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>This one in particular avoids usual trappings ("...and THIS is where they were artistically inspired! and THIS is where they were discovered and THIS is where they met their [insert a bigger name] idols! aren't you amazed yet?!")

That's good to see. I love music but I really don't like most music biopics...would rather just watch a two-hour concert of the subject...I feel I'd learn a lot more from that. Probably why I loved the Dewey Cox story...it nailed every one of those tired cliches.



Sweet Dreams (1985) - This makes a fine combo with Coal Miner's Daughter... I'm not sure why exactly but such music biopics from the 80s fare better than James Mangod type stuff from the 90s till today... maybe because they are about people and not only music.

This one in particular avoids usual trappings ("...and THIS is where they were artistically inspired! and THIS is where they were discovered and THIS is where they met their [insert a bigger name] idols! aren't you amazed yet?!") and lets itself be about it's two central characters experiencing ups and downs of a marriage, played with unbearable charm by Jessica Lange and Ed Harris, the latter being more of a double-edged sword. I feel I had heard Patsy Cline's music but knew nothing about her life; so imagine how much the ending shook me.....
7/10.



A nice read-up on Harris' performance highlighting qualities which I dug too: https://cinematiccorner.blogspot.com...harris-in.html
Love this movie…never tire of rewatching it



I love music but I really don't like most music biopics...would rather just watch a two-hour concert of the subject...I feel I'd learn a lot more from that. Probably why I loved the Dewey Cox story...it nailed every one of those tired cliches.
Walk Hard is a damn masterpiece.



Turner Classic Movies spent today saluting MGM dance legend Ann Miller. Here is what I got to see.



Umpteenth Rewatch...This 1949 classic is based on a Leonard Bernstein musical about three sailors (Gene Kelly, Frank Sinatra, Jules Munshin) on a 24 hour leave in New York and the three girls (Vera-Ellen, Betty Garrett, Miller) and their adventures. Musical comedy at MGM's best. {Rating]4[/rating]



2nd Rewatch...This musical about a rich playboy (Farley Granger) who gets arrested for speeding through a small town called Duck Creek and falls for the judge's pretty daughter (Jane Powell) is nothing special except for two musical numbers that both made their way into the That's Entertainment franchise. One, "You Gotta Hear That Beat" involves Miller tap dancing on top of a disembodied orchestra. The other, "Take Me to Broadway", features Bobby Van as human pogo stick.




Umpteenth Rewatch...This sparkling film version of the Cole Porter Broadway musical features Kathryn Grayson and Howard Keel as a divorced theatrical couple reuniting for a musical version of Taming of the Shrew. Miller plays the ditzy chorus girl Keel hires to play Bianca, with whom he is also having an affair. One of Cole Porter's best scores and a supporting cast including Kurt Kaznar, Bobby Van, and a young dancer named Bob Fosse keep this classic always watchable.




2nd Rewatch...Another musical about three sailors and their girls that has kind of a haphazard screenplay, but those Vincent Youman songs and a cast that includes Miller, Jane Powell, Vic Damone, Tony Martin, Debbie Reynolds, and Walter Piedgon definitely make it worth a look.



I forgot the opening line.
For the past couple of years I've been buying the biographies of various different famous actors - books are so cheap these days, and I'd love to know more about the stars of bygone days. Finally, I've started reading one of them - Humphrey Bogart. Written by A. M. Sperber and Eric Lax. It's leading to what I thought might happen - an overwhelming desire to see the films he appeared in as I read about them.


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The Petrified Forest - (1936)

Humphrey Bogart kind of fell into acting via the circles he moved in (he came from a wealthy family) and the fact that his youth was rather aimless and his grades at school no good. He was smart enough - but would only apply himself in fits and spurts. His stage career started slowly, as did his film career - but when the play The Petrified Forest came along he ended up with the role of John Dillinger-based criminal Duke Mantee, who takes a group of diners hostage while on the run. The play was a huge hit, and Humphrey Bogart stood out in the rave reviews it received. Leading the cast as two lovestruck hostages were Leslie Howard and Peggy Conklin. When Warner Bros. bought the property they retained Leslie Howard to carry over his role, and promised Bogart the part of Mantee. Just before heading to Hollywood Bogart got the news that the studio had changed their mind, and were offering the role to Edward G. Robinson instead. It was Howard who came to the rescue, demanding that Bogart get the part lest he leave the project, and Warners caved to his demands. If they hadn't of, we'd probably have no idea of who Humphrey Bogart was today.

