Rate The Last Movie You Saw

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Sorry if I'm rude but I'm right
The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) (C.W. Winter & Anders Edström, 2020)
5/10 481 min
Hater! I've heard it's one of the best films of its decade. I'll be watching it next week and I'm ready to be blown away!
They Were Expendable (John Ford, 1945)
6/10
I can't believe I love a Ford film more than you! Cinematography blew my mind. Joseph H. August, baby! The same guy who shot the incredible Portrait of Jennie!
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Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



The last movie I saw was dune 2021. It was good, not excellent. 7/10



One Shot (2021)

Above average in both quality and ambition for a DTV action film. It replicates 1917's gimmick of a single-shot movie, but, oddly enough, it doesn't feel as gimmicky. The story and the characters are quite standard, but Adkins is a good B-action star, and the whole cast knows the weapon-handling basics.
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Victim of The Night


Star in the Night (Don Siegel, 1945)
7/10

Best underseen way to feel a little more human at Christmas.

It's not Christmas til this old atheist watches Star In The Night.



hey, new member here, figured this was a good a place to start as any,


just for an idea of where I'm at with film these days...


No Time to Die (2021) 4 out of 5
Dune (2021) 3/5
Judas and the Black Messiah (2021) 4/5
Minari (2020) 3.5/5

Shang-Chi and the Legend of the Ten Rings (2021) 3/5
One Night in Miami (2020) 3/5




Welcome to the board...I'm with you on Judas and the Black Messiah, I think you liked One Night in Miami more than I did and I definitely liked Minari more than you did.



thanks for the welcome - - perhaps I need to give Minari a re-watch. I liked it more than some of the other celebrated films of the last year, such as Promising Young Woman and Nomadland.
I think Steven Yeun is a terrific actor.







Mystery Street - This is a bona fide trailblazer on several fronts. First off is the lead character being Hispanic and secondly he isn't playing a gigolo or a bullfighter. In this case it's Peter Morales (Ricardo Montalban), a Detective Lieutenant with the Massachusetts State Police. The movie does cheat a little by making him Portuguese, which I suppose was to make it more palatable to movie goers in 1950. The other innovative plot component is the integration of Forensic science decades before it became such a wildly popular piece of pop culture.

Morales is assigned the case when skeletal remains are discovered on a beach. In a prologue the remains are shown to be Vivian Heldon, a bar girl who had ended up pregnant by her married lover and was attempting to blackmail him. In order to confront her lover in person she ends up stealing the car of Henry Shanway (Marshall Thompson), a guy she picks up at her place of work. She is then promptly shot and killed by her unidentified paramour. Shanway lies and reports it had been stolen from in front of the hospital where his wife had just suffered a miscarriage. The police quickly turn their attention towards him as a person of interest.

Morales consults with forensics specialist Dr. McAdoo (Bruce Bennett) at Harvard Medical School to try and find out as much as possible about the bones. McAdoo proves to be invaluable and soon determines the gender, approximate age and the victims expectant condition. In the meantime the dead woman's avaricious landlady, Mrs. Smerrling (Elsa Lanchester) has withheld valuable information from the police regarding the identity of the wealthy and married killer in order to try and cash in.

This was very much a police procedural with each step of the investigation laid out methodically. McAdoo's insights into the case might be considered commonplace these days but in 1950 this was cutting edge stuff. It all adds up to a fascinating noir mystery with a superlative cast and a charismatic and self-possessed protagonist in Montalban's Pete Morales.

90/100




Border Incident - 1949 crime drama directed by Anthony Mann who would go on to helm five exemplary westerns starring Jimmy Stewart. This one again stars Ricardo Montalban as Mexican federal agent Pablo Rodriguez. He is teamed up with his American counterpart Jack Bearnes (George Murphy) in an effort to halt the smuggling of migrant workers across the border into California. The workers are being preyed upon by a vicious gang that not only helps them cross the border but also ambushes them on their way back into Mexico flush with cash from their labors. The fact that they're also being exploited by their American employers is glossed over for the most part but this was 1949 after all. Rodriguez volunteers to go undercover as one of the field workers while Bearnes tries to infiltrate the gang as a small time crook looking to sell stolen immigration cards.

Bad guys are an essential part of any story and this has quite a collection of memorable villains. Howard Da Silva plays Owen Parkson, an intermediary between the smugglers and the contractors in the states. He poses as a legitimate rancher and both Rodriguez and Bearnes end up as his unwilling guests. His henchman are played by recognizable character actors, Charles McGraw, John Ridgeley and Arthur Hunnicutt. The gang of smugglers are also well known for playing heavies including Sig Ruman, Arnold Moss and Alfonso Bedoya.

Mann does a good job of setting the right tone with his use of lighting and shadows. He also captures the sense of urgency and life and death struggle the two agents find themselves in. There's a startling and major plot twist that really drives home the high stakes involved with a dynamic wrap up to the film. I really liked this and both of these films make for a great Ricardo Montalban double feature.

85/100



Border Incident - 1949 crime drama directed by Anthony Mann who would go on to helm five exemplary westerns starring Jimmy Stewart. This one again stars Ricardo Montalban as Mexican federal agent Pablo Rodriguez. He is teamed up with his American counterpart Jack Bearnes (George Murphy) in an effort to halt the smuggling of migrant workers across the border into California.
I quite enjoyed this film.

