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I'll do my DVD collection instead. How's about that?
R 18+
Apocalypse Now Redux
Pulp Fiction
Chopper
Fight Club
Requiem for a Dream
Firstly, I think one of the reasons Apocalypse Now has such a rating is not so much because of its violence content so much as its quote/unquote adult themes; same with Requiem and Fight Club which seem to be rated so purely as a result of everyone being worried that children may grow up with anti-society ideals and anti-war mentality. Whoops. Too late.
MA 15+
Snatch
Traffic
Being John Malkovich
Mulholland Drive
I don't exactly understand the Malkovich rating [it possibly has something to do with the lesbian thing, because knows that's evil -- hey, that explains the Mulholland rating too!], but the Snatch rating is possibly warranted; it does have a lot of swearing, much more so than you originally think. What suprises me is that if Requiem can get an R for doing, in a way, the same thing as Traffic, how the latter can get off with MA.
M 15+
Moulin Rouge
A.I : Artificial Intelligence
Run Lola Run
Tropfest 2001
Raging Bull
Dog Day Afternoon
Just so you know, in Australia we have two M ratings; the first - this one, plain old M 15+ - means that most anyone can watch the films, but it is suggested that only those over the age of fifteen actually do, the second [above] enforces it and imposes the restriction. So basically all of these films are fine for general viewing, which is cool. I don't see any reason why any of them shouldn't be. Moulin Rouge [and perhaps the Tropfest DVD] should maybe just be PG.
PG
Lawrence of Arabia
Dr. Strangelove OR: How I Learned To Stop Worrying And Love The Bomb
Suprising that Lawrence is PG, perhaps, what with it being about war and actually have some relatively violent scenes in there. Strangelove could be rated G as far as I am concerned.
G
Monsters Inc.
Just a note. Underneath the G rating on the Monsters Inc. DVD case it warns that some scenes may scare younger children. I think that if ratings were made up based on these sorts of things rather than on one letter that determines who sees the film is what needs to happen. But we've already had that discussion before.
Thankyou and good evening.
Last edited by The Silver Bullet; 10-05-02 at 12:25 AM.