I love
Wonder Boys. It's smart and witty and funny and true. It's a real feel-good experience for me that cleanses my soul a bit. I got hooked on it when it was released in February of 2000. I saw it four times in like five days. I couldn't get enough of it. Wound up seeing it six times before it vanished (too quickly) from the theaters. Obviously I connected with it in a big way.
In many ways it's like a Screwball Comedy from the '30s (structurally for sure), but with a decidedly modern spin and a serious subtext, all from the perspective of a hopeful cynic, a man finally experiencing a true awakening of life's importance during one crazy weekend when his world as he knew it crumbles around him. The humor is often hysterical, but also subtle and carefully underplayed.
The cast is perfect. I'm not usually that much of a Michael Douglas fan, but this is easily the best work he's ever done, a very nuanced and resonant performance. Tobey Maguire was likewise perfect for the depressed and on the verge of blooming James Leer. It's too bad Robert Downey Jr. is so troubled in his real life, because he is a dynamic and effortless presence on screen. Frances McDormand is wonderful, as always, and adds layers of reality to her character. Katie Holmes is beyond cute, galloping quickly toward sexy as all Hell. And Rip Torn makes me smile with every word out of his mouth.
Curtis Hanson's direction is so self-assured and confident. It would have been so easy to accidentally turn this novel into a dumb farce or a pretentious borefest. The delicate tone and the layered ideas he sets out to capture are acheived flawlessly. Steve Kloves' screenplay is a spot-on adaptation. The cinematography from Dante Spinotti, who lensed Hanson's
L.A. Confidential as well as Michael Mann's
Heat, Last of the Mohicans, Manhunter and
The Insider, captures a realistic wintery Pittsburgh that is also magically otherworldy at times.
And then there's the music. The tracks from the likes of Neil Young and John Lennon and Leonard Cohen are the perfect soundtrack for this burned-out artist. The original song under the opening credits by Bob Dylan, "Things Have Changed", rightly won the Oscar for Best Song.
Stunningly "Things Have Changed" was one of only three
Wonder Boys nominations (and the only win), the other two being Best Editing (Dede Allen) and Best Adapted Screenplay (Kloves). In a year when movies like
Gladiator and
Chocolat got multiple nominations, a wonderful and intelligent adult comedy like
Wonder Boys went all but unnoticed. Oh well, the Academy's loss I guess.
It doesn't fill me with quite as much joy as
Rushmore or
Amelie, but it's close.
JAMES LEER (Tobey Maguire): That's a big trunk. It fits a tuba, a suitcase, a dead dog and a garment bag almost perfectly.
GRADY TRIPP (Michael Douglas): That's just what they used to say in the ads.