I have to ask: were you as shocked as I was that (MAJOR SPOILERS!!!!)
WARNING: spoilers below
it was the white agent who was killed and not Montalban's character? It just . . . never occurred to me as something that would happen. (I mean, I didn't expect either of them to die, but if you'd asked me to place a bet, it wouldn't have been that the all-American guy would be executed in a field at night).



I quite enjoyed this film.

I have to ask: were you as shocked as I was that (MAJOR SPOILERS!!!!)
WARNING: spoilers below
it was the white agent who was killed and not Montalban's character? It just . . . never occurred to me as something that would happen. (I mean, I didn't expect either of them to die, but if you'd asked me to place a bet, it wouldn't have been that the all-American guy would be executed in a field at night).

Oh, most definitely.
WARNING: spoilers below
Not only was I floored by George Murphy's character being the one killed but I was also doubly impressed by the uncompromising nature of the script. It was not only that the Anglo guy died but the way that he died. In a long and drawn out sequence with the large tractor inexorably getting closer and closer. The guy on the ground, vulnerable and terrified and unable to move out of the way. That was hardcore.



Oh, most definitely.
WARNING: spoilers below
Not only was I floored by George Murphy's character being the one killed but I was also doubly impressed by the uncompromising nature of the script. It was not only that the Anglo guy died but the way that he died. In a long and drawn out sequence with the large tractor inexorably getting closer and closer. The guy on the ground, vulnerable and terrified and unable to move out of the way. That was hardcore.
Yeah, the whole thing was pretty shocking to me, both from
WARNING: spoilers below
the "movie rules" aspect of the heroic white man being taken out that way and from a filmmaking point of view in terms of the suspense in that entire sequence. You think that the tractor moving so slow is just a staging trick to allow for him to escape or be rescued and then he just . . . isn't. And both of leads were good guys. It wasn't about someone learning a lesson or anything, just a grim reality of the work they engaged in and the ruthlessness of their opponents.

I think that one of the best things about the film is that from the treatment of certain characters to the advancement of the plot, it is genuinely full of surprises.






Denis Villeneuve is so respectful of source material that his proceedings sometimes feel a bit like wake. His goals appear to have been to make the story clear and to convey awe. This he does, but the characters are a bit stiff and the pacing of the movie feels slow. Breaking it in two is better than trying to get it done in one film, but the Game of Thrones treatment would've been a better move.



Yeah, the whole thing was pretty shocking to me, both from
WARNING: spoilers below
the "movie rules" aspect of the heroic white man being taken out that way and from a filmmaking point of view in terms of the suspense in that entire sequence. You think that the tractor moving so slow is just a staging trick to allow for him to escape or be rescued and then he just . . . isn't. And both of leads were good guys. It wasn't about someone learning a lesson or anything, just a grim reality of the work they engaged in and the ruthlessness of their opponents.

I think that one of the best things about the film is that from the treatment of certain characters to the advancement of the plot, it is genuinely full of surprises.
Yep. People should try and catch this if they haven't. Very much a sleeper.

WARNING: spoilers below
The part I forgot to mention was Montalban's character and his friend standing by helplessly while the event transpired. That's yet another trope that the script turned on it's ear. The valiant, last second rescue. Never mind that there was a guy armed with a rifle standing between them and the doomed man. Just waiting for them to show themselves. Nope. No preposterous, crowd pleasing deus ex machina ending. You gotta admire that.



Yep. People should try and catch this if they haven't. Very much a sleeper.
I'll admit that I took way to long to see this after learning about it, purely because it seemed like it was going to be a bit of a cheesy B-movie. And it is FAR from being a cheesy B-movie. I don't think I realized Mann directed it.



I forgot the opening line.

By Bold Films / Participant Media - Fair use, https://en.wikipedia.org/w/index.php?curid=53877973

Shot Caller - (2017)

This reminded me quite a bit of Breaking Bad. Stock broker and all around nice guy Jacob (Nikolaj Coster-Waldau) is driving with his wife, best friend and best friend's wife when he accidentally runs a red light and gets into a traffic accident. His friend dies, and Jacob blows 0.10, which is over the limit and means he's up for manslaughter. 16 months or so in prison if he pleads guilty. Well, manslaughter cases get put with the baddest of the bad, and you can imagine what it's like arriving at that particular destination. Jacob watches from his bed at night as one young and terrified new inmate is raped repeatedly, and decides he's going to have to prove something lest he be treated like a sex doll himself. In doing so, he gets recruited by a prison gang and soon finds himself smuggling drugs and performing other tasks for his "brothers" - which culminates in murdering a 'rat' and getting in deeper and deeper - so deep that he starts rising in the ranks. His status means that when he's released he leads a life so very far from that happy, clean cut stock broker.

I always found Walter White's evolution from ordinary science teacher schlub to drug kingpin fascinating, and this film very confidently and believably leads us step by step through a complete life change for Jacob here, right to a satisfying and shocking conclusion. It makes you question the system of incarceration many countries have, which creates more criminals than it takes away. Once a person is behind those bars, nobody seems to care - but despite this, prisoners have found new ways to wield power and influence. Decent flick this.

7/10
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Denis Villeneuve is so respectful of source material that his proceedings sometimes feel a bit like wake. His goals appear to have been to make the story clear and to convey awe. This he does, but the characters are a bit stiff and the pacing of the movie feels slow. Breaking it in two is better than trying to get it done in one film, but the Game of Thrones treatment would've been a better move.
i mean the remake of dune is bit boring not the old one



i mean the remake of dune is bit boring not the old one
That's the one he was talking about...