honor belongs to North by Northwest) it is still one of his best.

Another thing that was very impressive about this movie was the use of shadows. Many other Hitchcock films use lighting for dramatic purposes as well, such as Notorious and Rear Window, but none were used just as well. Shadows and lighting were used to show how a character is feeling, who has the power in a scene, and it was also used to foreshadow the plot. Mirrors were also used frequently during the film for the same reasons.

This review is shorty than my other ones, because there is really nothing to say about Psycho that hasn't already been said. This is the greatest horror movie of all time, and even though I'm not a very big horror fan, I can still respect its genius. If you haven't seen this movie yet, get off of Movie Forums and watch it right now.