I loved the movie, but I won't deny that the audience around me was hostile. You could feel the recoil of everyone sitting close to you, it was electric. I digress. It fascinated me, and even though one thing in particular didn't make a lick of sense, I think it's one of the better American movies this year, and probably the best studio movie that'll be released this winter (excluding
Gangs of New York, which I'm hoping will knock the socks off everyone who skips that second showing of
Lord of the Rings to see it). And Clooney is my generation's Cary Grant. Soderbergh is coming ever closer to being our Howard Hawks. And Jeremy Davies' performance reminds me of Adam Sandler in
Punch-Drunk Love - he's playing the same character he always does, but it seems brand new because of how it's presented. Wonderful.
Steve, I though it was dull and stupid. Whatever it is Soderbergh was trying to say, it meant nothing to me. Every once in a while I see a hard-to-understand movie, and I can't wait to see it again to get a fuller understanding. This one I don't want to waste even one more second discussing.
What didn't you get, and why do you not want to give it a second chance?
I havn't seen it yet. I bet most of the American population won't like it simply because they won't get it. I can give you 99% assurance it won't even walk the ground with Tarvosky's original. I am glad that someone in Hollywodd still has the guts to come out with something meaningful once in a while.
The reason a lot of Americans won't 'get' it is because of exposure, no more and no less. The American Film Institute is treated to the tune of $100,000 per year. To put this into perspective, the British film institute recieves $50 million. In America, it's an 'event' when a subtitled movie reaches a multiplex; elsewhere in the world, most notably France, it's a common occurence. It sounds like you're saying that Americans are underexposed by choice, and I don't think that's the case.