So, The Petrified Forest was Bogart's big break, but not the breakthrough that would lead to superstardom. He is absolutely fantastic in it as the dark, unshaven and desperate murderer - like a caged animal he broods and lashes out. He doesn't appear until around the 40-minute mark of the film though. It starts by introducing Gabrielle Maple (Bette Davis), daughter of diner-owner Jason Maple (Porter Hall), and lusted after by employee Boze Hertzlinger (Dick Foran), a former football player. To the diner comes traveller Alan Squier (Leslie Howard), and he unintentionally sweeps Gabrielle off her feet with his erudite ways. Eventually, of course, Duke Mantee and his gang descend upon the place and we learn a lot about who these people are while under life or death pressure. This is a very intelligent film, with the type of inventive cinematography you rarely see in 1930s movies - it's literate, superbly acted and greatly affected by the Great Depression. I was very glad to see it, and enjoyed it immensely.

8/10


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Black Legion - (1937)

After making a name for himself in The Petrified Forest Warner Bros. signed Humphrey Bogart on as one of their contracted performers. He was, of course, not ushered in and offered plum roles - instead having to make do with B movies and second-rate parts. Black Legion ended up being something of a break in that sad routine - for once Bogart was being offered the lead in a decent movie. He plays factory worker Frank Taylor, who is passed over promotion-wise in favour of a Polish immigrant at work. Angry at this, he joins the Black Legion (kind of the Ku Klux Klan of the Midwest) when he hears one of their speeches on the radio. It starts with running foreigners out of town, burning down their houses and flogging them. It ends, of course, with murder - with West losing his soul in the process. Bogart's transformation from happy family man to savage, drunken murderer is totally believable and it's his performance that makes the movie as compelling as it is. Black Legion isn't subtle, but it's straightforward and sharp approach deals with the subject at hand without sermonizing - and I appreciate that. Another very good Bogart film well worth seeking out and watching.

7/10
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Latest Review : Before the Rain (1994)







1st Rewatch...Uncompromising writing and directing by Woody Allen and a powerhouse performance by Cate Blanchett that won her a Best Actress Oscar are the anchors of a cringy comedy drama called Blue Jasmine. Blanchett's Jasmine is a pampered wealthy socialite who has start her life all over again by moving in with her sister, Ginger (Sally Hawkins) after her womanizing, crooked businessman husband (Alec Baldwin) is arrested and hangs himself in his cell. I love the set-up of the relationship between Jasmine and Ginger as they are revealed to be sisters through being adopted by the same family. This movie is an uncomfortable watch because this Jasmine is one of the most completely unlikable characters ever brought to the screen, but Blanchett's stunning work keeps her watchable. The relationship between Jasmine and Ginger reminds me of Blanche and Stella in A Streetcar Named Desire. Fortunately, this is one of those rare occasions where a movie character gets exactly what's coming to her.



My pants ran off with an antelope.
I finished Thing from Another World tonight. It's all right. I didn't like the first two acts. The third act is pretty good. I liked how they fought The Thing. I do know the film was rooted in Cold War paranoia which is fine because that's never bothered me. The effects were disappointing vis we only see The Thing for like five minutes the whole film. I felt kind of cheated. Maybe it was a budget thing? I'm not sure. It looked cool when we did see it though. Overall not a great film, while it also isn't a bad film. It's just a there film.
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Why wasn't this murder reported yesterday! Why wait until the last minute!






Hong Sang-Soo's quiet kitchen-sink reverie belies the powerful emotional crises simmering beneath the facade of conventional middle class routines.


A filmmaker grappling with problems both professional and personal tries to find some kind of equilibrium as he navigates the muddy waters of friendship, family and romantic love.


Although unevenly paced and muddled by an abrupt and (perhaps not intentionally) ambiguous ending, these flaws are redeemed by the powerful emotional tones and incredibly moving (if understated) performances of ordinary people struggling to connect.


The beautiful simplicity of Sang-Soo's monochromatic palette renders the affecting emotional journey all the more starkly.





