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Mickey Rourke pissed his own career away with a lethal combination of bad choices in scripts and a wantonly bizarre and distractingly descructive personal life.
But I liked the guy. I think his performance in Angel Heart is his best most complete work, with Barfly a very close second (I think Rourke and Faye Dunaway deserved Oscar nominations for their work in that movie). Diner and Body Heat are stand-outs in his earliest supporting apperances, and The Pope of Greenwich Village and Year of the Dragon are quite strong.
But everything after Johnny Handsome (a decent Noir from Walter Hill, helped by a strong cast, especially Forest Whitaker & Morgan Freeman), starting with and especially Francesco, where Rourke was impossibly miscast as St. Francis of Assissi (no, really), was all either unworthy compared to his best work or quickly moved into being downright embarassing. The toll of the boxing and lawsuits was so obviously devestating so damn fast. He's passable these days in cameo type roles in good films (on the rare occasions he gets them), such as The Rainmaker and Buffalo '66, but mainly the guy is just a sad shell of what was once a promising career and talent, sleepwalking through junky & forgettable movies.
He's a perfect example of a What-Could-Have-Been.
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"Film is a disease. When it infects your bloodstream it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to Film is more Film." - Frank Capra