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The Sweet Hereafter


Very good melodrama film, though I actually believed in Nicole when she testified.

Foreign Correspondent
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I don't like Hitchcock in general, though I liked Vertigo and Psycho quite a lot. I found this particular movie very, very, very boring.



Guap: you have to find a way to influence people without talking down to them, not sure if it's intentional or not but everyone here has watched and enjoyed (i think) another members suggestions.
Because they are the stuff they always watch.

Whether you realize it or not you come across alot more closed off than the posters you regularly disagree with,
Ludicrous assertion, I watch everything trying to like it and speak the language it talks to me. Sometimes I can't like it but that's natural, I give it a chance.

imo the HOF would be the perfect place to showcase all of the great Anime that is no doubt out there; but for whatever reason you decide to post 'cute girls Anime' ,
Calling PMMM "cute girls anime" is analogous to saying that a movie like Vertigo is pornography because the main actress is beautiful.

then bitch about people not liking it. If i posted two films about guys talking about Pepsi (which would be awesome ), i would either stick to it and wait for the bitching or i'd change it to something more members would appreciate.
K-On! is an interesting film because it does something that no other film I watched does. It is an important cultural achievement in a way, since it represents a genre that did not exist a few years ago (not in full bloom at least), like a pioneer film of the horror genre such as Nosferatu (1922).



This Boy's Life (Michael Caton-Jones, 1993)
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Late Spring (Yasujiro Ozu, 1949)
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A Perfect World (Clint Eastwood, 1993) (Rewatch)
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Pierrot le Fou (Jean-Luc Godard, 1965)


All Quiet On the Western Front (Lewis Milestone, 1930)
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Because they are the stuff they always watch.



Ludicrous assertion, I watch everything trying to like it and speak the language it talks to me. Sometimes I can't like it but that's natural, I give it a chance.



Calling PMMM "cute girls anime" is analogous to saying that a movie like Vertigo is pornography because the main actress is beautiful.



K-On! is an interesting film because it does something that no other film I watched does. It is an important cultural achievement in a way, since it represents a genre that did not exist a few years ago (not in full bloom at least), like a pioneer film of the horror genre such as Nosferatu (1922).
You clearly have some warped view of this forum if you think your first comment is accurate, i can personally say this site has helped me find alot of stuff i would never have gone near and i know most members here could say the same. Maybe i'm wrong it's only you who ventures out of his comfort zone, the rest of us stick to stuff we always watch..blerg .

Ludicrous!!

PMMM = cute girls anime

Plenty of films do it better than K-On!. K-On! equals turd, exclamation mark!.



Crimson Tide
Pretty good underwater thriller. Gene showing these busters how it's done.




Recent Watches:

Peeping Tom

Peeping Tom (Powell, 1960)-

Boyhood (Linklater, 2014)-
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Unforgivable (Téchiné, 2011)-

__________________
Yeah, there's no body mutilation in it



Guap: you have to find a way to influence people without talking down to them, not sure if it's intentional or not but everyone here has watched and enjoyed (i think) another members suggestions.
Because they are the stuff they always watch.
C'mon Guap, look around you - open your eyes, we've got folks exploring all kinds of movies for the 60s Countdown, participating in Hall of Fames watching others selections, along with the wide variety of films being watched in the 'Rate the Last Movie You Saw' and 'Movie Tab II' threads

If you're not seeing what you want to see in those, whatever that is, you have the ability to talk about any movie you want and do them your own kind of justice in any of these threads

As an aside, this is a forum meant for fun and an escape when off work / away from class / etc. Why the need to create controversy?



Bright light. Bright light. Uh oh.

The Hangover Part III (Todd Phillips, 2013)

Volunteers (Nicholas Meyer, 1985)
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A Day at the Races (Sam Wood, 1937)

Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)


”Think you used enough dynamite there, Butch?”
Oliver! (Carol Reed, 1968)

Little City (Roberto Benabib, 1997)

I Wish (Hirokazu Koreeda, 2011)
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Planet of the Apes (Franklin J. Schaffner, 1968)

Astronaut Charlton Heston reads his chronometers, gives himself a shot and prepares to join the rest of his crew in suspended animation before they crash land on a desolate planet.
The Adventures of Elmo in Grouchland (Gary Halvorson, 1999)

The Man Who Shot Liberty Valance (John Ford, 1962)
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Alien Nation: The Enemy Within (Kenneth Johnson, 1997)
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Easy Rider (Dennis Hopper, 1969)
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Billy (Dennis Hopper), Captain America (Peter Fonda) and George Hanson (Jack Nicholson) travel throughout the Southern U.S. in search of the American Dream on the way to Mardi Gras
American Sniper (Clint Eastwood, 2014)

Joe Kidd (John Sturges, 1972)

McCabe & Mrs. Miller (Robert Altman, 1971)

Interstellar (Christopher Nolan, 2014)


Blast-off, but to where and to what effect?
Paper Moon (Peter Bogdanovich, 1973)

Storm (Hans-Christian Schmid, 2009)

The Marksman (Marcus Adams, 2005)
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Funeral Parade of Roses (Toshio Matsumoto, 1969)



What do these two images mean? Well, some will say "Whatever I want." Others will have more specific answers. I'm mum on the subject.
__________________
It's what you learn after you know it all that counts. - John Wooden
My IMDb page



Bullets Over Broadway (1994) - Woody Allen

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Boys Don't Cry (1999) - Kimberly Peirce

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Rapace (2006) - Joao Nicolau (Short)



Claire's Knee (1970) - Eric Rohmer



The Set-Up (1949) - Robert Wise

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AVP: Aliens vs Predator - Requiem (2007) - Colin Strause/Greg Strause

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We Are the Best! (2014) - Lukas Moodysson



Salut Les Cubains (1963) - Agnes Varda (Short)




Das Boot (Director's Cut) (Wolfgang Peterson, 1981)


The Quick and the Dead (Sam Raimi, 1995) (Rewatch)
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Fail Safe (Sidney Lumet, 1964)


Eraserhead (David Lynch, 1977)
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The Sweet Hereafter (Atom Egoyan, 1997)
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Bright light. Bright light. Uh oh.

