The Marksman (2021)
Oh, boy. Despite having low expectations for
The Marksman, it still managed to disappoint. The anticipation was "How bad could it be? After all it's got Liam Neesom." Unfortunately it came in beneath mediocre.
A woman and her child are attempting to flee Mexico though the border fence with cutthroat cartel members chasing on her heels trying to kill her and the boy. Neesom saves them on his own side of the fence, but the mother is killed, leaving the boy with Neesom's promise to the mother that he would take care of him. Neesom initially decides to turn the boy over to ICE (where coincidentally Neesom's daughter is an agent), but he changes his mind and vows to deliver the boy to relatives in Chicago, chased by the cartel which somehow drives across the border. That's pretty much it.
Along the way we are treated to a small catalog of stale hokey confrontations, situations, reactions, and dialogue. Elements suddenly appear with no development which then stagger on to the next. In some instances it almost seems to be a satire.
The single thing going for this hackneyed picture is Neesom's well honed acting. He seems genuine in each scene despite some laughable dialogue and an achingly trite ending.
The writers need a refresher at script writing school. Director/producer/writer Robert Lorenz has had success as a producer (
J. Edgar;
American Sniper), but this is his first film with chief writing credit. His talent as a writer is questionable. It seems that more pictures have been harmed by having one individual as director/writer. This film is a prime example.
Doc's rating: 4/10