Who is your favorite Actor/Actress of all time & Why?
I'd have to say Charles Laughton, with Edward G. Robinson being a fairly close second.
In every role from Mutiny on the Bounty (1935) and The Hunchback of Notre Dame (1939), up through Witness for the Prosecution (1957), and into the 1960s, he never had a bad performance despite the extremely wide variety of the characters he played. He still gets my undivided attention in movies I've seen several times.
In every role from Mutiny on the Bounty (1935) and The Hunchback of Notre Dame (1939), up through Witness for the Prosecution (1957), and into the 1960s, he never had a bad performance despite the extremely wide variety of the characters he played. He still gets my undivided attention in movies I've seen several times.
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Probably Michelle Pfeiffer, partly just for this performance alone:
I really enjoy Henry Fonda. Great actor
John Cazale
Jean Gabin
Hannah Schygulla
Meryl Streep
Cate Blanchett
Burt Lancaster
Jean Gabin
Hannah Schygulla
Meryl Streep
Cate Blanchett
Burt Lancaster
I'd have to say Clint Eastwood. I like most of what he's acted in.
I'd have to say Charles Laughton, with Edward G. Robinson being a fairly close second.
In every role from Mutiny on the Bounty (1935) and The Hunchback of Notre Dame (1939), up through Witness for the Prosecution (1957), and into the 1960s, he never had a bad performance despite the extremely wide variety of the characters he played. He still gets my undivided attention in movies I've seen several times.
In every role from Mutiny on the Bounty (1935) and The Hunchback of Notre Dame (1939), up through Witness for the Prosecution (1957), and into the 1960s, he never had a bad performance despite the extremely wide variety of the characters he played. He still gets my undivided attention in movies I've seen several times.
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Oh, I didn't post any of my favorites. Gosh there's too many actors and actress that I like. So just a few.
I find Vivien Leigh captivating when ever she's on the screen.
Big fan of Susan Hayward and Gloria Grahame.
Check this out:
Citizen's Top 62, 1930s Actors & Actresses
I find Vivien Leigh captivating when ever she's on the screen.
Big fan of Susan Hayward and Gloria Grahame.
Check this out:
Citizen's Top 62, 1930s Actors & Actresses
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John Cazale
Jean Gabin
Hannah Schygulla
Meryl Streep
Cate Blanchett
Burt Lancaster
Jean Gabin
Hannah Schygulla
Meryl Streep
Cate Blanchett
Burt Lancaster
His supporting roles were often overshadowed by the major players in his films, but his characters were often the anchor to these films.
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Nice choice, I haven't seen Michelle Pfeiffer in all that much but loved her in Grease 2. If you're a fan of hers, check out that movie.
I remember her first in Sweet Liberty the Alan Alda movie. I was so blown away by her. I am like this is a big star. I loved her in The Fabulous Baker Boys which is a favorite movie of mine.
I guess my favorites are Bette Davis and Cary Grant. They have been in so many films that I have seen many times and always find watchable.
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Gary Oldman. He's got range and real chops. Oldman and DDL inhabit roles so completely and intensely that you sometimes forget that the actor is on screen. They are the character. Sometimes you have to remind yourself that it's Gary Oldman, because he will look, act, and speak so very differently on screen that you forget that its him. And he is in some of my favorite films, so that's a bonus too.
Last edited by Corax; 04-20-23 at 04:26 PM.
Tatsuya Nakadai.
Yes, there are many other legends of cinema, including Toshiro Mifune, Setsuko Hara, and the Bergman actors, but let's be honest: Even if they were impressive at first, they became monotonous once you got their method of acting. But Tatsuya not only had brilliant performances from the very start of his acting career but he also never ever got static. The chaos in his eyes in Ran or The Sword of Doom was palpable. He gazed into the distance with madness in his eyes. His major debut Black River had him play one of the greatest ******* characters in the history of film. But what he showed in The Human Condition was especially incredible.
His roles in countless films were amazing. He even made Mifune lose his luster whenever he appeared in Kurosawa's Yojimbo, Sanjuro, and High and Low. He starred in films by giants such as Kobayashi, Kurosawa, Gosha, Naruse, and Okamoto. He also starred in the Hong Kong adaptation of the anime Wicked City and kissed Michelle Reis. Well, he kissed Setsuko Hara, too, in Daughters, Wives and a Mother. I really don't know any other actor who'd kiss two amazing beauties 30 years apart.
Nakadai never gave a bad performance. He was always flawless. Every one of his performances was well thought out. He had the idea of how the character should be portrayed in every film. And he portrayed them all brilliantly. Apparently, the directors didn't have to do much.
Yes, there are many other legends of cinema, including Toshiro Mifune, Setsuko Hara, and the Bergman actors, but let's be honest: Even if they were impressive at first, they became monotonous once you got their method of acting. But Tatsuya not only had brilliant performances from the very start of his acting career but he also never ever got static. The chaos in his eyes in Ran or The Sword of Doom was palpable. He gazed into the distance with madness in his eyes. His major debut Black River had him play one of the greatest ******* characters in the history of film. But what he showed in The Human Condition was especially incredible.