Victim of The Night




1st Rewatch...Uncompromising writing and directing by Woody Allen and a powerhouse performance by Cate Blanchett that won her a Best Actress Oscar are the anchors of a cringy comedy drama called Blue Jasmine. Blanchett's Jasmine is a pampered wealthy socialite who has start her life all over again by moving in with her sister, Ginger (Sally Hawkins) after her womanizing, crooked businessman husband (Alec Baldwin) is arrested and hangs himself in his cell. I love the set-up of the relationship between Jasmine and Ginger as they are revealed to be sisters through being adopted by the same family. This movie is an uncomfortable watch because this Jasmine is one of the most completely unlikable characters ever brought to the screen, but Blanchett's stunning work keeps her watchable. The relationship between Jasmine and Ginger reminds me of Blanche and Stella in A Streetcar Named Desire. Fortunately, this is one of those rare occasions where a movie character gets exactly what's coming to her.
I didn't exactly like this movie because it was such a freakin' bummer... but man was Cate Blanchett good. I haven't seen this movie in probably 5 years and I was just thinking last night about how Blanchett is All-Time Elite and Blue Jasmine proves it.



A River Runs Through It (1992)

Robert Redford’s adaptation of Norman Maclean’s semi-autobiographical novella about two brothers in early 20th Century Montana whose lives revolve around faith and fly fishing is a cinematic gem with the look of a painting and the sound and rhythm of a poem. The film is filled with nostalgia, happiness, and heartbreak as it explores the relationship of Norman Maclean, the protagonist, and his younger brother Paul, whom Norman dearly loves but can do little to help as the latter hurtles toward his ultimate demise. The cast is excellent, especially Tom Skerritt, who plays John MacLean, Norman and Paul’s father. Philippe Rousselot’s Oscar-winning cinematography is gorgeous to look at, and Mark Isham’s pious, delicate musical score is reminiscent of a Protestant hymn, which is fitting since John Maclean was a Protestant minister. Redford is a good actor but a much better director, and A River Runs Through It is one of his finest achievements.
Question: For those of you who have seen both A River Runs Through It and Legends of the Fall, have you noticed the numerous similarities that these two films?





THE SUBSTANCE
(2024, Fargeat)



"The one and only thing not to forget: You. Are. One. You can't escape from yourself."

The Substance follows Elisabeth Sparkle (Moore), an aging actress that is clinging to her old fame by hosting an old-fashioned aerobics show on TV. But when her mysogynistic producer Harvey (wink, wink) has her fired because of her age, Elisabeth decides to use a mysterious black market drug as she tries to rejuvenate herself. Unfortunately, the substance has some unexpected side effects and bizarre consequences.

This was my favorite film from the ones nominated for Best Picture, probably along Conclave (Anora wouldn't be that far behind, though). First of all, the cast was great with Moore leading the charge, but she was closely followed by Dennis Quaid as the slimy Harvey, and Margaret Qualley as Elisabeth's younger alter-ego. In addition, Fargeat's hyper-kinetic and unique directing style was a perfect match for the subject.

Grade:



Full review on my Movie Loot
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INCIDENT
(2023, Morrison)



"He pulled a gun on us!"
"I know he did! I know he did!"

That's what police officers Dillan Haley and Megan Fleming are trying to convince themselves of. However, bodycam footage doesn't lie, and the truth is not necessary what they're saying. That is the premise of Incident, a short film chronicling the events around the 2018 killing of Harith "Snoop" Augustus in a Chicago street.

What makes this documentary short unique is that it features solely bodycam and surveillance footage of the "incident". I thought this was an interesting, sorta hands-off approach to things by filmmaker Bill Morrison; kinda like him saying "Here's what happened. You draw your own conclusions".

Grade:



Full review on my Movie Loot



EMILIA PÉREZ
(2024, Audiard)



"I have always been two. My real self and the beast that has followed me like a shadow."

Emilia Pérez follows the efforts of a dangerous Mexican cartel leader, Manitas del Monte (Karla Sofía Gascón), who seeks the help of attorney Rita Mora (Zoe Saldańa) to transition into a woman and eventually disappear; perhaps from authorities, but also from that "beast" that follows like a shadow.

