+19
I saw Annie Hall opening day and several more times at the theatre. The main thing I noticed from the beginning was that it looked different - it looked like it was a serious movie due to Gordon Willis' lighting and cinematography. It also didn't seem like it was going for non-stop laughs. After a few minutes, it became clear that it was an autobiographical film. What had the supreme author of crazy, funny films wrought? There were some earlier hints with Sleeper and Love and Death that his subject matter was getting more serious, but nothing to prepare one for - gasp! - a serious film. After a few deep breaths and a few jokes, I quickly readjusted the oxygen intake on my diving suit and proceeded deeper. There was the old Woody after all. He might never be as fully crazed as he was previously, but I could recognize the actor and the director as actually Woody. He did go out of his way to throw in some new ideas. He used subtitles to show what people were really thinking, animation, modern characters in the movie interacting with older characters seen in flashback, interviews with strangers on the street and several other cinematic ideas, like the Marshall McLuhan scene. He also produced one of his biggest laughs ever with the coke scene. It might not seem like it today, but Woody basically reinvented himself as a filmmaker with Annie Hall and even more than the look of the film was the emotion. Diane Keaton was absolutely brilliant basically playing herself, and she and the Woodman were natural and - gasp again! - warm, playing the most three-dimensional characters in a Woody movie up to that point. Whatever you know or think about Woody Allen, he has evolved and shared his life on screen, basically every year now for over 50 years, and I certainly find it a worthy one to follow.
Office Space is very funny and totally relatable (it reminds me of things I often wanted to do to my various bosses).
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It's what you learn after you know it all that counts. - John Wooden
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