His roles in countless films were amazing. He even made Mifune lose his luster whenever he appeared in Kurosawa's Yojimbo, Sanjuro, and High and Low. He starred in films by giants such as Kobayashi, Kurosawa, Gosha, Naruse, and Okamoto. He also starred in the Hong Kong adaptation of the anime Wicked City and kissed Michelle Reis. Well, he kissed Setsuko Hara, too, in Daughters, Wives and a Mother. I really don't know any other actor who'd kiss two amazing beauties 30 years apart.
Nakadai never gave a bad performance. He was always flawless. Every one of his performances was well thought out. He had the idea of how the character should be portrayed in every film. And he portrayed them all brilliantly. Apparently, the directors didn't have to do much.
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Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.
Look, I'm not judging you - after all, I'm posting here myself, but maybe, just maybe, if you spent less time here and more time watching films, maybe, and I stress, maybe your taste would be of some value. Just a thought, ya know.
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Joaquin Phoenix, obviously.
I think he's really gifted and really versatile. He has a way of making me engage with movies like no other actor can. Of course, it doesn't hurt that he's usually pretty easy on the eyes.
I think he's really gifted and really versatile. He has a way of making me engage with movies like no other actor can. Of course, it doesn't hurt that he's usually pretty easy on the eyes.
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Citizen what were you doing in the Eighties and the Nineties?
I guess my favorites are Bette Davis and Cary Grant. They have been in so many films that I have seen many times and always find watchable.
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...
Laughton owns the screen when he's on, one of my favorites. Lots of respect for Eddie G. too. My favorite Robinson performance is Soylent Green, he plays his scenes of a man who remembers a past world that's much better than the one he finds himself in with so much painful longing. One of the most touching performances I've seen.
Laughton owns the screen when he's on, one of my favorites. Lots of respect for Eddie G. too. My favorite Robinson performance is Soylent Green, he plays his scenes of a man who remembers a past world that's much better than the one he finds himself in with so much painful longing. One of the most touching performances I've seen.
One of his memorable scenes that wowed me is his "methods of suicide" monologue in Double Indemnity. A tour de force:
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Dating, relationships and looking for hot chicks... I didn't watch a lot of movies during that time.
Come on, you could have taken the ladies to the movies.
Two of my all time favorites. One of these days I'm going to watch all of their filmography. Do you have a favorite movie or two from Bette Davis and Cary Grant?
Come on, you could have taken the ladies to the movies.
Two of my all time favorites. One of these days I'm going to watch all of their filmography. Do you have a favorite movie or two from Bette Davis and Cary Grant?
Holiday is one you don't see around much. It is funny and Cary Grant and Katherine Hepburn jump around like kids which they are it was made in the late thirties. Suspicion is a wonderful thriller with Joan Fontaine. It is a Hitchcock film. Hitchcock seemed to love using Cary Grant
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Harry Dean Stanton
Doesn't give a crap, acting is a job, doesn't want to impress
Dustin Hoffman
Pure class good acting, every role he's good
Philip Seymour Hoffman
Captivating, interesting without ever trying to
Dale Dickey
Authentic, a controlled mess, no one does what she does
Brit Marling
Pure femininity, like a soft breeze, a rose, very smart
Jena Malone
Art and integrity, delivers emotion very well
Doesn't give a crap, acting is a job, doesn't want to impress
Dustin Hoffman
Pure class good acting, every role he's good
Philip Seymour Hoffman
Captivating, interesting without ever trying to
Dale Dickey
Authentic, a controlled mess, no one does what she does
Brit Marling
Pure femininity, like a soft breeze, a rose, very smart
Jena Malone
Art and integrity, delivers emotion very well
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Well, I'll have to go with someone less classic. Tom Hanks. Maybe just because I get the sense he's not only a good actor but a good person. And scenes in a few of his admittedly lesser movies have been the source of a couple of anecdotes I've related when making a point in a business meeting. In Nothing in Common, there's that moment when he's giving a presentation and one of the listeners pressing him on adding a point he feels is a bad idea. The character's response, that he'd walk away ... wouldn't have anything to do with a bad idea ... is something I fall back on (Hanks/Hollywood as a bigger authority than me). Then in That Thing You Do, that moment when the band has fallen apart and he informs the final member in the room, the drummer, that they are now officially in breach of contract. To reassure him, he says something like: "Don't worry. No one's going to jail." In meetings where I've had to talk to a team member after they've goofed up, I've rearranged that into the icebreaker: "Don't worry. No one's losing their job today." I just really enjoy the way he seems so confident on the screen, and pattern his approach often.
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Scarecrow: I haven't got a brain ... only straw. Dorothy: How can you talk if you haven't got a brain? Scarecrow: I don't know. But some people without brains do an awful lot of talking, don't they? Dorothy: Yes, I guess you're right.
Scarecrow: I haven't got a brain ... only straw. Dorothy: How can you talk if you haven't got a brain? Scarecrow: I don't know. But some people without brains do an awful lot of talking, don't they? Dorothy: Yes, I guess you're right.