On that last question, I will say that I didn't necessarily hate it. Considering the amount of vitriol this film has gotten, I admit I wasn't that eager to check it out, but I still found it... watchable, but pretty messy. Something that I don't think has to do with its genre mish-mash, being a musical about crime. It's just that the execution of it all seemed mostly off, awkward, and disjointed.

Grade:



Full review on my Movie Loot



Trouble with a capitial 'T'
...


Umpteenth Rewatch...This sparkling film version of the Cole Porter Broadway musical features Kathryn Grayson and Howard Keel as a divorced theatrical couple reuniting for a musical version of Taming of the Shrew. Miller plays the ditzy chorus girl Keel hires to play Bianca, with whom he is also having an affair. One of Cole Porter's best scores and a supporting cast including Kurt Kaznar, Bobby Van, and a young dancer named Bob Fosse keep this classic always watchable.
Kiss Me Kate made my ballot for the MoFo Top 100 Musicals, too bad it didn't make the countdown. Ann Miller has some good amount of air time in this one.





An Affair to Remember, 1957

Terry (Deborah Kerr) is aboard an ocean liner headed for New York when she meets playboy womanizer Nickie (Cary Grant). While both are already attached to significant others, they cannot deny the sparks that fly between them. Despite some attempts to give each other space, the two end up unable to accept walking away from each other, and agree that if they have ended their current relationships and made a success of themselves, they will reunite at the top of the Empire State Building in six months time. But neither foresees the complications that will threaten their blossoming romance.

For me, the magic of the movie just drained out in that last half. Is the final sequence really well executed? Yes. Was it enough to save the film? Nope. And for me that was doubly true because the thing that has been keeping them apart feels incredibly contrived, so that the desired catharsis of that last moment falls a bit short.



FULL REVIEW

One of those movies where I was tempted to give it another half star just to not look contrarian, lol.



High Noon (1952) - Fred Zinneman. Wow, what a film: 9.5/10



I forgot the opening line.

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Parade - (1974)

So, my final stop on what has been a delightful tour of Jacque Tati's films ends up not with a final moment of applause or enjoyable surprise but instead disappointment. The terrible irony of it all is that Tati's greatest achievement, Playtime, also proved his downfall. Financially ruined, he eked out Trafic in 1971 (with Dutch backing) and thanks to a Swedish television station he managed to put together what is basically a staged performance of circus acts and his own series of mimes (which he performs himself), with the audience being fully incorporated into the film as a whole. Unfortunately, while Tati's presence is magnetic and brilliant, his act by this stage had already been seen in various places over the years and by this stage was very old. He doesn't invent anything new for Parade - he just reperforms his "greatest hits" so to speak. Even when it's set up as if he's ad-libbing backstage, he's in fact doing a bit he's done many times before. In the meantime, the circus performers, while energetic and full of verve, are decidedly average and lose much of their appeal on a screen instead of being seen live. That makes this movie a bit of a chore to sit through, and considering Jacques Tati's brilliance and genius that's an incredibly sad thing to do.

5/10


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A Cat in the Brain - (1990)

It would be easy to treat Lucio Fulci's A Cat in the Brain with pure cynicism, with footage from so many other horror films used in it, but being a very self-referential movie this one manages to be both exceedingly funny and savage in it's satire - enough so for me to give it a complete free pass as to how it was made. Full review here, in my watchlist thread.

7/10


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The Reflecting Skin - (1990)

If you're up for something dark and disturbing and haven't seen this, then I highly recommend it. It's quite an amazing work of imagination, and a fantastic film.

9/10



The Guy Who Sees Movies
Novocaine - I won't have THOSE hours back soon. So....."Nathan" is mainly unremarkable and likable but for the fact that he doesn't feel pain....any pain. His odd problem brings him into all kinds of mischief, being burned, shot, clubbed by bad guys, but it also finds him a girlfriend. He gets involved (not deliberately) in a violent bank robbery, car chases and all sorts of painful mishaps.

It has sort of a happy ending, the bank robbers get killed and he seems like he will get the girl (once she's out of jail) but not until there's a lot of chasing, violence and comedic bloodletting.

Yikes. Take a likable performance by the actors, mercifully short, without a dull moment, and what you have is a waste of an hour and a half. See it at your risk. Don't say I didn't warn you.