Thanks for that, HP.
I own a lot of Polanski's work (even picked up The Ninth Gate in a sale a while back but it didn't survive my recent DVD cull) but haven't seen the documentray you namechecked. I must track it down.
I'm probably abnormal in that I'd place The Tenant very high in his filmography. As unsettling apartment flicks go, I've always found it more satisfying than Rosemary's Baby.
The first Polanski film I remember watching was his take on Macbeth, in a classroom sometime between 1988 and 1989. Even though my English teacher was a daffy old mare who lost my GCSE coursework she chose to show us that film instead of dozens of dry traditional versions of the play (and followed it up with Jarman's The Tempest). I liked that.
I own a lot of Polanski's work (even picked up The Ninth Gate in a sale a while back but it didn't survive my recent DVD cull) but haven't seen the documentray you namechecked. I must track it down.
I'm probably abnormal in that I'd place The Tenant very high in his filmography. As unsettling apartment flicks go, I've always found it more satisfying than Rosemary's Baby.
The first Polanski film I remember watching was his take on Macbeth, in a classroom sometime between 1988 and 1989. Even though my English teacher was a daffy old mare who lost my GCSE coursework she chose to show us that film instead of dozens of dry traditional versions of the play (and followed it up with Jarman's The Tempest). I liked that.
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"Critics are like eunuchs in a harem; they know how the Tatty 100 is done, they've seen it done every day, but they're unable to do it themselves." - Brendan Behan
"Critics are like eunuchs in a harem; they know how the Tatty 100 is done, they've seen it done every day, but they're unable to do it themselves." - Brendan Behan