The Wandering Shadow (Fritz Lang, 1920)

The Chicken Chronicles (Francis Simon, 1977)

Kings of the Turf (Del Frazier, 1941)

When Harry Met Sally… (Rob Reiner, 1989)


”I’ll have what she’s having.”
Slap Shot 2: Breaking the Ice (Stephen Boyum, 2002)

Quicksilver (Tom Donnelly, 1986)

Olympia Part One: Festival of Nations (Leni Riefenstahl, 1938)

Olympia Part Two: Festival of Beauty (Leni Riefenstahl, 1938)
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Highlights during the high diving competition.
7 Faces of Dr. Lao (George Pal, 1964)

No Highway in the Sky (Henry Koster, 1951)

Charlie’s Angels (McG, 2000)

Barry Lyndon (Stanley Kubrick, 1975)


Little does Barry Lyndon (Ryan O’Neal) realize what disciplining his stepson (Leon Vitali) will mean to both of their futures.
Teddy the Rough Rider (Ray Enright, 1940)

Private Violence (Cynthia Hill, 2014)

Hoodlum (Bill Duke, 1997)
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Kings Row (Sam Wood, 1941)


After an accident, Ronald Reagan asks his longtime friend Ann Sheridan where the rest of him went.
Four Around a Woman (Fritz Lang, 1921)

The Alzheimer's Project: The Memory Loss Tapes (Shari Cookson & Nick Doob, 2009)

Citizen USA: A 50 State Road Trip (Alexandra Pelosi, 2011)
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Citizenfour (Laura Poitras, 2014)


Even though he’s annoyed that the smoke alarm is being tested on his floor and the fact that back home, his street is full of construction trucks, whistle blower Edward Snowden keeps plugging away at his computer in Hong Kong.



Bright light. Bright light. Uh oh.
The really striking parts of Olympia are when she adds in "recreated" scenes where the camera is following a runner over his shoulder or the coxswain right in his face. At the beginning of each part, there are expressionistic scenes showing the origin of the ancient Olympic Games and an idyllic episode by a lake and at a sauna. The original intent of the film may have been to document the superiority of the Germans, but the actual results surprisingly show America and Jesse Owens thwarting Hitler at almost every turn.



The Big Combo (1955) - Joseph H Lewis

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Steamboat Bill Jr. (1928) - Buster Keaton/Charles Reisner



The Goat (1921) - Buster Keaton/Malcolm St Clair (Short)

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They Live By Night (1948) - Nicholas Ray



Pickup on South Street (1953) - Samuel Fuller

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The Town (1997) - Nuri Bilge Ceylan




Sorry if I'm rude but I'm right
Did you watch Olympia for the first time, mark?
__________________
Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.



Sorry if I'm rude but I'm right


The Hill (1965) -
(Jacko's defiance is hands down of the funniest, but also boldest and most badass things in cinema of the 60s.)
伊波拉病毒 [Ebola Syndrome] (1996) -
(Anthony Wong is a king of sickness and he proves it in this flick by raping, killing, swearing and spreading disease. And also making some fine burgers.)
달콤한인생 [A Bittersweet Life] (2005) -
(The best Kim Jee-woon movie with a glorious lead performance from Lee Byung-hun! Melville + Neo-noir + Chan-wook Park + melee combat + sublime atmosphere intersected with brutal scenes + atypical love + great cinematography + vengeance + find out what!)




Bright light. Bright light. Uh oh.

Moms Mabley: I Got Somethin' to Tell You (Whoopi Goldberg, 2013)

Stop! Or My Mom Will Shoot (Roger Spottiswoode, 1992)

The Monuments Men (George Clooney, 2014)

Dazed and Confused (Richard Linklater, 1993)
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Matthew McConaughey and Rory Cochrane play two ‘70s stoners who graduated from high school a few years earlier but still like high school girls.
10 (Blake Edwards, 1979)
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Alamar (Pedro González-Rubio, 2010)

My Big Fat Greek Wedding (Joel Zwick, 2002)
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Jammin’ the Blues (Gjon Mili, 1944)
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During a jam session, Harry Edison blows the trumpet while Marie Bryant and Archie Savage jitterbug.
Once Upon a Honeymoon (Leo McCarey, 1942)

The Dukes of Hazzard (Jay Chandrasekhar, 2005)
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The Violent Men (Rudolph Maté, 1955)

A Little Romance (George Roy Hill, 1979)


Two early teens with high I.Q.s and old souls, American girl Diane Lane and French boy Thelonious Bernard, aided by con man Laurence Olivier, travel from Paris to Venice, where they plan to kiss beneath the Bridge of Sighs to pledge their love forever.
The Far Country (Anthony Mann, 1954)
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Gloria (John Cassavetes, 1980)

Headshot (Pen-Ek Ratanaruang, 2011)

Seven Days in May (John Frankenheimer, 1964)


General Burt Lancaster may be planning to overthrow the U.S. government; at least, that’s what his aide, Colonel Kirk Douglas believes.
Forbidden Passage (Fred Zinnemann, 1941)

How to Steal a Million (William Wyler, 1966)

Contest (Anthony Joseph Giunta, 2013)

Z (Costa-Gavras, 1969)
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The Deputy (Yves Montand) [right] of the opposition party and his aide (Charles Denner) confer about their plans and difficulties in organizing their rally against the policies of the right-wing military government.