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well i think it depends on the personality. i agree with others here that it is indeed a language, and you'll be more aware of the horrible use of it in bad films, and swoon when you see it used well in good films. it will take you time to be less aware of its use, by how comfortable you become with it.
if your personality is one heavily pressured by artifice and the awareness of concepts - ie, if you honestly truly can't shake the perception of film type, lighting, framing of shots, etc. - then no, it won't get better, and it will forever taint your perception.
if you can surrender to it, however, and learn to take it with a grain of salt, to even choose what you agree with and let go of what you don't agree with (ie, i deliberately got over theorists very early because that's all they are - theorists. it's their opinion, not fact, and my and your opinion are just as valid as a filmmaker philosophizing on his art in 1973), you'll add a deeper level of meaning and richness to every film experience you ever have from now til the day you die.
i minored in film studies and english was my major. they are a means to an end (full immersion in an art form you love and may choose to create with), not rules to live by.
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life without movies is like cereal without milk. possible, but disgusting. but not nearly as bad as cereal with water. don't lie. I know you've done it.
The more you study film the harder it gets to categorize them into good or bad boxes or give them three or four stars. I quickly realized that in my film studies department they have a very open minded attitude towards film. You would think that they exclusively devote their and our time to studying directors like Pasolini, Bergman and Tarkovsky but cinema is so much more than studying films in the way you study a painting. Film is connected to the world and to people. It's influenced by society and it affects society. I've studied and learned the importance of big blockbusters like Jaws and Independence Day, what radical feminists have to say about horror and slasher flicks, how economy and the market matters and how ideology and politics are everywhere in film - not just exclusively in propaganda films or explicitly political films. And, of course, the great masters and the canon of film history. I think I've trained my eye enough to know what to look for in different films. If I have become damaged in any way because of my film studying it's probably that, that I always look for different things while watching a film. I have never focused on technique, I look more for certain strategies behind the choices the filmmakers make which leads to certain reactions within the audience. Many films that I find interesting are the ones that the public view as easily digested entertainment. You can find lots of goodies in those.
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