The MoFo Top 100 of the 1930s: The Countdown

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Women will be your undoing, Pépé
Captain Spaulding alt confirmed.
looks like the leather-clad cat is outta the bag!
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Bright light. Bright light. Uh oh.
I knew Freaks would make it even if I didn't list it.
Freaks (Tod Browning, 1932)
(that's my legit rating; for those who are OUT THERE, think:
).


I don't know what to say about Freaks anymore, but down through the last 30 years, my opinion about it has kind of turned inside out. I've seen this film several times, on the big screen, on commercial TV, cable TV, and now on DVD. I've seen three different endings, but never apparently the original ending which was scrapped after the first preview screening in front of an audience. Freaks is a one-of-a-kind film. I realize that phrase gets tossed around a lot, and since this movie is 85 years old (!!), you probably won't believe me, unless, of course, you've seen it yourself.

When I first watched Freaks, I thought to myself, "Why, in God's name, would anyone make this film? Is this just pure exploitation or not? If it isn't, it's still very embarrassing for all involved because nobody can act and the whole thing comes off as amateurish." However, even so, probably because there was an incredible finale, I knew this film was much better than Browning's lauded, but sleep-inducing Dracula which made Bela Lugosi a star. A strange thing happened the more I watched this film. (Actually it's not that strange for all of you who watch a movie over and over; it seemed to shapeshift, transform and become more normal.) I started thinking that the "Freaks" were actually the more physically-"normal", hateful characters, while those with physical disabilities were more human and friendly.

(That character is super cool!)

Ultimately, Freaks is a melodrama showing how people try to take advantage of others. The fact that you never see the owner/manager of the traveling circus allows that non-character to wash his hands of everything. But the true villains of the piece are the "everyday" people who hate and take advantage of others. It's strange that these people who make a living in a sideshow can somehow believe themselves to be any less of a "freak" than those who have no say in the way they were born. Of course, Freaks makes it clear that if you are not "One of Us, One of Us!!", then you deserve whatever you get for being the inhuman monster you are.
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Been any talk of what list is next?

A Horror revisit would be interesting...though that's a genre that we could likely go decade by decade or sub genre


Other options to consider....

  • Adventure
  • Fantasy
  • Thriller



I didn't go as nuts over Freaks as some here obviously have , but I did enjoy it enough to put it at 21. I thought it was a very enjoyable film that I definitely will revisit at some point. While I disagree with Citizen in that I think it could get made today, I do think it would probably have a more subtle title
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I had Freaks at #24. I almost felt kind of weird even including it at all, that at the very least there were more deserving movies I could include, but it is one I've seen a few times and it does have its own strange power and influence. I knew it'd make the countdown, but top 10?! All's good, though. Only one remaining movie did not make my list, but it could have.


My List:

5. I Am a Fugitive from a Chain Gang (#11)
7. The Grand Illusion (#14)
8. The Lady Vanishes (#22)
10. The Thin Man (#25)
11. Ninotchka (#36)
12. The 39 Steps (#13)
13. Frankenstein (#19)
14 Horse Feathers (#51)
15. A Night at the Opera (#27)
16. The Invisible Man (#30)
17. The Hunchback of Notre Dame (#40)
19. The Awful Truth (#60)
20. Vampyr (#24)
21. My Man Godfrey (#31)
23. Fury (#68)
24. Freaks (#9)
25. City Girl (#74)
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I didn't include Freaks, but it is a very powerful movie. I can imagine audiences at the time of the release being horrified for the wrong reasons. A great message movie.

#2 Mr. Smith Goes to Washington (10)
#3 The Adventures of Robin Hood (33)
#6 Gunga Din (61)
#7 The Thin Man (25)
#8 Destry Rides Again (72)
#9 King Kong (16)
#10 A Night at the Opera (27)
#11 Snow White and the Seven Dwarfs (17)
#12 My Man Godfrey (31)
#13 Captains Courageous (64)
#14 Mr. Deeds Goes to Town (47)
#16 You Can't Take it With You (39)
#19 Stagecoach (23)
#21 Angels With Dirty Faces (37)
#22 Dr. Jekyll and Mr. Hyde (28)
#23 The Roaring Twenties (21)
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I didn't like Bringing Up Baby the 1st and 2nd times I watched it. But after the 3rd watch with the commentary track by Peter Bogdanovich and then a 4th viewing...I started to really like the film. I guess you guys do too, as it made it into the top 10.


I've wrote a lot about this film this at different times. Here's a snippet:


Bringing Up Baby (Howard Hawks, 1938)

I do have a hunch about the film...I don't think the genius of the film is in the story line or the characters. They are just window dressing for the true star of the film, the writing.

It's the quick wit that was written, and the ad lib lines done by Hepburn and Grant...that makes this film such a treat.

It's almost like this is a cryptic film and the actors and writers are bypassing the story and speaking directly to the audience. It's like an inside joke at a big party and the fun is in deciphering the double entendres.




I've never understood the love for Bringing Up Baby so no surprise that it didn't feature on my ballot.

Seen: 64/93
My list:  

Faildictions (streamline moderne vsn 3.01):
7. Babes In Arms



Not a fan of this or slapstick in general. The chances of me getting to 4 viewings to change that are very slim.
Camo and Raul made it my 3rd and 4th viewing It did grow on me, but didn't make my list.